灵媒豆瓣剧情介绍
剧(🐮)情：特罗哥中尉(🔡)被派往(wǎ(🕋)ng )帝(dì )国(🎦)(guó )边(biān )境(😧)(jìng )“鞑(dá )靼(🖲)(dá )人(rén )的(🌙)荒漠”上(🤖)的巴斯蒂(♈)亚诺城堡(💜)。满腔热情(➖)的他渴(🎺)望为国效(🚤)力，建立(lì )功(gōng )勋(🔥)(xū(🔄)n )；他(tā(🔏) )期(qī )待(dà(🦀)i )歼(jiān )灭(miè )敌人，但(🌤)这期待已(🆚)久的敌人(🏮)却始终没有露面(🤵)。特罗哥中尉最终与(🚙)所(suǒ )有(yǒu )的(de )前(qiá(👃)n )辈(bèi )军官(🚦)一样，耗尽(📓)了自己的意志(zhì(🌙) )和(hé )生(shē(📄)ng )命(mìng )，最终(🌁)换来的只是一声(♒)叹息。
恩熙(🕠)和在日(🚆)侨胞崔社(🛴)长相爱了(📅)，她看(kàn )重(🙁)(chóng )的(de )并(🔖)(bìng )非(fēi )崔(🏤)(cuī )社(shè )长(👗)(zhǎng )可(kě )以(👩)给予自(✖)己的奢华(🦁)生活，而是他们之(🦗)间真正的(🅾)爱情。恩熙(💯)偶然结识了(le )年(niá(🥟)n )轻(qīng )人(ré(🈺)n )安(ān )先(xiā(🔢)n )生(shēng )，面对安先生(🏖)，恩熙感受到了作为(🦁)一个普通女子所(🗿)能拥有的(💝)不同的爱(🦏)情(qíng )，于(yú )是(shì )恩(💏)(ēn )熙离开(🚊)了崔社长(📻)决定和安先(xiān )生(🖖)(shēng )走(zǒu )到(🤑)(dào )一起(📕)，但安先生(😾)最终却选(⏪)择与别人(📯)结婚，这(🙆)让恩熙倍(🏜)感绝望…(🍷)…
动作(zuò(♒) )电(diàn )影(〰)(yǐng )天(tiān )王(🛁)(wáng )张(zhāng )彻(chè )又(yò(😫)u )一破格之(🌌)作，以澎湃(😭)的爱国情怀重现(👎)“八道楼子(🌩)”抗日英雄(🐸)的传奇事(shì )迹(jì(✏) )。本(běn )片(piàn )荣(róng )获(huò(💠) )第(dì )十三届金马(🥦)奖优等剧(😫)情片奖。1933年(🛃)，日军出动兵团两(🍑)万，战车五(🏰)十余辆(lià(👻)ng )，进(jìn )攻(gōng )“八道楼(🏭)子”的据点(💖)。我军以(⌚)(yǐ )寡(guǎ )敌(🧠)(dí )众(zhòng )，死(🍞)守“八道楼(🛏)子”抵御(🔞)日军进攻(🌴)，血战五日(🏡)五夜，终于(🌓)失守。日(🚻)军(jun1 )发(fā )现(♑)(xiàn )楼(lóu )内(nèi )，只(zhī(🌻) )有(yǒu )七具(🔖)血肉模糊(🐇)的尸体，为之肃然(🚥)起敬，立碑(🤟)“支那七勇(🕓)士”之墓。张(zhāng )彻(chè(👠) )以(yǐ )张(zhāng )家(jiā )班(bā(💵)n )底(dǐ )成(chéng )员：狄(🔗)龙、姜大(🙋)卫、傅声(🐆)、陈观泰演绎这(🚩)群无名英(🏴)雄的动人(🐌)事迹。他(tā )以(yǐ )功(🌒)(gōng )夫(fū )动(🚉)(dòng )作，融(🔣)入大型战(📎)争中，炮火(✒)(huǒ )与(yǔ )肌(👶)(jī )肉(rò(🔩)u )结合得完(🎈)美无暇。“八(🛢)道楼子”内(🔶)，无名英(🔦)魂的惊人(⏹)意志，张彻用泣(qì(🗿) )鬼(guǐ )神(shé(🌥)n )的(de )影(yǐng )像(⭕)(xiàng )向(xiàng )他(tā )们致(👿)敬。
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
杨权年(💚)轻时曾替(🍀)“香港文化社”拍摄(📏)有关本地学校的纪(🙂)录片(piàn )和(hé )教(jiā(🐢)o )材(cái )片(pià(🥀)n )，处(chù )女(nǚ(📹) )作是67年的《红粉金(➗)刚》，香港六(⛲)十年代色(🙂)情电影导演代表(🏽)人物，此类(🔷)(lèi )代(dà(🤘)i )表(biǎo )作(zuò(⏯) )是(shì )70年的(💁)《七擒七纵(🔮)七色狼(🚹)》和续(xù )集(🚂)(jí )《横冲直撞七色狼(🤐)》，两片可(🆚)谓是开了(🦍)色情片粤语片的(✊)先河，《七擒(😙)七(qī )纵(zò(🧐)ng )七(qī )色(sè )狼(láng )》里(😉)(lǐ )写(xiě )一个女扒手(📿)(狄娜饰)逃入了一(😖)处旧楼单位，成为屋(🏀)内七色狼(周吉、(📟)杜平(píng )、(🛸)高(gāo )鲁(lǔ(🏥) )泉(quán )、郑(zhèng )君(jun1 )锦(🦇)等)的性幻(🍤)想对象，电影虽然没有甚么(👚)暴露场面(⏳)，但写出(🌁)了一群低(🍽)下(xià )小(xiǎ(🕸)o )男(nán )人(ré(🔏)n )的(de )性抑(🐻)压，虽然咸(✝)湿，但仍然守(shǒu )望(wà(🙆)ng )相(xiàng )助(💎)，面对大是(🗽)大非又绝不妥协(🧞)，一些色情(🎠)场面如偷(😍)窥和搏懵，电影处(💝)(chù )理(lǐ )得(dé )乐(lè )而(🏋)(ér )不(bú )淫(yín )，不算(🕌)下流。
导演Jorge Darnell是阿根廷(📣)人，76年政变后离开(🔐)祖国流亡(🏤)西班牙、(🥅)意大利(lì )、墨(mò(🛹) )西(xī )哥(gē(🧑) )等(děng )地(dì )，此片在西班牙拍(📖)摄，讲我们(🚘)敬爱的(🥐)德拉古拉(🤣)爷爷经过(🛀)几百年后(🏿)来到现(🧜)(xiàn )代(dài )，由(🈂)(yóu )于(yú )居住的城堡(📞)年久失(📸)修再加上(🎼)前(qián )来(lái )旅(lǚ )游(🌩)观光的人(☕)很多，而他(🔍)的健康和经济条(🍼)件也越来越窘迫，虽(🥁)然衣食无(wú )忧(yō(💐)u )，但(dàn )他(tā )决(jué )定(dì(🔑)ng )利(lì )用自己的功(📬)力改变现(🦃)状。影片在(📫)超现实的诡异气(💂)氛中还原(🛩)了吸血鬼作(zuò )为(wéi )一(yī )种(📯)(zhǒng )动(dòng )物(✌)(wù )的(de )生(🥀)(shēng )存本能(🌴)，略带喜剧(😸)元素的故(🔈)事背后(🔕)表达的是(🌂)作者对现实世界的(❕)思考和(🔟)(hé )回(huí )映(📙)(yìng )。
：《南美夜/当心(👮)! 我们要拍(👅)下流电(dià(📞)n )影(yǐng )》一个笨拙的(🕎)摄制组计划拍摄一(🌐)部色情电影。不幸(🦇)的是，剧组里不是自(🤘)(zì )大(dà )狂(kuáng )就(jiù(🏌) )是(shì )无(wú(🛳) )能(néng )者(zhě(🐅) )，还有一个过于害(🥉)羞的道具(😭)经理不好意思从性用品商(🗑)店购买任(♊)何用具(🔷)(jù )。然(rán )而(🥊)(ér )，他(tā )们(🍠)(men )还(hái )是凑(🧠)凑合合(🙉)地将拍片(📴)进行到底~~
描寫印度(🚄)的牛奶(🍆)供應商一(🏺)同對抗強大的(de )牛(🤩)(niú )乳(rǔ )製(😰)(zhì )造(zào )商(🕺)。在這一部影片裡(⏭)，導演貝(bèi )內(nà )佳(jiā(🥨) )刻畫出了一個痛(🏍)苦的社會演變過程(🗿)，印度於是在封建(🌫)的社會制(📂)度中慢(mà(📀)n )慢(màn )的(de )走(zǒu )出(chū(🔠) )來(lái )。
故(gù(👜) )事发生(❣)在1966年6月6日的上午6时(🦗)，在这样一(🤖)个不吉(🕞)利的时刻(🍿)，美国大使(🍂)罗伯(bó )特(🦏)(tè )（格(🍾)(gé )利(lì )高(🥞)(gāo )里(lǐ )·派克 Gregory Peck 饰）(🕵)领养了(🏉)一个男孩(🛩)并取名戴米（哈(🎮)维·史蒂(🍵)芬斯 Harvey Stephens 饰）(🎺)。随着时(shí )间(jiān )的(🐀)(de )推(tuī )移(yí )，戴米渐渐(📃)长大，一些奇怪事(🔋)(shì )件(jiàn )的(de )接连发生(🐌)预示着厄运敲响(💞)了罗伯特(💥)的家门。