布达拉宫剧情介绍
杰(jié )拉(🔗)德(😠)(dé )·卡萨诺瓦是，所(🕔)有(➡)的(🏬)(de )富饶美(měi )丽的女人(🅾)打电话的时(shí )候，他(tā(🦌) )们(🛅)需(🔊)要多一点那么丈(zhà(🗣)ng )夫给他(tā )们的人
Park, a bar owner, is forced into paying extortion money to the local gangsters. When Yong-cheol, a customer, sees this, he is outraged and tries to beat up the gangsters, but he is overwhelmed by their numbers. The gangsters cut off Yong-cheol's leg to teach him a lesson. Park and a young boy assist Yong-cheol in forging a new leg out of iron to use as a weapon to defeat the gangsters.
A beautiful young housewife, Nora, is trying to convince her tight-laced, bourgeois husband, Torvald, to give her some extra money for the holidays, even if he has to borrow it. Fassbinder's interpretation of "A dolls house".
讲(🖥)述(🧀)镖(♉)师(👔)高奇(qí )英，路(lù )经赌(🍤)坊拆穿了范森一(yī )伙(🗜)骗(🎧)人(😹)(rén )的把戏，范森事后(🌟)将(jiāng )高杀害(hài )，高奇英(🛸)女(🏗)儿(🧖)高天凤(fèng )得知其(qí(📹) )父是(shì )被范所害，四处(👲)(chù(🔶) )找范寻(xún )仇，万氏兄妹(🥊)及凤一(yī )干人找(zhǎo )到(🔊)刘(💂)(liú )三虎的尸体，必(bì(⭕) )查(🌸)出(🐈)范(fàn )现住陈(chén )宝川(📜)处，找到范最终(zhōng )把坏(🛰)事(🔴)(shì(😱) )做尽的范送进了官(🛵)府(fǔ )，等待(dài )范的将(😉)是(❎)法(👡)律(📤)的(de )制裁(cái )。
태평양에(🌸)서 폭풍우로 아버지를(☕) 잃(🈁)은(🕷) 은주는 그 충격으로(🛫) 정신병원에서 3년을 보(🛡)낸(➖) 후(👒) 회복을 위해 어느 해(👕)변가로 보내진다. 그곳(📍)에(💗)서 만난 플레이보이 영(😜)남은 은주를 농락의 대(👱)상(🏬)으로 유혹하나 결국(🥀) 그(🕯)녀(📞)에게서 참된 사랑을(👹) 배우고 결혼하게 된다(⏪). 어(👘)느(🦄)날 죽은 줄 알았던 아(🚫)버지가 반신불수가 된(🐚) 몸(😪)으(🎨)로 나타난다. 그러나(🛥) 행복한 재회도 잠시, 아(🥃)버(🦂)지(🏬)는 은주의 행복한 결(🛂)혼생활을 방해하지 않(☝)으(🐎)려(🅱)는 마음에서 그녀의(🏨) 곁을 떠난다.
Elizabeth and her daughter Cecile spend their holidays at a lakeside resort in the French mountains. Elizabeth falls in love with a strange Italian, Giovanni, while young Cecile is courted by an apprentice cook. It seems that mother and daughter are drifting apart from each other, but then their holidays are over.
In 1946, diver Hwang Jun is asked to retrieve a shipment of gold that was sunk with a transport ship. Agents from Japan try to steal the gold but fail in their first attempt. Years later, the same agents take Hwang Jun's family hostage in an effort to recruit his aid
財界の黒(👘)幕(🏁)(mù )･大和田青巌から(♎)剣琢(zhuó )磨へ、警官隊(🏸)に(🙍)包囲(tōng )されている弟(🐉)・剛を助けてくれと(🗄)の依頼(lài )の電話が入(🍴)る(📗)。早(🤵)速(sù )、琢磨(mó )は機(🎇)動隊にまぎれ込(rù )み(🕕)、(🛀)剛(🐅)(gāng )を救出するが、(✖)青巌(yán )の本当(dāng )の狙(🚪)い(🤲)は(🤵)剛が手に入(rù )れた(😦)東(dōng )光化学の内情を(💬)暴(👍)露(⬛)(lù )するカセット・(🛴)テープで、琢磨への(✡)礼(🙈)金としてニセ札(zhá )を(🔝)掴ませたのだった。
根(🔦)据(⛴)(jù )易卜生(shēng )戏剧(jù )《玩(🌶)偶之家》改(gǎi )编。
While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film.