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徐(xú )端的大女儿碧(bì )桃自小许(🥊)配(🥩)给张(zhāng )道南，但徐夫(fū )人嫌南家贫(⚓)，执(zhí(🏧) )意(😞)(yì(💕) )悔婚(💣)。未几(jǐ )，南父圭被人陷(xiàn )害，端偕圭(📺)上(🌷)(shà(🚸)ng )京。他俩在京期(qī )间，徐夫人将(jiāng )南赶(🏟)出(🧡)徐(🏩)家，更(gèng )叫亲戚向圭落(luò )井下石。最(🔱)后(hò(👜)u )圭(🌀)(guī(✂) )因罪(👼)发配边疆(jiāng )，南往营救(jiù )，一去经年(🐲)。桃(🐣)日(rì )夜盼望南归(guī )来(lái )，终不支病(🕺)倒，临(📌)终(📄)嘱(🔻)咐家(🌄)(jiā )人(rén )，将妹碧红嫁予(yǔ )南。 芸往医(🦈)院(😬)(yuàn )告赵太太死讯 并(bìng )把临终要自(🗯)己(jǐ(🈸) )嫁(😉)赵(🍮)为妻(🥞)一事相(xiàng )告(gào ). 二人遂成婚(hūn ) 但赵(💭)因(➖)跌(🌴)伤失去(qù )生育能力 两人(rén )只有做精(🚙)神(🚋)上(🛌)夫(fū )妻. 赵大女儿丽(lì )冰来信 告父(🎍)要(yà(💠)o )与(😹)(yǔ(🍻) )医生(👠)结婚 并快(kuài )将回香港. 回到(dào )香(xiā(🐗)ng )港(📱)之日芸赫然(rán )发现丽冰丈(zhàng )夫(fū(🔛) )便程(🖨) 芸(👞)乘(🔬)未被(🌒)程(chéng )发现前避开(kāi )了(le ). 程夫妇俩搬(📶)回(🛄)赵(zhào )宅 芸 程相见(jiàn )不(bú )相识 借机(🎈)互诉(🗝)离(🕥)(lí(⏩) )情. 程(🧞)对芸念念(niàn )不忘 对百般痴缠(chán ). 赵(🔌)偷(😰)听(🤹)得两人(rén )深夜倾谈 自觉要(yào )芸守生(😖)寡(😎)十(🚺)分(fèn )自私 遂欲自刎; 幸(xìng )得芸力劝(📇) 芸并(🌁)(bì(🆒)ng )告(🍘)之自(💨)己与程… IMDB review: "This now-campy soufflé is an indispensable time capsule of the decadent 60s, and is a lot more erotic than the harder X material that it helped open the door for. José Benazeraf, before he decided to take artistic control of his material, served as producer, and his idiosyncratic touch is ubiquitous -- gorgeous jaded players, elliptic dialog, arty milieux, jazzy (now retro) music, and bizarre striptease acts (including one at the legendary Crazy Horse Saloon), all with sensuously tactile b&w photography. Radley Metger released it in the States, and apparently added or altered some footage -- the Roman orgy party scene does bear a striking resemblance to the prison party in Camille 2000. If you can deal with the now politically incorrect view of alternative sexuality (which was de rigueur in the cinema of the era), this is a superb treat for the eyes and ears, accompanied by a martini or two." This is the story of a female corsair, Mary Read, who takes over a ship of pirates and wreaks havoc on the high seas. Later, she squares off against an old nemesis. This is a very colorful, adventurous film, which looks as if it were inspired by the films of Raoul Walsh (in fact, the director, Umberto Lenzi, is known to be a big Raoul Walsh fan). It's too bad that they don't make films like this anymore. ニュー東(dōng )京舞踏(🕡)学(💳)校の白(bái )井藤子と玉木(mù )里枝・(🌯)篠原(⬇)(yuá(⛅)n )英(🧙)(yīng )子(🐯)(zǐ )・滝内喜代子(zǐ )・光武早苗(miá(🙆)o )は(😆)仲の良い友達だった。 此版(bǎn )本(bě(📊)n )的《伊(⬇)豆(🐝)舞(🤕)孃》拍(🎎)攝於1960年，松(sōng )竹公司，川頭義(yì )郎導(📶)演(🍧)，鰐(🔮)淵(yuān )晴子、津川雅彥(yàn )主演，彩色電(🍚)(dià(🚅)n )影(🛶)。無IMDb號碼。 Edouard Berlon (Jean-Pierre Cassel) is a happy-go-lucky rogue who takes nothing seriously and flits irresponisbly from one affair to another. When he meets Helene Larouch (Anouk Aimee), he woos her although she is married to Andre (Francois Maistre), until finally the combination of his youth, exuberance, absurd family (including a few infants of undetermined origin and a number of stray dogs)and eccentric way of life compared to the aridity of her marriage, overcome her resistance. They are both soon disenchanted 丹(dān )羽文雄の原作(zuò )を「特ダ(🎛)ネ(😰)三(⛲)十(shí(🐑) )時間　白昼の脅迫　女の牙」の(🔂)舟(🧣)橋和郎が脚色、「旅情(qíng )」の田(🚾)中重(💇)雄(🤴)が(👄)監督(😸)したメロドラマ。「セクシー・サ(⏸)イ(🍹)ン　好き好き好き」の小原譲(rà(🛩)ng )治(zhì(🔲) )が(🖨)撮(🧞)影し(🎡)た。 Rag Doll is a classic girl leaves small town and heads to London tale. This particular teenage rebellion is centred around Carol (Christina Gregg), who leaves her drunk uncle (Flynn, Patrick Magee) for the bright lights of the big city. She's befriended by 'auntie' (Hermione Baddeley) and cafe owner Mort Wilson (Kenneth Griffith), gettng a bed, a job in the cafe and with Wilson, an admirer too. It's all going well - then she falls in love.