《他是谁》真凶到底是谁剧情介绍
A beautiful young housewife, Nora, is trying to convince her tight-laced, bourgeois husband, Torvald, to give her some extra money for the holidays, even if he has to borrow it. Fassbinder's interpretation of "A dolls house".
麻醉(zuì )医生(👃)(shēng )李(lǐ(🐅) )志华（(🌵)祝希娟(juān ) 饰）作为(📓)巡回医(🕠)疗队的医院正(🌃)在钢(gāng )厂的(🍈)高(gāo )温(😩)熔炉(lú )前(qián )挥(🎫)汗(hàn )如雨，突(🏄)然一(yī(🍵) )位工人高喊(🍡)她的名字，原来(🚾)钢铁厂(🖖)的老杨(yáng )师(🥩)傅的(de )心(xīn )脏病(🤐)(bìng )又复(🔈)发(fā )了。闻(wé(🚃)n )听此言，李医生(⤵)连忙离(⛱)开炼钢炉，乘(🛵)坐救(jiù )护车来(🧐)(lái )到上(🍵)海(hǎi )某医(yī )院(yuàn )的(🕒)急诊(zhě(🅱)n )室。李医(💏)生认为杨师傅已经(🚅)开过一(😒)刀，而(é(🚅)r )且再度(dù )复发，形势(🌙)十(shí )分(🤦)严峻(jun4 )，需要(yào )尽(👙)快开始治疗(🔂)。然而外(🏒)科副组长罗(luó(🦈) )医生（邱世(🐔)繐(suì ) 饰(👝)(shì )）则(zé )认为观(guān )察几天(⛎)(tiān )后可(🕞)以让老杨师(🆚)傅回去。李医生(👹)对此表(🐆)示(shì )不满，她(🚉)(tā )认为(wéi )罗医(❔)生(shēng )思(🤓)想保(bǎo )守，害(😯)怕承担责任，并(🙋)且提出(🦈)大胆设想，希望用(yò(🥉)ng )针刺麻(🔑)(má )醉手(😗)(shǒu )术(shù )治疗老(lǎo )杨(🖊)师傅。罗(🕖)医生为(🐍)了给针刺麻醉大会(🍨)献礼(lǐ(🔋) )，打算(suàn )选择成(🍀)(chéng )功可能(né(🎉)ng )性比较(🥠)(jiào )大的病(bìng )人(🌯)进行手术。两(🐈)位医生(🛫)在手术台前(qián )发生了(le )争执(🚻)……
讲(🔋)述(shù )英籍职(🎣)(zhí )业杀手(shǒu )受(🛁)聘暗杀(😢)法国总统戴(🌋)高乐，而法国警(🖇)方亦(yì(😐) )从蛛丝(sī )马(⛺)迹中(zhōng )获知了(🥃)(le )他的阴(💊)(yīn )谋，于是全力阻止(🦕)杀手的(🔗)行动。
讲(🍗)述镖师(shī )高奇英(yī(🕥)ng )，路经(jī(🌟)ng )赌坊(fā(🍕)ng )拆(chāi )穿了范(fàn )森一(🐧)伙骗人(🤢)的把戏，范森事后将高杀害(🥑)，高奇英(🥎)(yīng )女儿高(gāo )天(🐷)(tiān )凤得(dé )知(🕝)其父(fù(📚) )是被范(fàn )所害，四处找范寻(🛒)仇，万氏(😨)兄妹及凤一(🤐)干(gàn )人找到(dà(🎆)o )刘(liú )三(⏳)虎(hǔ )的尸体(🚏)(tǐ )，必查(chá )出范(⏩)现住陈(🗑)宝川处，找到(🍙)范最终把坏事(🌅)做(zuò )尽(👆)的范(fàn )送进了(le )官府，等待范(🆙)(fàn )的将(🅱)是法律的制裁。
Archana, an educated daughter of retired principal loves Professor Sukhesh. This love born out of intellectual impact is supported by the fond hopes of her father that leads to matrimonial alliance. Archana's mother is of a different class with materialistic notions of life and she too unwillingly gives her consent to the marriage. Seeds of marital love have not yet flowered into sweet joys of wedlock when whims and ego's of Archana and Sukhesh start clashing. Though a dutiful loving wife of a sweet husband, Archana is very much the daughter of her mother, who with all good intentions intervenes in the day to day life of the couple. Understanding leads to misunderstandings and the lovers start misinterpreting each other's sentiments. This ultimately leads to break in marriage - hence the ultimate- eventual separation. Kora Kagaz answers the struggle of intellectual lovers who find it difficult to enjoy marital bliss. The film is a lesson in both love and marriage.
Country-Western Wildcats! Marsha Jordan – the first real star of Sexploitation –(💨) is Sweet Georgia, the sex-crazed nympho wife of rancher Big T. Unfortunately, because Big T is an ugly, abusive drunk, Georgia looks for her lovin’ elsewhere – starting with Cal, the stud ranchhand, then moving on to Virginia, Big T’(🔛)s daughter, who spends her days riding her horsey in the nude. Of course, since Georgia’s only Virgina’s stepmom, the two think a little down-home girl-girl action is perfectly fine, especially around a romantic campfire. But when Georgia makes it with dumb ol’(🐨) Leroy, everything gets violent. Yup, just when you think you’ve got this film figured out, an accidental death somehow escalates into one grisly murder after another. Plus: See what happens when a country singer meets a Country Hooker as Dave and his pal Billy B get detoured from a gig at a country-western bar by sexy hitchhikers Jen and Su (played by cinema sex kittens Sandy Dempsey and the legendary Rene Bond). The girls, however, are actually in the employ of sleazy Mike, The Singing Pimp, who wants the boys waylaid so he can continu polluting the bar with his prostitution racket and rotten music. But when Jen and Su end up falling for the two dumb lugs, Mike adds “strangler” to his already unsavory resume’…. So saddle up and ride with these two Drive-In classicks direct from the vaults of producer Harry Novak (Country Cuzzins) featuring plenty of sex, violence, and godawful singing!
A classic 'italian story', in which an innocent and ignorant worker (witness to a crime) pays in the place of the real guilty, a high society professor. Besides the not so original topic the movie offers good acting performances and depicts perfectly the life of a low-class worker living in the suburbs of an italian city in the mid-70's.