贝乐虎儿歌在线播放剧情介绍
"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’(📲)s half-seen mast, boards over a muddy street) that’s practically a Grafströ(😰)m, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’(🐖)t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’(🚞)s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."
具有(yǒu )文献(xiàn )风格(gé(🔧) )的序言讲(😬)述美国战略情(📢)报局为进(👡)入敌后方(⤵)训练特(tè )工(🍵)。当真(zhēn )正(📊)的(de )特工(gōng )到达(🍛)(dá )法国(guó(🈶) )发现(xiàn )秘(🕠)密(mì )V－2火(huǒ )箭库(kù )时(👤)，一个(gè )名(🚵)为(wé(🌠)i ) “莫(mò )尔”的(🦊)德(dé )国组(💷)织施予入侵欧洲的假(💔)情报，德国(🐖)特工却比组织(🤯)领导者更(🌟)胜一筹，最(🦊)终一场冒险风波血腥(☔)而生…
A private detective is hired by the owner of a music store to find a young girl he grew up with. Suspicious as to why someone would pay a lot of money to find someone he hasn't seen in years, the detective digs further and soon winds up in a scheme involving a set of valuable old phonograph records, a dead millionaire and murder.
故(⛴)事发(🤔)生在1945年，弗(👯)雷德（达(😚)纳(nà )·安(ān )德鲁(lǔ )斯(⏹) Dana Andrews 饰(shì )），艾(🗼)尔(ěr )（弗(fú )雷(🧙)德(dé )里克(📊)·马奇 Fredric March 饰(😃)）和霍莫（(👬)哈罗德·(⛸)拉塞尔 Harold Russell 饰）是(🌬)(shì )三名(mí(😇)ng )刚刚(gāng )走(🎶)下(xià )战场(chǎng )的军(jun1 )人，即(🦏)将(jiāng )回到(🌂)(dào )久(🚳)违(wéi )的家(👄)(jiā )乡，即将(👰)(jiāng )见到(dào )久别(bié )的亲(🍪)(qīn )人，虽然(🙅)三人的境遇各(🏻)不相同，但(🎲)内心中的(🥉)激动和忐忑却别无二(🖐)致，分别在(🥐)即，他(🧒)么许下了(🎆)再相聚的(⏪)约定。
The stuffy manager of lovely opera singer Vicki Cassel and her uncle, a classical conductor, is determined to close down the noisy nightclub that's next door to the Cassels' home. The club's owners--Steve, a handsome ladies man, Jeff, his clownish sidekick--hatch a plan to keep the club open. Steve arranges to meet--and woo--Vicki and then invite her and her uncle to the club. When Vicki's snobbish aunt and the manager discover that Vicki now favors popular music to the classics, they arrange to get the club closed. But that doesn't keep Steve and Jeff down. Instead they decide to put on a Broadway show if they can get a backer. They find their "angel" in Vicki's uncle who agrees to finance the show only if Vicki is the leading lady. But once again, Vicki's aunt and manager may be the spoiler in everyone's plans.
大学生何斐（韩(🥞)非饰(shì )）(🎓)与(yǔ )同学(xué )李(🏠)佩(pèi )芳（(🐕)王丹(dān )凤(🎶)饰(shì )）相(xià(🎋)ng )恋，李佩芳(🌆)的父亲和哥哥(🚭)们都很瞧(📅)不起何斐(🌆)，何斐本(běn )想和(hé )佩芳(🏮)(fāng )分手(shǒ(💞)u )但始(🤵)(shǐ )终开(kā(🛹)i )不了(le )口。在(🥣)佩(pèi )芳的(de )央求(qiú )下，何(🌖)斐(fěi )到了(📝)(le )她父(fù )亲公(gō(🕖)ng )司工作，但(🕌)是何斐一(🥗)去公司便成了嘲笑的(🥂)对象，佩芳(🖋)的哥(💌)哥们也使(👄)出手段想(🔴)让两人分手，佩芳毅然(〰)离家出走(💔)和何斐走到了(🏦)一起，但是(🌝)(shì )两人(ré(✅)n )出去(qù )工作(zuò )却总(zǒ(🌧)ng )是碰(pèng )壁。不久(🦇)佩芳怀孕(🌃)，在路上她(🐐)被汽车撞倒，车子的主(⏯)人恰(qià )好(🍱)是(shì(🦉) )佩芳(fāng )的(😲)大(dà )哥和(🐒)(hé )大嫂(sǎo )，他(tā )们把(bǎ(📿) )佩芳(fāng )带(🌺)回(huí )了家(jiā )，却(📇)(què )发现(xià(🤘)n )佩芳(fāng )因(👈)为(wéi )受到(dào )振荡失忆(🌫)了。何斐到(💋)处寻(🧦)找佩芳，却(📀)始终没有(👋)她的踪影，为了生存，他(🌊)只能干起(👧)了擦皮鞋的工(❌)作。春天，佩(🤝)芳顺利生(🚂)下了孩子，最终(zhōng )两人(🌌)(rén )在街(jiē )头相(🍥)(xiàng )遇了(le )。
一(📣)(yī )位著(zhe )名(🕙)的神经外科医生向他(📈)的学生讲(🎏)述了(🤒)他与一位(🦊)已婚女(nǚ(👱) )子的(de )风流(liú )韵事(shì )，以(🚱)(yǐ )及在(zà(🙊)i )风流(liú )韵事(shì(🈵) )结束(shù )后(💛)，这名(míng )女(🌬)子(zǐ )某天(tiān )从窗(chuāng )户(🦕)摔(shuāi )下去(🤓)(qù )而(😘)死。外科医(🔥)生怀疑她(🍃)是被谋杀的，并开始寻(🗯)找杀害她(📮)的凶手。但是他(👃)并不打算(🧒)把疑犯交(🏪)给警察，而是计划向凶(🦔)手复仇。
The film's use of color was a landmark breakthrough. It was a process different and superior to technicolor. We can do it today in say, Kodacolor, and "The Red Shoes" did indeed quite approximate it but good as that was, it did not equal SF,