校园卧底国语剧情介绍
◎片(piàn ) 长 121 Mins
艾(ài )米特（克里斯·帕拉特 Chris Pratt 配音）是乐(🍲)高世(shì )界中一(🍙)个普(pǔ )通到没(🔰)有存(cún )在感的(🐙)建筑(zhù )师，他每天(tiān )精神饱满，乐观向上，按照说明书(shū )的指示(🏑)从事(shì )一天的(🛬)活动(dòng )。某天收(⛎)工(gōng )后，他意外(🈵)(wài )掉入(rù )一个深洞，后背还黏了(le )奇怪的东西(xī )，随后就被(bèi )兼(🕳)具凶暴和(hé )善(💛)良两面(miàn )的(de )警(🚪)察（利(lì )亚(yà )姆·尼森(sēn ) Liam Neeson 配音）带走(zǒu )问话。原来统治乐高(🎯)世界的生意王(🌑)（威尔·法瑞(🎍)尔(ěr ) Will Ferrell 配音）对(🕤)那(nà )些极富创造(zào )力的小人极(jí )为不满，他(tā )讨厌不同系(xì(🌲) )列的乐高世(shì(🚵) )界相互交叉(chā(🙉) )，更讨厌脱(tuō )离(🚿)了说明书(shū )独辟蹊径的(de )发明(míng )创造。因此(cǐ )他将所有世(shì )界(🔓)隔开，囚(qiú )禁了(📎)那些创(chuàng )意大(🐌)师，还(hái )策划着一场(chǎng )可怕的阴(yīn )谋(móu )。艾米特(tè )危(wēi )机时刻(🤪)被(bèi )露西（伊(🙍)丽(lì )莎白·班(🚯)克斯 Elizabeth Banks 配音）救(🦆)下，并被先知维特鲁维斯（摩根·弗里(lǐ )曼 Morgan Freeman 配音）认(rèn )定为(🌕)救世主(zhǔ )。
本片(💣)根据(jù )《聊斋志(🚾)异(yì )》中同名故(🖕)(gù )事改编。
暮(mù )暮从魔镜回(huí )到了小马国(guó )，不过……镜子(zǐ(👐) )那边的(de )世界(jiè(🍤) )，故事没有(yǒu )结(💥)束。
本片(piàn )根据日本著(zhe )名推理小说(shuō )家江户川乱(luàn )歩的同名(🧙)(míng )小(xiǎo )说改编(🐶)。这(zhè )是该小说(🏴)(shuō )第三次被搬(🎛)(bān )上银幕，而这次则作为江户川乱步诞生100周年的纪念(niàn )，由实(🙀)相寺(sì )昭雄执(⌚)导，在东京国际(🚶)(jì )幻想电影节(🔧)(jiē )上隆重推出(chū )。在江户川(chuān )乱步的诸多(duō )侦探小说作(zuò )品(🌳)中往往不(bú )乏(♉)对色情场(chǎng )面(🛐)的(de )描写，昭和(hé )初期的世风(fēng )以及当时人(rén )们内心潜在(zài )的(🔵)欲望被出(chū )色(🖐)地揭示出(chū )来(🎖)。从这(zhè )个(gè )角(🥅)度来说(shuō )，这部成人(rén )级电影忠实(shí )地表现出了原作的精神(🍹)。
This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery.
故事发生是北(🦇)爱独立战争(zhē(❎)ng )期间。英国(guó )士(🌫)兵乔迪（福里斯特·惠特克 Forest Whitaker 饰）在阿尔马遭(zāo )到了北爱共(🚍)(gòng )和军的绑架(🍴)(jià )，共和军企(qǐ(🤱) )图用他来交(jiāo )换被英军扣(kòu )押的(de )俘虏。看守(shǒu )乔迪的是弗(fú(🌤) )格斯（斯蒂(dì(🐄) )芬·瑞 Stephen Rea 饰），他(💙)的内心(xīn )对杀(🚽)戮和战(zhàn )争感到迷(mí )失(shī )和无奈，对乔迪的遭(zāo )遇感到恻隐(🔻)(yǐn )与同情，他们(♌)成了好朋友。共(📺)和军最终没换来俘虏(lǔ )，上头要求(qiú )弗格斯处决(jué )乔迪，弗格(gé )斯暗中放走(🕣)(zǒu )了他。乔迪(dí(👰) )走前交给弗(fú(🚦) )格斯一张他(tā )女朋友迪尔(ěr )的照片，告(gào )诉弗(fú )格斯可(kě )以(🌫)去(qù )伦敦找他(🔔)的(de )女朋友迪尔(🐛)(ěr )。
President Franklin Roosevelt appoints a theatrical producer as the new Secretary of Amusement in order to cheer up an American public still suffering through the Depression. The new secretary soon runs afoul of political lobbyists out to destroy his department.
暮暮从魔(mó(📇) )镜回到了小(xiǎo )马国，不过(guò )……镜子那(nà )边的世界(jiè )，故事没(🎲)有(yǒu )结束。
1938年，犯(👓)人亨利（Kevin Bacon 饰）(😏)试图从著名的阿尔卡特兹监狱逃出，但最终失(shī )败。典狱长(zhǎng )格伦对威胁(xié(🕹) )自己地位的(de )亨(🌠)利恨之入(rù )骨(Ⓜ)，将其抛(pāo )入封闭的地(dì )牢中长达三(sān )年，期间伴(bàn )有不计其(⏯)数(shù )的殴(ōu )打(🧣)行为(wéi )。亨(hēng )利(🍰)终于得以(yǐ )离(👻)开地牢，但他所做的(de )第一件事是(shì )用勺子杀死(sǐ )背叛自己的(🤥)(de )犯人，于(yú )是(shì(🙂) )被控一级(jí )谋(👵)杀。