银行抢劫案 第15集

This epic was the last in a series of silent sword ‘n sandal spectaculars starring former Genovese dockworker and aging hunk Bartolomeo Pagano. This homely stud spends half the film in a heavy woolen suit, looking more than a dimwitted butcher than a bodybuilder. Fortunately, true to the title, he does go to hell, where he’s assaulted by demons, propositioned by seminude demonettes, and finally stripped to his overample but still fetching flesh. He keeps busy during his sojourn leading a demon revolt and battling a dragon too large to move very much. Director Brignone pulled out all the stops for this comic-Boschian vision of hell, with what looks a cast of thousands of demon-extras spilling off the screen. Fellini claimed Maciste inspired him to become a filmmaker, and the air of amusing depravity, seen to full advantage in the rare restored print that occasionally circulates, would seem to confirm it. 法(🏊)(fǎ )国电影导演。先(🎯)锋派电影的(de )代表(🔂)人物之一(yī )。1897年 3月(💰)25日生于(yú )华沙，1953年卒于(🥛)(yú )巴黎。爱浦斯坦(🍍)(tǎn )原是散文作家(📽)(jiā )和哲学家，曾(cé(📣)ng )在L.德吕克主办(bà(🚜)n )的电影杂志上(shà(🐸)ng )发表文章热情(qí(📋)ng )称颂“第七艺(yì )术(⬆)”。1922年，他首(shǒu )次执导了《巴(bā )斯德传》。次(cì )年(🔧)，执导了根(gēn )据巴(💗)尔扎克小(xiǎo )说改(💚)编的《红(hóng )色旅店(🌃)》以及(jí )《忠实的心(🍐)》。这些影片在蒙(mé(🆒)ng )太奇手法的应(yī(Ⓜ)ng )用上十分精彩(cǎi )，获得了巨大(dà )成功。爱(🌜)浦斯(sī )坦成为先(🐉)锋时期印象主义(🈳)学派(pài )的重要人(❗)物。此后爱浦斯坦(📬)(tǎn )开始拍摄了一(➖)(yī )些商业影片。但(😅)是他从未完(wán )全(👽)抛弃对电影艺(yì )术的探索：1927年(nián )他导(🥂)演了《┩$×11》、 《三面(👀)(miàn )镜》，次年导(dǎo )演(👧)了《于谢家(jiā )的没(😥)落》，其(qí )中仍使人(⭕)感受到先锋派风(🍖)格。 Walt Disney's 7th and last retelling of an old British fairytale from the Laugh-O-Gram Studio. Jack is trying to impress Susie by showing her a story how he will win her heart. Roberto是一个年轻的(😾)(de )美国籍古巴人(rén )，七岁时被父(fù )亲非法(📆)偷渡带(dài )到美国(✡)，事隔多年他第一(📒)次回(huí )到自己的(🌓)祖国(guó )，此行主要(💵)目(mù )的是找寻他(🏦)的(de )母亲，并与她(tā(🚁) )当面对质，因(yīn )为(🕟)他一直认为是(shì )母亲将他抛弃(qì )。然而(🏸)这次旅(lǚ )行也变(🐅)成了一(yī )个不寻(❔)常的心(xīn )灵之旅(😏)，让他(tā )找回了真(💧)正的(de )自己…… П(🕠)астор Та(💾)льнокс яростно при(🤫)зывает п(🤹)аству бо(👓)роться с(🥋) искушен(💍)иями, одн(💰)ако сам с(🌂)тановит(🏤)ся жертвой соблазн(🖥)а. В его до(🥣)ме появл(🏇)яется са(😇)тана, под(✅)талкива(🙂)я героя к(💁) воровству и духовн(🈴)ому паде(🌾)нию. An extended family split up in France and Germany find themselves on opposing sides of the battlefield during World War I. I saw this at the London Film Festival in 1995 or 1996. The print had been lovingly restored from sections scattered around the world, including some from archives in Moscow. Somebody near me said "I'm really looking forward to this", which was understandable, since the director, as Michael Curtiz, later made some jolly swashbucklers and Casablanca, and the LFF had previously come up with several almost unknown silent masterpieces, including Jacques Feyder's Visage d'enfants. 一场意外(☕)让宾虚（拉蒙·(🏫)诺(nuò )瓦罗 Ramon Novarro 饰）沦(🌓)为(wéi )了可以被随(📙)意(yì )买卖的奴隶(🎊)，他被卖到了一(yī(🉑) )艘兵舰上，成(chéng )为了一名水手。某日，兵舰(📰)遭(zāo )遇海盗的袭(🚸)击(jī )，就在这生死(🎿)(sǐ )存亡的紧要关(🏛)(guān )头，身强体壮(zhuà(👺)ng )的宾虚成功挽(wǎ(🦍)n )救了兵舰司令官(🅾)(guān )的性命，司令(lìng )官感谢宾虚的(de )救命之(👏)恩，不(bú )仅赋予了(🛍)他自(zì )由，还将其(👳)收(shōu )为养子。 导演(🈵)：卢觉非