中国网络电视台cntv剧情介绍
影片(piàn )讲述(⌛)了一(✝)个(gè )马赛(🔟)克镶嵌(qiàn )风格的(🐢)轻喜(⏱)(xǐ )剧爱(à(🐳)i )情故事，有(yǒu )点类(🕒)似于(💎)奥(ào )地利(🤟)现代文(wén )学之父(🏮)亚瑟(🧚)(sè )•(😌)施尼(⛷)茨勒的作(zuò )品《轮(🔘)(lún )舞》（曾(🌹)由马(🆙)克(kè )•奥菲斯和(📃)(hé )罗杰•瓦迪(🌕)(dí )姆两度改编(biā(⛩)n )成电影）。导演(📖)(yǎn )艾(🌽)伦•鲁道(dào )夫擅长拍摄(shè(🎙) )探讨(🏛)两性关(guān )系的爱情电(diàn )影(🖍)，作为(🎊)大(dà )导演罗伯特(tè )•奥(à(🚍)o )特曼(💂)的徒弟(dì(😬) )，他曾经在(zài )《漫长(😐)的告(👫)(gào )别》、《纳(🍠)(nà )什维尔》、《西塞(🕊)英雄(📝)(xióng )谱》等奥(🏒)特曼执(zhí )导的影(✍)片中(🔉)(zhōng )担(🏅)任副(💝)导演(yǎn )之类的工(🌦)作(zuò )。在《纳(🈺)什维(🍚)尔(ěr )》完成后不(bú(🎲) )久，艾伦•鲁道(👡)夫就在(zài )奥特曼(💧)指导(dǎo )下拍摄(🚮)了《情(🏯)挑洛杉矶》，因此该片在(zài )形(🤕)式上(📕)与《纳什维尔》以及奥特曼(mà(🏢)n )后来(📞)的《浮(fú )世男女》相(xiàng )类似(sì(☝) )，是一(🕝)幅70年(nián )代(🎨)洛杉矶的(de )浮世绘(🌭)。演(yǎ(🐻)n )员阵容在(🔹)如(rú )今看来也十(🍪)分耀(🍨)眼，基(jī )思(⛎)•卡拉丹、劳(lá(🔃)o )伦•(🛂)赫顿(⤵)、萨(🍅)莉•凯勒(lè )曼、(🛒)茜茜•斯(🚴)派塞(🎂)克以及哈(hā )维•(🕷)凯特尔(ěr )都在(🦇)其中贡(gòng )献了出(😜)色的(de )表演。如果(👎)(guǒ )说(🌭)真要给影(yǐng )片挑一些刺的(🌾)话(huà(🏳) )，就是那些(xiē )难听的配乐(lè(🧤) )帮了(🦑)不少倒(dǎo )忙。
Middle-aged businessman Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon’s unscrupulous business rival Lépidon offers to save him from bankruptcy by buying his company, at a discount rate. Reluctant to fall into Lépidon’s trap, Simon decides to resolve the crisis himself. A prostitute, Mado, provides him with the solution to his problems…(📚)
Ji-hun takes a break from his art studies in Paris to return to Korea and visit with his family. While there, he falls in love with a young widow. However, their future happiness seems doomed as she is already engaged to be remarried
Yeong-su and Jeong-ah experience many problems as their budding romance defies the strict rules of the co-ed highschool they attend. After graduation when it looks like they can be free to live their own lives, Yeong-su joins the military and their relationship will never be the same.
The film is about seven days in the life of Prince George, who is travelling in Japan for the first time. While there he meets and falls for a local girl, Sumi, who is a bus tour guide. www. lumia922.com Then problems happen as he is hunted by persons unknown who want him dead.
In all likelihood, a one-off revival of Wakayama's 11 film GOKUDO (SCOUNDREL) series, which originally finish in 1974.
Sarah Miles饰演(👠)(yǎn )一位年(🔋)轻的(de )寡妇(fù )，有个(💘)十二(💹)(èr )、三岁(🎡)的儿(ér )子。儿子漂(🛎)(piāo )亮(✡)文雅，热(rè(🎖) )爱海洋，崇拜水手(💃)的生(⭐)(shēng )活(🚷)。母子(🥪)两人坐(zuò )在海边(Ⓜ)的小(xiǎo )城(🗽)中，儿(👀)子(zǐ )有一群坏朋(🔏)(péng )友，也都是一(🦔)些(xiē )孩子。这些(xiē(🏿) )人有个小领(lǐ(⬜)ng )袖，是个天(tiān )生的小叛徒(tú )。儿子(🕜)爱母(🥓)(mǔ )亲，住的房间和(hé )母亲的(🥧)房间(🈴)(jiān )只有一墙之(zhī )隔，墙上有(🚮)(yǒu )个(👁)小洞，他(tā(🎚) )每天夜里都(dōu )要(🧞)偷窥(❗)母亲(qīn )的(💺)行(háng )动，包括母(mǔ(🌳) )亲的(😫)换衣和(hé(🗓) )裸体。一天(tiān )，母亲(👠)为取(🐅)(qǔ )悦(🏈)儿子(🔕)，带他去见一位(wè(😯)i )船长(zhǎng )，竟(🌠)和船(🎻)长(zhǎng )相恋。当母(mǔ(🍡) )亲和船长(💅)缠(chá(🔂)n )绵时，发现(xiàn )隔墙(🎒)有耳，母亲(qīn )怒(🛋)斥了儿子(zǐ )。故事的结(jié )局是：(📎)儿子(🖲)(zǐ )和他的那群(qún )朋友，在小(🌹)(xiǎo )领(🈺)袖的指挥(huī )下，把那文雅的(✂)(de )船长(👔)给杀掉(diào )了。
This extremely obscure Italian production tells the story of a modern day neo-Nazi youth gang that meets in a place decorated with swasticas and a poster of the "Führer". The members of this gang are all bored teenagers from rich families. One of the gang prefers playing pin pall to getting a girlfriend, because playing pin ball literally gets him off. The leader of the gang indulges in violent sexual fantasies, which ultimately leads to rape and murder. This inspires a teen gang from the streets, whose members are poor kids from the ghetto. The story is quite interesting, especially the aspect of the impact the neo-Nazi gang has on the street gang in the end, although the gangs as such have nothing in common. Unfortunately, the film becomes extremely slow paced after a good first 20 minutes, and it never really returns to a faster pace. The interesting cast, unknown faces even for connoisseurs of obscure Italian films of the Seventies, does a good job throughout, which makes it even more sad that the movie as a whole is merely a disappointment. All in all, "I Ragazzi Della Roma Violenta" is a movie that could have been far better than it eventually turned out to be. However, it's remarkable that the film precedes some of Larry Clark's issues in his films "Kids" and "Bully" for about two decades.