珠光幻影剧情介绍
这(🤱)是(😿)一部1947年的英国惊(jīng )悚(sǒng )片(piàn )。迪(dí(🍁) )克(🏆)(kè(🧣) )·(🤣)特(🕕)(tè )雷(léi )西(xī )遇(yù )见了一个用神经(🎏)毒气(🖲)作为武器来抢劫银行的人。
A bookish historian is married to a steely Southern belle who raises horses, an animal that he doesn't care for. However, the cute young neighbor girl doesn't feel that way about him and makes no bones about letting him know it.
李文华告(🗓)别(🤞)未(📿)(wè(🧙)i )婚(🐉)(hūn )妻(qī )梅(méi )玉(yù )奔(bēn )赴(fù )抗战前(🤠)线。梅(📁)玉和(🥓)母亲生活艰难，被迫嫁给汉奸陈彼(🈺)得(🏂)。战(🅱)后(🕴)，文华返沪，与沦为交际花的梅玉重(🚥)逢(🌳)，两(🔃)(liǎng )人(⏯)(rén )旧(jiù )情(qíng )复(fù )燃(rán )。梅(méi )玉因不(🥟)愿拖(🏭)累(😈)而离开文华。文华追至舞场，与彼得(💞)发(🚷)生(💒)冲(🚣)突(🐮)。混(hún )战(zhàn )中(zhōng )，梅(méi )玉(yù )被(bèi )彼(bǐ(🔓) )得(dé(🎟) )枪(qiāng )击，却也同时将彼得击毙。临终之(👈)际(🌪)，梅(📽)玉(🥠)向(🚭)文华表白，对他的(de )爱(ài )始(shǐ )终(zhōng )不(🕝)(bú )渝(🤞)(yú )。
拉(🚅)里·巴兰坦（罗伯特·杨 饰）一(🐎)直(🗯)背(🙀)着(🤙)妻子与情人珍妮丝·贝尔（简·(🥊)格(🤐)里(😡)尔 饰(📞)）交往，终于有天，他(tā )决(jué )定(dìng )要(🧡)(yào )抛(➖)(pā(🚻)o )妻(qī )弃(qì )子与情人一起私奔，不料(🏠)妻(🕎)子(🏚)却(🅰)提(💿)前知道了他的私奔计划，并为(wéi )他(🤩)(tā )买(🥢)(mǎi )了(👵)(le )一(yī )个(gè )公(gōng )司(sī )的(de )股(gǔ )权，为了(🕶)钱(🎹)财(👐)，他(🏳)不得不放弃情人，选择继续与妻子(👵)维持(📡)婚姻(🎒)。在(zài )新(xīn )的(de )公(gōng )司(sī )中，他认识了(🚾)美(🔹)丽(🦊)迷(🌡)人的弗娜·卡尔森（苏珊·海沃(🕒)德(🔗) 饰(🚘)），没(🔳)多久两人就坠入爱河，妻子得知拉(⏬)里再(🚷)次(cì )出(chū )轨(guǐ )后(hòu )，在(zài )山(shān )上(shàng )买(🚿)了(🚼)一(🥤)个(🌘)农(🤪)场，决定要与丈夫过与世隔绝的生(🏸)活，拉(😵)里刚(📜)开始为(wéi )了(le )钱(qián )财(cái )不(bú )得(dé )不(📄)(bú(🐪) )选(😥)(xuǎ(🛎)n )择(zé )妥(tuǒ )协，但最终，他无法忍受与(♊)妻子(🛏)在一(✝)起的无聊生活，选择与弗娜(nà )一(yī(🏯) )起(qǐ(🙂) )私(😫)(sī )奔(bēn )。在奔往里诺的路上，一场突(🍖)如(🔗)其(🐧)来的(🌺)车祸导致拉里的汽车失火，没有及(🔯)时逃(🌃)脱的弗娜被烧死在其中，拉里(lǐ )在(zà(🙋)i )医(⚾)(yī(🚹) )院(🔉)(yuà(📔)n )醒(xǐng )来(lái )后(hòu )，却发现大家都将弗(🚶)娜的(✳)尸体(✔)误认做是他的妻子，为了骗取妻子(🗣)的(🏖)(de )钱(🌒)(qiá(🔼)n )财(cái )，他(tā )决(jué )定(dìng )将(jiāng )错(cuò )就(jiù(🚈) )错，却(🎐)未料(🤙)到这一举动将自己推入死亡的深(🏹)渊。
The film is best known today for Scorsese’(👝)s claims that it was his inspiration for New York, New York, but it’(😓)s not the plot that found its way into his film. It’s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures
第(dì )二(èr )次(cì )世(shì )界(jiè )大(dà(⏫) )战(💱)(zhà(🚁)n )结束(🍣)后，曾经的大都会东京放眼望去一(🤖)片疮(🤶)痍，破败凄凉。在穷苦百姓聚集的长屋(🛋)街(🛒)，活(⛔)不(🐦)容(⚽)易活下来(lái )的(de )人(rén )们(men )用(yòng )勤(qín )劳(🦖)(láo )的(🏵)(de )双手(💵)重新修缮自己的生活，他们团结一(🕛)心(👅)，向(😞)往(🚟)美好的未来。某(mǒu )天(tiān )，田(tián )代(dài )领(🙆)(lǐng )回(⏭)(huí )来(🐨)(lái )一(yī )个(gè )名叫幸平（青木放屁(🌃) 饰）(🌠)的(👻)男孩。幸平的父母双双死于战火，他(📆)(tā(📿) )一(🥥)(yī )个(📟)(gè )人(rén )孤(gū )苦(kǔ )伶(líng )仃，朝不保夕(✨)。虽然(🏸)善良的人们都很同情幸平的遭遇，可(🐊)是(🚴)维(🐶)持(🦐)自(🧛)身的生计已然勉强，如何再应付新(🐧)添(tiā(💼)n )的(de )一(📋)(yī )张(zhāng )嘴(zuǐ )呢(ne )？几(jǐ )经合计，田代(🤟)决(🐏)定(🗻)将(㊗)幸平托付给经营店铺的老板娘阿(🚂)胤（(🔷)饭田(🎁)蝶(dié )子(zǐ ) 饰(shì )）。然(rán )而(ér )阿(ā )胤(🌓)(yìn )由(👃)(yó(🎲)u )于自身的痛苦经历，对孩子表现出(⏳)抗(🏕)拒(🏏)厌恶(🥜)的态度。不过随着时(shí )间(jiān )的(de )流(liú(🏓) )逝(shì(🦓) )，她(tā )心底的温柔母性慢慢地苏醒过(🕰)来(🕵)…(🦕)…(🅾)
The late, great impresario Florenz Ziegfeld Jr. looks down from Heaven and ordains a new revue in his grand old style.
故(🌙)事以美国南北战争结束后的中西(🌨)部旷(🖐)野为(👊)背景，托马斯·道森（约(yuē )翰(hàn )·(♏)韦(🖥)(wé(🎓)i )恩(😢)(ēn ) John Wayne 饰(shì )）白手起家，在养子马修（(👢)蒙哥(💵)马利(🧞)·克利夫特 Montgomery Clift 饰）和帮手格鲁特(tè(🦃) )的(de )协(💇)(xié(🎼) )助(zhù )下(xià )，他(tā )历(lì )时(shí )14年(nián )的辛(🚝)苦(🎆)经(🃏)营，终(🤙)于在美国德州的一片大草原上建(🧞)立起(👧)自己的大牧(mù )场(chǎng )。因(yīn )为(wéi )南(nán )方(⭐)(fā(🚽)ng )经(🥫)济(🦆)萧(⛺)条，托马斯决定把牧场里超过一万(🧓)头的(🎏)牛赶(🍝)往北方的密苏里州贩卖。他召集人(🤞)马(🌱)，充(🌄)分(💁)准备，这群(qún )西(xī )部(bù )牛(niú )仔(zǎi )赶(🎍)(gǎn )着(😝)(zhe )大批(🌲)牛群，开启了这趟千里之旅。
After working successfully as an actor in France during the 1930s, Eric von Stroheim, in common with such French actors and directors as Jean Gabin, Michèle Morgan, Jean Renoir and Julien Duvivier, moved to Hollywood after the outbreak of WWII. He left behind such memorable movies as Les Disparus de St Agil, La Grande illusion, Têmpete (the last to be shown) and L’(🍗)Alibi which he made for Pierre Chenal. On his return to France in 1946, he worked for both Jean Boyer and Pierre Chenal in the same year, creating with Chenal a minor masterpiece in La Foire aux chimères, which may be translated as The Fair of Dreams.
The life of Irishman George Howard who buys an English theatre and strives to improve the standard of musical entertainment. Set in the late 19th and early 20th centuries and loosely based on fact.