魔境仙踪字幕 第22集

类型:港澳  地区:中国香港  年份:2014 

魔境仙踪字幕剧情介绍

丑與天鵝許阿昆是一個(gè(🌊) )過(🐾)(guò(🏕) )氣的(de )舞台(📳)藝人,在歌舞團裡(lǐ(🍟) )以(yǐ )腹語(🌕)表(🗯)演(🕋)木偶渡日(👵),每(měi )回(huí )出場(chǎng )表(👿)演觀眾總(❎)是(🍶)報(📡)以無情(qíng )的(de )噓聲,果皮、紙屑扔(🕙)得舞(wǔ )台(🎓)滿(🐄)(mǎn )地(dì )皆是,使他狼狽不堪(kān ),因(👝)為觀眾總(👕)是(🌎)引頸翹盼歌(gē )舞女(nǚ )郎(láng )精彩(🎂)的(📶)演出,許在(🌝)觀(🔷)眾(zhòng )現實的(de )眼光下被老闆炒(⏯)魷(😺)魚趕(gǎn )出(😟)(chū(🚛) )戲院,阿珠是團裡的歌(gē )舞女(😫)(nǚ(🕉) )郎(🚋)(láng ),她在許(🧀)失業潦倒之際(jì ),適(🕸)時(shí )表現(📿)出(🏓)她(🍜)的關懷之(🏁)心,隨(suí )著她離開歌(📴)舞團四處(🐪)流(🎨)(liú(🛀) )浪(làng ),尋(xún )找新的工作。二人在只(🏵)(zhī )領(lǐng )一(🥦)份(🙄)薪水的情況,終於謀(móu )得一(yī )份(💷)(fèn )新工作(🔐),許(📙)卻一直被(bèi )蒙(méng )在鼓裡不知情(🕚),賣(🏌)力的在(zà(🔷)i )台(👫)前(qián )表(biǎo )演,殊不知觀眾是對(🧠)她(🛷)(tā )身後伴(🅾)(bà(🚋)n )舞的珠感興趣喝采,一(yī )日(rì(🍸) )許(🛬)發(🏡)現事情的(🎅)真相而黯(àn )然離(lí(🧖) )去(qù ),卻被(✅)珠(🚘)尋(💱)回,許有感(➕)(gǎn )於(yú )珠之(zhī )真情(🖌),發誓除非(😈)珠(🎂)叫(🛫)他(tā )走(zǒu ),否則永遠不會再離開(🔋)(kāi )他(tā ),二(🌍)(è(🐂)r )人再度風塵僕僕在各地(dì )作(zuò(👒) )秀,呈現的(🧣)畫(💆)面依舊是許(xǔ )表演(yǎn )的(de )時候觀(🚇)眾(🤨)暍倒采,珠(🐣)(zhū(📷) )表(biǎo )演觀眾情緒熱烈,因許之(🦌)(zhī(😴) )關係(xì )二(🎑)(è(⛄)r )人再度失業,許建議珠(zhū )獨自(🍼)去(🐟)(qù(🙍) )應徵工作(🚯),他則主內當(dāng )家(jiā(😥) )庭主夫,珠(🌇)也(🚻)因(🔑)此有了(le )新(🌐)工(gōng )作(zuò )並漸漸走(🗝)紅,許經常(🚣)被(🏊)(bè(📇)i )人(rén )冷嘲(cháo )熱諷說他吃軟飯,心(👪)裡(lǐ )漸(jià(😅)n )漸(📣)有些不平衡。結婚週(zhōu )年(nián )紀念(🅾)(niàn ),許枯坐(🔶)家(⏯)中等珠回來(lái ),他回家之後兩人(😐)又(😫)發生口(kǒ(🌚)u )角(🔓),珠(zhū )賭氣叫許離開,許在(zài )珠(🎼)(zhū(🚰) )熟睡之後(🥖)悄(✈)然離去,重新(xīn )過著(zhe )流(liú )浪漢(🤝)漂(🅾)沈(🗝)的生活,靠(🕺)賣(mài )布偶維(wéi )生,珠(🎵)輾轉得知(😚)許(⏸)賣(🕳)布(bù )偶(ǒu ),卻遍尋不見許的蹤(🆎)影(yǐng ),許(xǔ )因(🍲)(yī(🔭)n )此改行當小丑娛樂遊樂(lè )園(yuá(🌱)n )的遊(yóu )客(🤭),終(🚀)於為珠尋獲,兩(liǎng )人(rén )相擁而泣(🍍)真情流露,最(🍰)(zuì )為(wéi )他們(men )又重回昔日的舞台(✖)生(💧)活(huó )! 臺灣(♏)湯(📏)臣影業公司1985年攝製(zhì )。 星(xīng )期(🧔)(qī(🥍) )天,首都机场(👜)水暖工(gōng )柳(liǔ )茵拎着一兜子(🏣)水(🥃)果(🤥)回到自(zì(📳) )己父(fù )母(mǔ )的家来(🛬)。母亲看她(🧢)独(🍠)自(⤴)(zì )一人回(huí )来,担心她和丈夫(💁)李潜(qián )吵(chǎ(👉)o )了(🙆)架,柳茵感慨地回答(dá ):"他(tā )们(👑)(men )家从来不(🏰)吵(🚵)架,我倒希(xī )望(wàng )多吵(chǎo )吵!"妈妈(💳)追问,她不肯(🏻)(kěn )说(shuō )下去。前些年,柳茵曾(céng )和(👉)(hé(🐥) )李潜(qián )在(♉)同(🏦)一个地方插队,两(liǎng )人(rén )相爱(⏪)后(👡),柳先回城了(⛓)。婚(hūn )后,李(lǐ )潜也调回来工作(💒)。后(🐖)(hò(🛬)u )来(lái )他们(💡)有了一个小女儿朵(🤧)朵(duǒ ),小(xiǎ(📧)o )家(🕶)(jiā(🏣) )庭倒也美满。当初,柳(liǔ )茵曾经(📕)(jīng )想调换个(🐡)工(🗺)作,婆婆怕(pà )李(lǐ )潜调不回来,极(👓)力劝阻(zǔ(🚗) )。如(🎮)(rú )今(jīn ),李潜进了研究所,她(tā )还(💘)(hái )干着(zhe )"掏厕(🌞)所"的水暖工,李家(jiā )开(kāi )始瞧不(🙄)起(🏐)她了。公公(💜)婆(🚧)(pó )婆(pó )都是(shì )高级知识分子(👔),经(🤥)常出(chū )国(guó(🥑) )访问,对她只是大面上过(guò )得(🏥)去(🚷)(qù(🛂) );李潜也(🙀)多次让她去找(zhǎo )身(🤖)(shēn )为建筑(🧝)设(⛅)计(🤱)专家的父亲给(gěi )她调(diào )换(huà(🚻)n )一个体面的(🥂)工(🆙)作。爱人(rén )的不理(lǐ )解使柳茵十(🔣)分苦恼。柳(🧢)(liǔ(🤨) )茵(yīn )所在的水暖班一共有五(wǔ(👥) )个人(rén )。班长(💳)是个朴素、诚实的(de )好(hǎo )同志(zhì(🎌) )。范(🕛)师傅是个(🚍)踏(🌙)实肯干(gàn )的(de )老大姐。狗子这小(🤭)伙(🕳)子(zǐ )爱(ài )发(🧛)牢(láo )骚,可讲究实惠。 茜茜(qiàn ) 曾(🎹)(cé(🍊)ng )当(🎽)过两年半(🌵)的"空姐",因犯(fàn )了点(🍟)(diǎn )错(cuò )误(🔃)被(🐂)调(🍟)到这里工作,这(zhè )姑娘生活上(📶)很现代,可思(📩)(sī(🍙) )想上(shàng )却(què )有些旧意识,她瞧不(🅾)起(qǐ )自己(🔢)的(🔡)(de )工作。柳茵却认为人主(zhǔ )要(yào )是(🆔)要自己尊重(🏀)自(🤹)己。柳(liǔ )茵要(yào )求(qiú )李潜帮她(🐄)搞(👖)自动水泵(📍)装(⏩)(zhuāng )置(zhì )的设(shè )计,受到丈夫奚(🕔)落(📰)。两(liǎng )口(kǒu )子(🧤)经常为柳茵的工作问(wèn )题(tí(🔹) )冷(📿)言(😺)(yán )冷语,感(🍔)情越来越淡薄(báo )。过(🚡)去,李潜曾(🏳)海(💖)誓(🈳)山盟,现在(zài )不(bú )好意思太决(🧟)绝,柳茵(yīn )心(✈)(xī(🥙)n )里很不是滋味。到了婆婆(pó )家,公(🍌)(gōng )公婆婆(✋)谈(🔟)的都是外国什(shí )么地方(fāng )风景(🚐)好之类的话(🙌)。李(👂)潜(qián )的(de )妹妹李婉找个对象是(🥑)钳(🚘)(qián )工,婆(pó(👃) )婆(🕛)也埋怨她。柳茵明白(bái ),婆婆(pó(🧐) )嫌(😩)她不配李潜(🚹)。她的父(fù )亲(qīn )出国前问她和(❎)李(❎)潜(🎅)想要(yào )点(🤢)(diǎn )什么(me ),李潜立即要(🎃)求岳父为(👉)(wé(⤵)i )其(🎊)(qí )联系出国留学,柳茵则说(shuō(🖨) ):"我(wǒ )需(xū(🌩) )要(🏡)的美国没有,我需(xū )要(yào )的是人(🍪)与人之间(🐙)的(👵)真诚。"柳茵(yīn )的(de )小女儿朵朵因急(🍪)病死去(qù ),她(🙉)更(🐧)(gèng )加陷入了无爱的痛苦之(zhī(⏲) )中(🕉)(zhōng )。但她是(🤨)个(♍)要强上进的(de )女性(xìng ),丈夫不支(🔚)持(🍚),她自己刻(kè(😱) )苦(kǔ )钻研(yán ),终于搞成了水泵(⛺)自(🌈)动(🐵)(dòng )装(zhuāng )置(🈴)。领导和同志们充分(🤛)(fèn )肯(kěn )定(🏧)她(🍟)(tā(🎡) )的成绩,评选她当了三(sān )八(bā(🌓) )红旗手。李潜(🦎)一(🍟)家人得知(zhī )她成(chéng )了(le )"先进"人物(🐇),特意在她(🧗)生(🗝)(shēng )日那天大摆宴席,全家人一反(⛸)(fǎn )常(cháng )态,百(🛰)般(♏)殷勤。柳茵"受(shòu )宠若(ruò )惊(jīng )",但(🧗)她(🏂)更看清了(🗞)这(🕞)个没(méi )有(yǒu )爱的家庭,留下一(🤣)封(🤒)给李潜(qián )的(😅)(de )信出走了。柳茵在无声(shēng )的(de )雨(💎)丝(🥝)(sī(🐤) )中向着街(📘)巷深处走去…… 本(🥍)片于1985年获(🚷)第(🌆)二(⌛)十二届金(jīn )马奖(jiǎng )最佳男配(🏖)角奖(陈博(🤦)正(🙁)(zhèng ))、最佳录音奖(杜笃之)(⛄)、最(zuì )佳(🌦)(jiā(🥌) )电影插曲 奖(李寿全、张大春(💚))。 Raoul Wallenberg is the son of a well-to-do family of Swedish bankers. Although he is a Christian "Aryan", Wallenberg despises the anti-semitism of the Hitler regime. Not content with merely sitting back and viewing with alarm, Wallenberg vows to help as many Jewish victims of the Nazis as possible. After a young girl is gang-raped by a crew of construction workers, someone starts killing off members of the group with a nail-gun. Robert Traven, a dyspeptic, edgy American businessman, arrives in Naples and is received by a friendly but officious local company representative. Exhausted by the pressures and inconveniences of a long flight, he is looking forward to rest and relaxation in his hotel room when he is visited by buoyant and upbeat Antonio Jassiello, a clerk in a bank record room, who is surprised when his old friend from the War does not recognize him. The annoyed and exhausted Traven feels he's being scammed, and the two part on bad terms. Jassiello does leave a photo of Traven and his sister taken 40 years earlier, and the time and the setting seen to stir the American's memory, so he seeks out Antonio to apologize. Jassiello brings him back home to renew acquaintances with his family including his now middle-aged, married sister, Her hospitable husband is friendly and not the least bit jealous, and Traven soon discovers why he has not faded from their memories as they have from his. Antonio has been... 叙述了一(🚘)个(🌞)匪盗日(rì )间(jiān )为官,夜间为盗(🛐)的(✝)传奇(qí )故(🎇)事(🤺)(shì )。 Robert Traven, a dyspeptic, edgy American businessman, arrives in Naples and is received by a friendly but officious local company representative. Exhausted by the pressures and inconveniences of a long flight, he is looking forward to rest and relaxation in his hotel room when he is visited by buoyant and upbeat Antonio Jassiello, a clerk in a bank record room, who is surprised when his old friend from the War does not recognize him. The annoyed and exhausted Traven feels he's being scammed, and the two part on bad terms. Jassiello does leave a photo of Traven and his sister taken 40 years earlier, and the time and the setting seen to stir the American's memory, so he seeks out Antonio to apologize. Jassiello brings him back home to renew acquaintances with his family including his now middle-aged, married sister, Her hospitable husband is friendly and not the least bit jealous, and Traven soon discovers why he has not faded from their memories as they have from his. Antonio has been...

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