莫麟传奇第二部 正片

Just released ex- convict Guido watches his girlfriend get killed on the way home from prison. He thinks the killing is connected with the events that led to him going to jail five years back. Guido starts to investigate...In many ways a typical late DiLeo- crime film: unimaginative lightning, boring sets, unimpressive action sequences. Yet I think just because of the grittiness of the script, this one easily rises above the other DiLeo- turkeys I've seen. Decent acting in the form of especially Barbara Bouchet and Guido's main adversary Martin Balsam, who stand out positively. Most importantly, the plot really thickens towards the end climaxing in a truly memorable final scene between Guido and Martin Balsam's Rizzo. An ex agent of the FBI and Interpol (Tony Lo Bianco) is expelled by the CIA and he starts a detective agency in Genoa, great Italian city. Here he is known as 'The American', despite his origins are Sicilian. Dr. Mayer entrusts him to investigate on the sequestration and murder of the shipowner Mayer, as well as of the recovery of a million of Liras poured for the not happened liberation of the dead one. 'The American' has to overcome a double barrier: commissioner Lo Bianco that fears the illegal methods and a violent gang headed by the gangster called 'The French'. 'The American' gets the friendship of Lo Bianco after manifold mishaps, showing to be still an excellent police officer. In the middle of the seventies Italy lived its darker season, because victim of the terrorism. Those were the so-called 'Anni di Piombo' (Leaden Years), so many Italian films reflect the fear that could be read in the eyes of Italians. This rare crime-cop movie is an explicit example of that climate. Excellent O.S.T. by Franco Micalizzi. French version (dubbed in Italian at bcult.it) is 95 minutes longer. 男孩为母亲复(fù )仇替(tì )天行(💌)道，而(➡)导(🤬)(dǎo )演(💄)却(què )致力于心理惊(jīng )悚，细腻的(🕴)展示(👦)男(nán )孩(✖)如(rú )何走向极端，复仇(chó(🖱)u )更黑暗(❄)，更压(🐠)(yā )抑，只(🎿)是这场杀戮最后(hòu )可以(🔐)不用付(🎋)出任(📻)何(hé )代(⛩)价，结局大快人(rén )心。影片(😘)气质沉(♍)稳(wě(⏹)n )，角色塑(🕳)造相当立(lì )体(tǐ )，几位演(⤵)员的表(🌲)(biǎo )演(🐉)(yǎn )也和整部电影一样(yàng )让人十(🤶)足的惊(🚙)艳. 一(❕)(yī )个来(lái )自古老西部的(de )牛仔(zǎ(🤲)i )，罗伊(📎)，他(🚝)自(zì(🥠) )认为(wéi )是一个牛仔，但实(shí )际上(💿)只是(🌾)个一(yī(🚣) )身尘(chén )土带着6个杀手(shǒ(🎵)u )的精(jī(🌪)ng )神病(💸)患者。他(🔼)(tā )走进(jìn )小镇，破坏这(zhè(🙁) )里的(de )和(🌜)平，激(😼)起混乱(🔉)并(bìng )迫使当地人采取行(⏺)(háng )动。 新(🤶)狱警(🌃)成结识(🐺)(shí )原为律师的监犯康(kā(👶)ng )，并与康(🍈)妹成(🤼)爱侣(lǚ )，但副狱长垂涎康(kāng )妹(mè(🐁)i )美色，康(🌿)妹惨(📮)被强(qiáng )奸而自杀，加上副(fù )狱长(😋)(zhǎng )凶(💆)残(😙)成性(🕦)，引(yǐn )起监(jiān )狱暴动，成与(yǔ )康不(😁)(bú )顾(⏯)一切决(🍈)杀仇(chóu )人。 Just released ex- convict Guido watches his girlfriend get killed on the way home from prison. He thinks the killing is connected with the events that led to him going to jail five years back. Guido starts to investigate...In many ways a typical late DiLeo- crime film: unimaginative lightning, boring sets, unimpressive action sequences. Yet I think just because of the grittiness of the script, this one easily rises above the other DiLeo- turkeys I've seen. Decent acting in the form of especially Barbara Bouchet and Guido's main adversary Martin Balsam, who stand out positively. Most importantly, the plot really thickens towards the end climaxing in a truly memorable final scene between Guido and Martin Balsam's Rizzo. 沙姬最大的心(🚥)(xīn )愿是(🈲)(shì )能(🕠)够搭地(😛)下帖(tiē )兜风(fēng )，但不巧地(🐧)下(xià )铁(🎴)因(yī(😬)n )罢工而(📂)停运，沙姬(jī )只好打出租(✉)车去舅(🍅)(jiù )舅(🍠)家，而舅(💡)舅就住(zhù )在杜兰道开的(☔)咖啡(fē(🔁)i )厅楼(🚛)上，次日，沙(shā )姬在闹区闲逛，认(rè(🔁)n )识(shí )了(💠)处赛(😷)龙，一连窜(cuàn )好笑，奇怪的事也(yě(🍩) )因此(cǐ(📒) )而展(🍮)开。。。。。 The operators of 'Silver Haven', a cultish group bilking gullible rich people out of money, is set to inherit a large sum after the deceased woman's heir also dies. Leader Joesph Jones decides to hurry the process along and kidnaps Wally Benton, his fiance and a friend to further this goal. Wally is "The Fox", a radio sleuth who solves murders on the air. Jones wants him to devise a perfect murder and isn't above killing others sloppily along the way to get his foolproof murder plot.