协和影视网剧情介绍
三年間(🔊)、雨(yǔ(🏸) )が一(🥎)滴も降(😄)らない(🎑)ため人(🔼)(rén )々は町のボス・シルバーから水を買(🏻)(mǎi )って(🌟)いた。だ(🐈)が、そ(🎀)んな(🐣)中でフ(🎫)ロート(🛢)バイクを乗り回し、シルバーカン(🗂)パニーの車(🚤)(chē )を狙(💂)ってい(🦖)る女が(💄)いた。彼女の名はピンク。何(hé )度(dù(⬆) )も水を(🥋)盗まれ(👷)ている(🏳)シルバーは(👻)怒(nù )っ(♌)て、保(🚒)安官(guān )のブルーに犯人を捕(🏏)えさせ(😅)よう(🗻)とする(🎍)が、手(🏤)がかり(🌌)はフロートバイク一(yī )つだけだった。ピ(👩)ンクは(😍)前から(💊)ブルー(🦌)に惚(📅)れてい(🗿)て、一(👾)方のブ(🅿)ルーはそのピンクが犯(fàn )人(🚜)だと知る由(🗨)もなか(🆗)った。そ(🏽)んな時(🛢)(shí )、箱を見つけたピンクは、そ(🍓)の中(zhō(👝)ng )にあっ(🖲)たレイ(🆖)ンコートや(👞)長ぐつ(🍛)、それ(🌲)に水玉模様(yàng )のカサに心を(😶)ときめ(🏪)かす(🔞)。ピンク(🐖)は雨(yǔ(👚) )という(😍)ものを知らないのだった……
年轻的香(💛)(xiāng )港医(🎽)生姜大(🗑)聪(cōng )（(〽)林保(🔙)怡 饰(shì(⛄) )）赴苏(🌘)格兰(lá(🐉)n )公(gōng )干期间，和当地美女爱(à(🕔)i )丽丝（陈雅(🤵)(yǎ )伦(lú(📋)n ) 饰）一(🚧)夜风流(🔊)，返港后(hòu )整个人性情(qíng )突(tū )然大(💁)变。女(nǚ(🌐) )友阿May（(🍾)陈淑兰(🦑) 饰）发觉(jià(🦄)o )异(yì )常(🎲)，但是一(📧)(yī )时也无从得知什么原因(yī(👼)n )。原来爱(⏺)丽丝(📉)(sī )是当(👘)地的吸(⭕)血鬼！姜(🏅)大聪(cōng )被咬后慢慢(màn )变(biàn )成了僵尸(shī )。此(🕒)时，爱丽(♿)(lì )丝的(🔃)主人吸(♟)(xī )血(🌄)鬼伯爵(⛵)因(yīn )不(🐜)满爱丽(❕)丝放(fàng )走了姜大聪(cōng )，命令她(👜)来(lái )港(gǎng )将(🧜)他带回(🤺)去。
Drama about not loving spouses who use fear each other against each other. As a result, his wife, who suffers from agoraphobia (fear of going out) decides to put an end to a failed marriage.
1978～82年(🆚)にかけ(🐖)て「週刊(kān )サンケイ」に連載さ(🧀)れた、(🛌)梶原一(👐)騎(qí )原(♏)(yuán )作・中城(🈳)健(jiàn )作(🦃)画の人(🛑)気コミック『新(xīn )カラテ地(🎦)獄(yù )変(🎗)』。極(😎)真空手(🌷)総裁で(🎏)ある大(🍋)山倍達(dá )をモデルにした大東徹源(yuán )を(📃)主人公(💰)に据(jù(😠) )え、そ(🧟)の壮(🤯)絶な戦(👽)いと波(🔒)乱の人(💊)生(shēng )、そして、ケンカ空手(💔)“大東空手”を(📻)生み出(🅿)してい(🌠)く軌跡(🕉)を捉えた作品(pǐn )。格闘技アクショ(🏟)ンにサ(🦔)ディス(🏘)ティッ(🗒)ク＆エロテ(📤)ィック(👘)な描(miá(🚑)o )写を織り交ぜた異色のアダ(➰)ルトコ(🈲)ミッ(🌡)クとし(🍠)て、梶(😷)原ファ(🎎)ンにも賛否を呼んだ。本作は、そのOVA版(bǎ(🖌)n )第1作。現(🌯)在(zài )リ(📷)ニュー(🚖)アル(🉐)した『(🐃)ドラえ(🔞)もん』(💽)の総監督をしている楠葉宏(💂)(hóng )三が、監(🆓)督(dū )を(😘)務めて(📀)いる。女(🧕)性に陵辱の限りを尽くすナチス(🥗)残党。日(🍫)本が誇(⏹)るカラ(🕙)テマン、大(🍎)(dà )東(dō(🚻)ng )徹源が(🐴)、その復讐に立ち上がった。
1960年代的(🌮)香港(🚲)(gǎng )，因生(🕵)母在阿(📘)飞旭仔(😊)（张(zhāng )国荣）长大(dà )成人过程中的缺失(🔧)，他把(bǎ(🎐) )自己优(⛑)雅地(dì(🖍) )比(bǐ(🤶) )喻为“无(✏)(wú )根鸟(❤)”，对生(shē(📦)ng )命中遇到的(de )每一个女人(rén )都(♏)表现得放荡(🎪)(dàng )不羁(⏩)，售票(pià(✏)o )员苏丽(🛰)珍（张(zhāng )曼玉）和舞女咪咪（刘(🍿)(liú )嘉玲(🧡)）先后(📕)(hòu )令(lì(🌾)ng )他感受过温(📫)暖，可是(🍔)她(tā )们(🔨)也只能当(dāng )当(dāng )小情人。为(wéi )摆脱沉(🎶)重和(🏘)无力感(🧗)，旭(xù )仔(📃)(zǎi )抛下(🈺)一切去(qù )南洋找寻生母。
公仔杀(shā )人(rén )事(🛋)件经媒(🐍)体(tǐ )报(🏠)道后，引(🤱)发制(🧢)作“楚其(🚌)(qí )”的玩(😧)具公(gō(🏼)ng )司(sī )对市场前(qián )景的担忧，玩(📖)(wán )具公司将(🌫)楚(chǔ )其(🚳)的残骸(🐢)收(shōu )回(🍾)并加以修复(fù )，试图向股(gǔ )东证明杀人(ré(🕚)n )玩(wán )具(🔌)不过是(🤴)谣言一场，然(🚗)(rán )而在(🤸)修复完(🐶)(wán )成(chéng )时，楚其随即复活，它(tā )引发混(🖖)乱，并(bìng )最终(🐖)逃脱。另(🌖)一方面(🌌)，安迪（艾力(lì )克(kè )斯·文森特(tè ) Alex Vincent 饰）和(🌮)母亲分(🥘)别接受(🌶)心(xīn )理(🍘)(lǐ )治疗，一对(🕎)(duì )好心(🎃)夫妇暂(🌪)时照顾安迪。根据灵魂转(zhuǎn )移(💣)(yí )的符咒要(🍍)(yào )求，楚(🍊)其如果(🅿)(guǒ )要避(🔍)免与公(gōng )仔一同人格(gé )化的命运，就(jiù )必(✏)须寄宿(🥛)到(dào )第(😚)一个知晓(xiǎ(😂)o )它(tā )秘(🏬)密的人(🔠)——也就是安(ān )迪身上，楚(chǔ )其(qí )剩(🚛)下的时间已(🤐)经不多(➡)，它再度(👙)找到(dào )安(ān )迪准备侵占(zhàn )其身体。安迪为(🗻)了躲避(🏎)(bì )找(zhǎ(🐵)o )上门的(🎰)楚其(qí )，用尽(💁)办法得(🖤)到的却(💍)是(shì )周(zhōu )围大人的不(bú )理解(🆓)与训斥，和安(👗)迪一起(🦄)(qǐ )被收(🍱)养的少(🅰)(shǎo )女(nǚ )凯莉也卷(juàn )入了这场公仔(zǎi )夺取(🏾)安迪身(🌼)(shēn )体的(🤸)非常事(shì )件(⭐)……
20世(🐯)紀のア(📄)メリカ文(wén )学界で、シートンを継(😼)ぐ動物文学(👃)作(zuò )家(🎆)ともい(📃)われた小説家メル・エリス。彼が著した(🚱)同題の(🎤)長編(biā(🛥)n )小説を(😋)原作にした(🎙)、劇(jù(☔) )場(chǎng )用(🚯)アニメ作(zuò )品。
An innocent, though anything but naive, woman is in the wrong place at the wrong time. While waiting for her more adventurous friend outside a seedy dance bar, she is approached by two men who ''naturally'' assume that any woman hanging around such a joint is looking for action. Even with their certain alcohol and testosterone overloads, they could not possibly interpret her rejections as merely playing hard to get. But hey, they only gave her what was coming to her, right? I mean, what was she doing hanging around a place like that at that time of night, anyways? This episode proceeds through the mens' idea of foreplay. But, although the woman's experience must certainly have been traumatic, she manages to avoid penetration by maiming her prospective rapists in an almost comical way. You can imagine her disbelief when, after her friends and family discourage her from pressing charges, she is informed that her attacker has the impudence to charge her with assault. Her strength throughout the rest of the movie is admirable, as she remains rational among her incredibly irrational (yet typical) contemporaries.
A witch is put to death in Colonial America, leaving her husband and infant daughter behind. Seventeen years later, the daughter has grown up and stands to inherit money set up by her mother’s family. Now that the stage is set, the mother wants to return to life by taking over her daughter’s body.
Based on a true story. In 1915, a mountain village in Japan was attacked by a giant bear, dubbed “Red Spot”, who terrorized the villagers for days, murdering the men and carrying off the women to save for a late night meal. Sonny Chiba (`Kill Bill`), in his directorial debut, and special advisor Kinji Fukasaku (“Battle Royale”) present a film based on this terrifying real life incident. YELLOW FANGS tells the story of a young bear hunter living in the village of Hawk’s Hills, Japan. When Yuki, a young woman recently kicked out of her home, spends the night with him, a giant bear attacks her home, kills her father, her brothers and carries her mother off into the mountains. The bear hunters gather together and go after the beast but he forbids Yuki to follow. Undaunted, Yuki disguises herself as a boy and goes after “Red Spot” herself.