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38岁的雅(🐕)克和四个孩子一(yī )起去Oléron岛(⬜)度假(jiǎ(🗾) )。由(yóu )于厌(🎳)倦了在沙(🐒)(shā )滩上(🏖)玩，他倾其所(🌖)有买了(😢)艘(sōu )帆船(🎋)，给它起名(míng )为(wé(⛳)i )“自由的风帆(fān )”。他(♈)决定(dìng )驾着(🛵)它重返(🌑)五(wǔ )公(gō(🌼)ng )里外的Aix岛(🎟)。虽然(rá(🕓)n )他(tā )不会驾驶帆船(chuán )，但他还(🐀)是(shì )向(📪)家人宣布(🎉)：他(tā )是(📠)船上唯(🦇)一的主(zhǔ )人。 Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended. An investigative reporter works to solve the mystery of a haunted house constructed from rooms of the deceased. 一座被外国(guó )军(🕟)队占领(🤡)的(de )城市，由(🗒)于粮(liáng )食(😵)(shí )短缺(⚪)，人民生活(huó )艰难困苦，一位年(🔉)轻妇女(🌼)只(zhī )好带(🕷)着双胞胎(🤮)(tāi )儿(é(🎉)r )子(zǐ )们投靠(🐎)住在乡(🕷)(xiāng )间的母(🕤)亲。这位“外婆”不(bú(💒) )仅不识字(⏰)、骯脏(🌼)(zāng )、吝啬、(🔀)凶恶，甚(🈹)至是一名(😚)(míng )凶手。两(🏋)兄弟(dì(🍩) )在(zài )艰困的环境中成(chéng )长(zhǎ(📅)ng )，为了让(🐝)自己(jǐ )变(🔱)得坚强，两(〽)人每日(🐫)以互(hù )相(xiàng )打骂对方、绝食(😁)(shí )等各(😽)种方式锻(🛐)炼(liàn )生存(🌽)本领。他(🍴)们将每天发(fā )生(shēng )的事情仔(🛶)细记载(🌬)(zǎi )在一本(🎦)大笔记本(🤘)中。随着(⏪)日(rì )记一页(🛎)页被翻(👏)(fān )开(kāi )，一(🚴)场冷酷的梦(mèng )魇(🚌)式寓言也(🤒)逐步呈(😕)现。 吉(jí )兹(zī(🍍) )和奥夫(🏟)是一对颇(📠)(pō )让(ràng )人(👵)羡慕的(😸)情侣(lǚ )。不过奥夫(fū )身材高大(🎧)，容(róng )貌(👂)(mào )虽佳，却(📸)是个彻(chè(🍂) )头(tóu )彻(🌰)尾的花花公(gōng )子。他与女(nǚ )孩(🙉)英在电(🛠)影院(yuàn )约(🕍)(yuē )会，结果(🌗)正被吉(🍂)(jí )兹看在眼里。事(shì )后奥夫向(✡)女(nǚ )友(📁)赌咒发誓(🛫)，说(shuō )对英(🤕)绝对没(🐮)有感(gǎn )情，致令听到(🏭)这一话语(🐧)的英(yīng )伤心欲绝(🏋)，万(wàn )念(nià(🏛)n )俱(jù )灰(🍤)，最终从摩(mó(👊) )天大厦(⚪)的顶层跳(🕹)下，一命(mìng )归(guī )西(🏐)。 Based on Machado de Assis' story. The eternal love triangle in two different times. In 1871 and a hundred years later. Costumes change but the sentimental conflicts remain the same. 法国南部某(mǒu )个(gè )海滨小镇(✅)，默(mò )默(🕙)无闻的粉(👝)(fěn )刷工加(🤾)斯帕（(📶)Gregoire Leprince-Ringuet 饰(shì )）与同龄女孩马(mǎ )丽(lì(🏡) )安（Pauline Etienne 饰(📨)）相恋(lià(🕌)n )。某天，他(tā(🗡) )们偶然(🍈)拾到一(yī )部(bù )手机，手机里面(🔳)(miàn )的奇(🦕)怪短信令(⚫)他(tā )们颇(🅿)为好奇(🆑)(qí )，而桌面上那(nà )个(gè )颓废女(🉐)孩的相片(piàn )似乎(🚥)也紧紧抓(👥)住了加(🧣)斯帕的(de )眼球(🎏)。数日后(🔽)(hòu )，他(tā )们(🤙)按照短信的(de )内容(🤗)跟踪了两名当事人——消瘦(🍭)的青年(🅰)龙（Swann Arlaud 饰(shì(🧔) )）和颓废(🤰)女孩(há(💱)i )山姆（Moon Daily 饰），结果这两人(rén )竟(😔)(jìng )相约(🕡)在山中自(👂)杀(shā )。加斯(🌵)帕和马(🎩)丽(lì )安匆忙营救(jiù )，龙气绝身(🚽)亡(wáng )，山(🍨)姆则捡回(🏡)一条(tiáo )命(🚍)。 Set in the early days of World War II, General Claire Chennault works to assemble a volunteer fighter squadron to help the Chinese fight the Japanese.