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TV第36话(🥢)再编集(jí )版(bǎn )。
老(🧢)夫(fū )子(🌫)（王沙(shā )）一觉(🌜)(jiào )醒(xǐ(😋)ng )来，见已是日上(shà(♑)ng )三竿，急(🔆)忙催醒仍(réng )熟睡(🕑)的(de )大蕃薯（矮冬(🏣)瓜）。二(📪)人(rén )忙乱一番，便(🦔)去做(🚾)(zuò(♿) )晨运。
パリへ留(liú(🏝) )学(xué(🛎) )中(🙊)の画(huà )学生滝村(🎊)(cūn )二(🍎)郎はふとしたこと(🌬)から(♓)、美しい人妻マ(🥔)リー・(📅)ローランと知り(🔗)合い、(😬)愛するようにな(🌋)った。マ(🌊)リーの夫ジャン(🍣)は、密(mì )輸で金(🤳)もうけ(🥅)をしている悪徳(🆘)業者(zhě(🎒) )で、異(yì )常(cháng )に(🐬)嫉妬深(💪)く、常(cháng )に腹心(📲)の運転手マック(👁)スにマ(💏)リーの後を尾(wě(⚡)i )けさ(🚫)せ(🔹)ていた。二郎に二(☝)(èr )度(🚏)と(🚴)会わない決(jué )心(🌜)(xīn )を(🗑)していたマリーだ(🌭)が、(💍)二郎がマックス(🐩)に傷つ(😿)けられたために(🤰)、心配(🔇)して再会、シャ(😕)ンティ(🉐)の城にピクニッ(🏇)クに行く約束を(💻)した。日(🆚)(rì )曜日。二人はな(🐧)だらか(🚑)な風景を走(zǒu )り(📜)抜け、(🏭)シャンティの城(🌽)(chéng )に着いた。森の(🚠)中(zhōng )で(🔔)唇を求め合う二(🎀)郎と(👶)マ(💖)リー。二郎がアパ(💐)ート(📦)に(🛬)帰ると、日本か(🙁)ら幼(🦉)友達(dá )の伊都子(zǐ(♿) )が、(👮)ツアーの途中に(🏛)立ち寄(🈴)っていた。二郎は(🌜)久しぶ(🐣)りに会う伊都子(🎲)(zǐ )との(⬆)会(huì )話の中にも(🕚)、マリーの面影(👘)が離れ(🕣)なかった。ある日(🍗)、二郎(🎒)(láng )はとうとうジ(👔)ャンが(🌛)居るのも構わず(🔺)ローラン邸を訪(🧜)れた。マ(⚫)リーは戸惑いな(🎳)がら(🐎)も(⤵)、二郎を冷く追(🌊)い帰(📀)し(👽)た。だが、嫉妬に(✴)燃(rá(🕠)n )えたジャンが以前(🆑)(qián )に(🐁)も増(zēng )してマリ(☔)ーを責(⛴)めたてるため、(🗂)マリー(🍗)はついに二郎と(😐)駆け落(🐞)(luò )ちをして、自(💎)由を得ようとし(🌯)た。逃避(⚡)行(háng )に出たマリ(🤰)ーと二(❎)郎は、南(nán )仏ツ(🏄)ーロン(🍞)で愛(ài )の日々を(🧐)送っていた。そん(〰)なある(🦏)日、二郎(láng )は過(🏕)激(jī )派(🙇)学生の嫌疑によ(📈)り逮(💦)捕(🎉)され、止めよう(📗)とし(🙃)たマリーは、ホテ(🥍)ルの(📡)テラスから足を(🖍)すべら(🤪)せ海に落ちた。マ(🏕)リーは(😵)死んだ、と聞か(🌌)され、(🤑)日本に強制送(sò(🙂)ng )還された二郎は(🍇)、金沢(📯)の父のもとで、(📒)希望(wà(🤧)ng )のない毎日を送(🏎)(sòng )って(👉)いた。そんな二郎(🐑)を元(yuán )気づけて(📚)くれた(🤸)のが伊都子で、(🦋)二(èr )郎(🌇)は父(fù )のすすめ(✒)もあ(🌻)っ(🤾)て彼女と結婚す(💽)る意(🧗)志を固(gù )めた。その(🎿)時、(🤦)死(sǐ )んだと思っ(📖)ていた(🌂)マリーが、二郎(❎)を訪ね(⚪)て来た。しかし、(🚱)二郎が(🎯)すでに伊都子と(🕠)婚(hūn )約している(🎱)ことを(⛏)知ったマリーは(🥍)、自ら(👖)の恋をあきらめ(🏛)て、フ(⛰)ランスへ帰る決(🌮)心をした。だが、(🎭)二郎は(🔞)マリーを忘れる(🖨)ことが(📽)できず、マリー(🚡)を追(🛳)っ(❔)て、同じパリ行(📛)きの(💁)飛行機(jī )に乗込ん(🐱)だ。中(🦑)(zhōng )東(dōng )国に着(zhe )陸(🏦)した一(🎃)(yī )行を待(dài )ちか(⬆)まえて(🎃)いたのはゲリラ(♿)の一味(👊)だった。ゲリラが(🧘)空港関係(xì )者と(🤢)身(shēn )代(🤓)金の交渉をして(🌥)いる隙(👔)を盗んで、二郎(🖌)とマリ(✋)ーは、ジープに(👒)飛び乗り走らせ(🤼)た。その(🧔)後をゲリラが一(🎑)斉射撃(🏋)した。二(èr )人のジ(🦊)ープ(🌉)が(☝)砂漠の中を進み(🏎)、オ(📒)アシスの木蔭に着(🕘)いた(🌭)時、マリーの胸(👽)は銃弾(🌮)で赤(chì )く染まっ(🐟)ていた(⭕)。二郎はマリーの(🐬)死体を(♍)抱いて果(guǒ )てし(🚢)なく続く砂漠(mò(✊) )の中を(🏙)歩いて行った…(🗒)…。
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.
在(🙍)浩瀚的历(lì )史(shǐ(🛷) )中，国(guó(🛌) )家为了自保而进(🐸)(jìn )行(háng )的政治联(🏟)姻屡见(🚧)(jiàn )不鲜，爱(ài )德华(🌥)王子（(🏸)理查(chá )德·查伯(🍎)兰 Richard Chamberlain 饰(🤾)）(🥟)所(suǒ )要面临(lín )的(🚴)就是(🧀)这样的境况(kuàng )，为了(🏸)国家(💋)不受别国侵犯(fà(🏪)n )，他必须(🆗)迎娶自(zì )己(jǐ )根(🤴)本就(jiù(❄) )不爱的女(nǚ )人。可(🍳)(kě )惜(xī(🥅) )爱德华王子是个(📱)(gè )性情中人，无论如何不(📬)肯(kěn )就范，无奈下(👳)，国(guó )王(👄)决定(dìng )举行一场(🧒)空前盛(🚂)大(dà )的舞会，召集(👊)全(quán )国(guó )上下的(de )各路名(🐝)媛齐聚一(yī )堂(tá(🍴)ng )，希望在(📖)其中能(néng )有王子(🥥)(zǐ )的(🥧)(de )心(👩)上人。
乔·迪(dí )阿(🥚)马托(🚟)早期作品。这一个(gè(🕚) )是与(🈸)乔治·伊斯曼(màn )，是谁写(🛠)的电影剧本为这(👤)(zhè )个称(🏏)号导演开始(shǐ )工(🕧)(gōng )作的(👠)第(dì )一个例子(zǐ(🏝) )。故事(shì )讲(jiǎng )述的是无辜(🔳)的孩(hái )子，谁是害(🍮)怕性生(📋)活，所(suǒ )以他所有(😯)的家人(🌐)开(kāi )始推他(tā )，叫(😊)女人说服他。事情到这里(🐬)来精(jīng )心(xīn )担任(🎉)猝(cù )死(⚽)的理念和成熟(shú(🥛) )的(de )倒(💸)行(🔶)逆施。比较(jiào )特别(👎)的(de )影(😓)(yǐng )片显示，但它仍(ré(🏾)ng )然是(😶)一个黑色荒诞(dàn )喜(💇)剧与(🛴)(yǔ )幽默的意大利(✴)经典(diǎ(🖥)n )Massachessi的折衷性的看法(🏃)。难得找(🌁)(zhǎo )到不起眼的标(🍨)题(tí )，但我们(men )推荐它为(wé(📦)i )那些谁(shuí )喜(xǐ )欢(🌲)解决他(🧡)们心目(mù )中最疯(🐊)狂的情(🐶)况和幻想。（
票房(🔞)77年第4.
二战结(jié )束，时(shí )间(🍮)流逝，伊莎找到(dà(🔣)o )了新雇(🍚)主，受命(mìng )于(yú )一(📎)个主(⚫)(zhǔ(🖍) )人喜欢进口少女(🧀)(nǚ )当(🥝)(dāng )作性奴的阿拉伯(🤞)(bó )家(🏤)族。一(yī )位美国百万(📓)富翁(🈲)(wēng )的女儿，一位电(⛲)影(yǐng )明(👔)星和(hé )一位妩媚(🧟)动人的(😻)马(mǎ )术教练都是(👿)他的(de )最新牺牲(shēng )品。
A rich playboy has a large house in the countryside. One weekend he invites a fashion model. On his way to the house, he drives past a gang of crazy young men. They find out where he lives, enter the house and kill him. Eventually the model arrives...