百纳视频 第24集

类型:动漫  地区:中国大陆  年份:2024 

百纳视频剧情介绍

Doctors at a rejuvenation clinic discover a formula that will prevent aging. However, it involves harvesting the blood and body parts of young men, a process that the doctors aren't particularly averse to. Even amongst exploitation junkies "Ricco, the Mean Machine" doesn't get a lot of attention and that's a shame because it's a very sadistic, effective and all around excellent Italian Crime movie with lots of nudity. Ricco (Christopher Mitchum) is out to get his revenge on the crime lord that killed his father with the help of the very sexy Rosa (Melisa Longo). He takes each of Vito's (Arthur Kennedy) men down one by one, bringing him closer and closer to his prize. 伊(yī )格纳(nà(🤝) )齐奥(👏)(图里·费(⛹)罗 Turi Ferro 饰(shì ))的(de )妻子(🖖)早逝,他独自抚(fǔ(🐗) )养着(zhe )三个孩(🍨)子尼(😔)诺(亚历(lì(👇) )桑德(dé )罗·莫莫(📐) Alessandro Momo 饰)、露西(xī )安(🌔)娜(nà )(蒂娜(🤧)·奥(🌾)蒙特 Tina Aumont 饰)和(🚻)帕(pà )西诺(Stefano Amato 饰)(🌂)长大。某(mǒu )日(🎴),伊格(🥄)纳齐奥聘用(🚆)了一(🌴)(yī )位名(míng )叫(🎾)安(ān )其拉(劳拉(♿)·安(ān )托妮(🕹)(nī )莉(🐞) Laura Antonelli 饰(shì ))的女(🏰)佣打理家(jiā )务,这(🔻)位(wèi )安其拉拥有(💯)着天使的(de )外(🛣)貌(mà(⏮)o )和魔鬼的身(🥃)材,在家(jiā )中掀(xiā(🔝)n )起了阵阵的涟漪(🎞)。 While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. Uneven and overlong but generally enjoyable thriller with tongue firmly in cheek, an engaging Hitchcockian premise, and plenty of action and stunts (as befits the rather misleading international title). Popular "Euro Cult" star Giuliano Gemma is a racing-car champ who suddenly finds himself embroiled in a murder case while at the same time pursued by thugs (from two different factions!) in search of a drug consignment; regular starlet Susan Scott (the director's wife) appears all-too-briefly as Gemma's shady lover and the murder victim involved. In one of his daily wanderings, Ghassem Siah, a young jobless guy who leads a street life, runs into a young American tourist girl who is spending her last day in Tehran. Without understanding each other's words, they strike up a friendship and the girl accepts to sleep with him. But Ghassem doesn't have a place of his own and the girl is to depart by the next morning. Together they set off on the glistening yet hostile streets of modernizing Tehran of the 70s, in a futile search of a corner of intimacy, while time is ticking away....

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