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年捍(🦈)(hàn )探周福祥(🤩)（费(🔙)翔）的好(hǎ(🤯)o )友金（梁家仁），因误杀(🧣)(shā )余(⛱)人而引(🤧)咎(jiù )辞职，由(💆)警察(👻)沦为(wéi )职业(🤼)杀手。金(😒)所执(zhí )行的多宗(🕺)凶(xiōng )杀案中(🥟)，恰(qià )巧由周(👯)(zhōu )负(🔅)责这些案中(🐏)，好(hǎo )友(🗾)二(èr )人一明(míng )一(🕹)暗，在命运安(🐆)排(pái )下，面临生(shēng )死决。期间周(🤳)发现(xià(😈)n )一个重大秘(mì )密(💔)。 A story of love and lust shaded with overtones of incest and lesbianism. Livia is a woman trying to regain the affections of her husband Alberto, whose journalism career takes him away for months at a time, on purpose. What she does not know is that he has an undeniable attraction for their daughter Monica. Livia's own sexual eccentricities lead her to hire young women to have sex with Alberto while she listens in hiding. When Monica wants to get into the act too, the real truth about her parentage is revealed. Director Giovanni Soldati decided to turn up the kink further an extra notch by casting real life mother and daughter team Stefania and Amanda Sandrelli. Given the fact his long-term partner is Stefania Sandrelli, this film is truly a family affair. 水兒（傅欣(⛎)瑜(yú )）原是大太(tài )子之(🚰)私(sī(🏻) )生女，流(🤨)落青樓，二太(💧)(tài )子(😹)（梁(liáng )家輝(🤾)）欲利(lì )用水兒(ér )揭大(🍕)(dà )太(🎃)子醜(chǒ(🥚)u )行以謀皇位(🚺)。大太(🌅)(tài )子不惜派(📛)殺(shā )手(🌛)暗殺水兒，而二(è(🙏)r )太子則命燕(😃)(yàn )十三（莫(🥅)少聰(😚)）、練飛霞(📯)（余(yú(🦊) )安安）等護送水(✝)兒回宮。兩批(👈)(pī )人沿途(tú )激戰，水兒得武士(🤗)(shì )（董(🐩)瑋）相(xiàng )救避禍(⏭)隱居荒村，然(🚚)二人性格(gé )迥異經常引(🦋)起衝(🧔)突(tū )…(🥩)… 6歳の少(shǎ(🤠)o )女・(🛶)MOMOKOは、遊園地(🙃)で友達のモトハルと遊(👑)んで(💧)いたと(🛣)き、突如(rú(🤭) )とし(⬜)て光に包ま(🍩)れ……(🌹)次(cì )の瞬間、16歳(🔹)(suì )の高校生(⛷)としてごく普通(🛤)の学(xué )園生(🔉)活(huó )を(🦒)送っていた。6歳の(💖)ときの記(jì(🐵) )憶が突然甦ったのか? しかし(😩)MOMOKOは、6歳(✳)から16歳まで10年(niá(📀)n )間普通に生(💵)(shēng )きてきたことを自(zì(⏰) )覚し(🌠)ている(🍋)ものの、こ(🧖)の不(🏵)思(sī )議な体(🌅)験は、6歳の遊園地の時(📎)から(👝)突(tū )然(🍚)、自分が16歳(⏩)にな(🏬)ったように(🏳)しか思(📭)えなかった。幼馴(💹)染みのモト(🎼)ハルに打ち明け(🔎)ても、彼は(📿)白昼夢(🥄)(mèng )だと笑(xiào )うの(💓)み。同(tóng )じ頃(🌬)、彼女(nǚ )らの周(zhōu )辺では、(🥉)勉学や(🍾)スポーツに長(zhǎ(🏆)ng )けた学生が(🐪)消息を絶ち、その2日後(🔰)に2日(🏭)間の記(🦁)憶(yì )ともと(🎤)の卓(🕣)(zhuó )越した能(🐫)力を失って帰って来(lá(🤲)i )ると(🚹)いう奇(📨)妙な事件が(📱)頻(pí(🅱)n )発していた(😫)。そして(🗿)同(tóng )じ頃、MOMOKOやモ(⏲)トハルに突(🍆)如、超能力が身(✴)につく。後日(💖)「ディ(💵)ラスポーラ」と(⬜)いうメッセ(🍋)ージのもと、エスパー(🔠)少年(⏮)(nián )たち(➖)がMOMOKOのもとに集(jí(🕠) )まってきた(🌻)。しかし、悪のエスパー(🥪)・フ(🈵)レイム(👕)の刺客が彼(💘)(bǐ )ら(💏)を襲う。危機(〰)を脱した彼らは、自分(🐿)たち(🎇)を集(jí(🌸) )めた謎の存(🏮)在「(🤦)BOY」からメッ(🏕)セージ(🚴)を受取る。彼(bǐ )ら(🤛)に救いを求(🆒)める「BOY」とは何(🐣)(hé )者なのか(💰)……? 臺(🤧)灣湯臣影業公(gō(🕥)ng )司1985年攝製。 Catherine Carré(🧀) présente tous les jours le journal de 20 heures avec un professionnalisme sans failles.Un soir, elle découvre dans les faits divers le nom d'Yves Dorget, journaliste de la presse écrite avec qui elle a eu autrefois une liaison. Dorget, homme intègre, enquête sur une vente d'armes de la France vers un pays en voie de développement.Ensemble, ils vont tenter de rendre la chose publique.Ils auront à choisir : respecter strictement leur déontologie professionnelle ou céder aux sentiments et aux pressions.Le «(🍿) quatrième pouvoir »(👍) est entre leurs mains… On the tropical island of Manioca, during a MardiGras-like festival, the child of the former president is kidnapped by the thugs of a communistic dictator. A large corporation in Miami finances an expedition to recover the child, and thus hopes to put the democratic nominee back in power. To this end, they send four mercenaries into the jungle, all of whom are masters of warfare. However, while the four mercenaries are fighting their way through the green inferno, new developments are occurring back in Miami. It seems that the corporation has changed its stance, and is now trying to work out a deal with the communistic dictator. This is sadly one of Umberto Lenzi's most neglected films--and for no good reason at all. Perhaps the lack of distribution has contributed to the obscurity of this gem; but, for all serious fans, it remains to be rediscovered. This film is not remarkable insofar as it is extraordinary, but that it so keenly represents the ending of an era. Never again will we see the likes of Antonio Sabato, Ivan Rassimov, Werner Pochath, and Franco Fantasia, all teaming up together in one great film such as this. Besides being well-directed, this movie is augmented by a very nice soundtrack by Stelvio Cipriani, as well as a surpise appearance by Andrea Aureli. Of course, it has its drawbacks as well. For instance, Ivan Rassimov's character is killed off much too soon (the same fate he suffered in Ruggero Deodato's "Atlantis Interceptors"). However, this movie contains some genuinely wonderful scenes that recall all the glory of Lenzi's earlier films. Highly recommended!