古巴导弹危机剧情介绍
哈(🍓)罗(luó )德(👞)是一位坚(jiān )持自己有病(bìng )并待在＜有钱人修养身心俱乐部＞里的(de )年轻富豪。医生们某天(tiān )终于受不了(le )哈罗德，他(🐍)(tā )被建(💤)(jiàn )议到(🌈)南(nán )方(👆)的(de )度假(🍖)岛(dǎo )屿(🚥)养(yǎng )病(😚)，没想到(🍦)(dào )却阴(👛)错阳差(🎎)(chà )碰上(💽)当地的(♊)(de )军阀革命，还被误(🌮)认为是(♒)世界银(🌂)行联盟(🛬)(méng )的代(🔑)表。身(shē(🔎)n )体健康(🔴)却坚(jiā(💸)n )持要养(🎟)病的(de )他(🐗)，该如何(🍔)(hé )在这(🌫)(zhè )一团(🎮)混(hún )乱的(de )小岛获(huò )得自(zì )己想要的生(shēng )活呢？
The film depicts, in three acts and an epilogue, the story of a clumsy clerk, Siegmund Lachmann (Ernst Lubitsch , who, after been fired for having broken accidentally the shop window where he works, goes to Berlin in order to get a new job in a prestigious fashion salon. Our hero finds himself surrounded by Teutonic beauties, that is to say, fat fräulein models that wear the latest fashions of the 1910's. Pretty soon he will be attracted to a young rich girl but with the opposition of her father.
An old merchant tries to save his firm by attempting to kill his ward.
It is the beginning of 1945 during WW2 in former Austria. 500 Russian prisoners of war who have refused to fight on the side of the Germans against their country were moved to the concentration camp in Mauthausen awaiting execution. They decide to break out. One winter night the Russian prisoners make an escape. During the following shooting a great number of them gets killed. Some, however, succeed to hide in nearby villages. But the German Nazis convince the inhabitants of the villages to hunt the prisoners "like rabbits".
一(yī )个都市女高中生，因为有一个梦想，能(néng )够考入警校(xiào )，但是(🚷)哥哥(gē(💜) )一直反(📤)对她(tā(⚽) )，因为她(🕠)的(de )父母(🙈)(mǔ )，都是(🧡)(shì )警察(🐣)(chá )，在一(✳)(yī )次执(📶)(zhí )行任(📖)务的时(😣)(shí )候，不幸殉(xùn )职(📢)了。“夏朵(🎹)朵”吵完(🚞)架后，在(🧒)街上偶(🦓)尔的机(🐒)会，抢走(🐯)了一伙(🤼)(huǒ )非法(➕)份子交(🦕)(jiāo )易的(🐬)东西，并(🚴)且逃离(🔚)到(dào )了一(yī )个偏远(yuǎn )的村(cūn )庄。在(zài )村中(zhōng )，结识了一(yī )个村中小霸(bà )王“牛格”并且与村民团结在一起，共(gòng )同抵抗(🌯)外敌(dí(🥋) )，最终不(💹)但(dàn )打(🎿)败了这(🎾)伙(huǒ )犯(🚧)罪分子(🍪)，还套(tà(📣)o )出了这(🚴)(zhè )伙犯(🚖)(fàn )罪份(🐡)子(zǐ )的上(shàng )家，按(🐆)照团(tuá(🉑)n )伙头目(📊)“铭(míng )哥(💖)”的交代(😛)，夏朵朵(🌝)联合了(💏)村民，写(🗑)了(le )交易(🔦)的时间(🍸)(jiān )的地(🍣)点，把(bǎ(🛸) )整个交(🎥)易的(de )上(🎱)家“杨老(lǎo )板”引诱到(dào )了村(cūn )庄，村(cūn )民同(tóng )心协力(lì )把他(tā )们一网打尽(jìn )，大获全胜(shèng )，并且成功完成了夏朵朵心(🧗)中的梦(😊)想。
本片(🥓)毫不含(🌃)(hán )糊地(🎡)正面描(⛎)(miáo )写了(🌻)同性恋(🤣)(liàn )情，有(🍄)些镜(jì(🐢)ng )头对(duì(💢) )今天的(de )观众(zhòng )来(🎶)说还(há(🍥)i )是非(fē(🧛)i )常具有(😊)挑逗(dò(😣)u )性。男主(👘)角(jiǎo )保(🛢)尔有一(🍤)种说不(🗨)出是男(🐟)性还是(🥔)女性的(🍄)魅(mèi )力(🦄)，让这部(bù )本来是控诉(sù )同性恋受社(shè )会剥削的影(yǐng )片带上了强(qiáng )烈的(de )同性情(qíng )欲色(sè )彩。编(biān )剧兼(jiān )演员费尔德(dé )当(🖍)时是德(🈚)国(guó )声(🐇)名赫赫(😋)的同性(🔪)恋组织(💑)领袖，影(🈸)片上映(💌)(yìng )后立(🦌)即引起(😭)(qǐ )轰动(🔆)，警方(fāng )下了禁演(📃)令(lìng )。一(🐄)年后终(🐳)(zhōng )于被(➡)(bèi )德国(🚷)政(zhèng )府(🚮)全(quán )面(🤷)禁示(shì(🔬) )在戏(xì(🛌) )院上映(🎮)，但(dàn )是(🥥)在进行(👙)科(kē )学(🚉)研究的场所，医生和医学生还是可以(yǐ )看。在1961年于(yú )好莱坞出现(xiàn )的影片《受(shòu )害者》（Victim），跟本片有(yǒu )着类(lèi )似的主(zhǔ )题和(🛬)(hé )剧情(🙌)重点，它(⛅)描述在(🐜)同(tóng )性(🎌)恋仍属(😴)禁(jìn )忌(🚾)的1960年代(🦆)，狄·鲍(🈸)嘉饰演(🍀)的律师(🕜)负责对(duì )付一名(⛺)专门(mé(🎃)n )恐吓男(🔇)同性(xì(🦉)ng )恋的勒(🚤)索者(zhě(🏄) )，不料他(🔓)本(běn )身(👱)就(jiù )是(🎪)一个(gè(👅) )同性(xì(💺)ng )恋者！
This charming film is practically unknown, but it is one of Klein-Rogge's best performances, as he plays a romantic lead with a dash of villainy. Klein-Rogge is the feared Master who lives in a bleak castle on top of a mountain, and the villagers in the valley below dread his ill-omened arrival at every wedding. The story concerns one couple who marries despite the master's baleful influence, only to have him crash their wedding party and bring about the death of the bride. The bride's sister, seeking revenge, tries to kill the Master but instead they fall in love, as she realizes that he is not really evil, but blighted by a loveless existence. Their love is ill-starred, however, as the Master kills an insolent guest at their wedding who takes liberties with his bride, and this is followed by a peasants' revolt, where the castle is stormed and the Master captured. In the end, the lovers escape, but their love is finally doomed. The year before this film, Klein-Rogge had his great triumph as the evil Dr. Mabuse in Fritz Lang's 'Dr. Mabuse, Der Spieler', and his most memorable roles have been as villains. This movie demonstrates what a really wide range he had as an actor - he starts off with his very characteristic glowering villain, but once the girl enters his life he demonstrates both joy and tenderness, as well as grief and pain when he thinks he has lost everything. I don't know if such an obscure film could be a candidate for restoration, but it would be a worthy project, as the sets, costumes and many of the performances are as classic examples of expressionism as one could hope to see.