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朴(🔧)老爹靠(kà(🍹)o )修理(💤)灶(zào )炉养家糊(🥃)口，带大兄(xiōng )妹三人。目(🐸)不(bú(⌛) )识丁且(qiě(⚪) )固执的朴老爹(🐎)(diē )不失为(wéi )善(🙌)良可亲的(📅)家(jiā(📀) )长，但他(tā(💅) )始终(👬)对长女(nǚ )容
光源氏(shì(👦) )はモ(🕰)テモテと(💆)、平安(ān )時代(🎚)から決(jué )まっ(🖱)ています。
温柔(🚊)(róu )的浪漫(🍑)喜剧(❄)，关于一(yī )个有抱负的(🌸)音乐家来(lái )到(🎠)纽约寻找名(mí(🚤)ng )望和财(cái )富。他(🥐)很快就(jiù )遇到(🍜)了(le )一个出(💠)租车(🗄)舞(wǔ )者，和(hé )她(🤕)坠入爱河，不久就(jiù )有(🖱)了一(👫)段罗曼(mà(💗)n )史。
Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later.
Shirley Anne Field gives a fiery performance as a young designer on the brink of starting an affair with a married male supervisor (Robert Stephens) at the wallpaper factory where she works. Based on the play by acclaimed writer John Mortimer (Rumpole of the Bailey), Lunch Hour is directed by James Hill (Black Beauty, Born Free). With its tightly-focused plot and real-time narrative this stylish examination of an illicit lunch-hour rendezvous features an underlying sexual radicalism that tells us much about the time in which it was made.
Edouard Berlon (Jean-Pierre Cassel) is a happy-go-lucky rogue who takes nothing seriously and flits irresponisbly from one affair to another. When he meets Helene Larouch (Anouk Aimee), he woos her although she is married to Andre (Francois Maistre), until finally the combination of his youth, exuberance, absurd family (including a few infants of undetermined origin and a number of stray dogs)and eccentric way of life compared to the aridity of her marriage, overcome her resistance. They are both soon disenchanted
八(bā )卦记者(🎺)Marcello原本的(de )志向是(🥫)(shì )要成为(😹)一名(📣)作(zuò )家，却(🚉)因(yī(💷)n )为新闻工作(zuò )关系，常(🚻)(cháng )穿(📴)梭在政商(👞)(shāng )名流之间(jiā(🐴)n )，过着堕落(luò )且(🕯)糜烂的(de )生活。一(😖)日(rì )，他和(😾)一(yī(😇) )位美丽女子(zǐ )共渡春(🐗)宵后，回家发(fā(🍙) )现女友为他吞(🏖)药自杀(shā )身亡(🕠)，Marcello的悲伤(shāng )没有(🐚)太(tài )久，因(🥇)为他(🎣)又(yòu )赶着到(dà(🤧)o )机场迎接影星(xīng )Sylvia到来(🔧)，而接(🎳)下来的几(🍄)(jǐ )天，他(tā )们必(⛵)需要作贴(tiē )身(🌽)采访(fǎng )…(🏘)
Harold Gern，一个(🍡)最近(jìn )深(🌨)陷法(🕜)(fǎ )律纠纷的纽约(yuē )商(🤣)人，正(🧦)(zhèng )和他那(❓)迷人(rén )的妻子(🥐)Evelyn在(zài )Puerto Rico享受假期(🚂)。前来洽谈(tán )相(🦎)关法律事(🎷)(shì )宜(⬛)、兼Gern的(de )朋友及律师(shī(🧞) )的Martin Joyce和他们(men )一起(🍹)。Gern没心(xīn )情谈公(🕳)事，他邀请Joyce一(yī(🍤) )起潜水。浮出水(🥋)面时(shí )，他(🌠)们惊(📄)奇于(yú )自己不(🆘)(bú )用氧气罐就无(wú )法(🛸)呼吸(🚒)(xī )！他们爬(😀)上船(chuán )时发现(🕞)(xiàn )仆人Manuel死于窒(🛥)息(xī )。由于(🎂)(yú )无(🏮)法启动引(👰)擎(qí(🦐)ng )，他们(men )合力把船划上(shà(🔂)ng )岸。40分(🎢)(fèn )钟后，他(⛳)们来(lái )到一片(✊)丛(cóng )林，在那里(💷)(lǐ )，植物供(♐)(gòng )给(🔍)的氧气使(🚱)(shǐ )他(🐵)们马上(shàng )可以正常呼(🧟)(hū )吸（并点(diǎ(🗝)n )燃香烟冷静(jì(🦉)ng )下来）。他们渐(🥐)渐明(míng )白他们(⚽)或许是这(😙)片区(❌)(qū )域最后的幸存者，甚(shèn )至可能是这(🏨)个(gè )世界最(zuì(✊) )后的幸存者·(🥒)·····
A bachelor philosophy professor, while traveling on the train, is forced to take a bag full of robbed money by the robber, who is also pursued by a rival criminal gang. After the robber is being assassinated, the professor is thought to be a mob by all concerned.