绝地枪王全集剧情介绍
A middle-class man wants to just once break out of his routine life and his dull marriage and throws himself into the hustle and bustle of the big city nightlife. Attracted to all the temptations, he goes to a dancing bar with a prostitute, where one of her colleagues is trying to take advantage of a naive man during a gambling game. But when the man wins against all expectations, the women lure him to an apartment, rob him and then murder him. The middle-class man followed the women and when the police arrive, they arrest him as a suspect. In desperation he contemplates suicide in his prison cell, but just in the nick of time, the real killers are found. The man who was just looking for a new experience then meekly returns home where his wife, without a word, serves him the warmed up soup from the night before.
中国青年程桓(🔏)(huán )（理(🚕)查德·(😜)巴塞尔梅斯(🔏) Richard Barthelmess 饰(🧞)）远(🐏)(yuǎn )赴伦敦，希望(🔵)能够在(🍱)异国他(👺)(tā )乡传授佛(🥋)教教义。哪知道(🍣)理(lǐ )想(🛋)(xiǎng )丰满(👼)现实残酷，抑郁(🐙)不得(🔉)(dé )志(zhì )的程桓(🏻)不仅荒(🚸)废了事(👩)业，还(hái )沾染上(🕔)了鸦片，整日生活在(🚒)(zài )颓(tuí(🌳) )废沮丧之中。
埃(📵)尔琳夫(😛)人(rén )丢(diū )下襁褓中(🛬)的孩子(❓)，与情人私(sī )奔(🙁)。多年后(😕)回到故土。在(🕕)众(zhòng )人(🚫)眼中，她是一个(🔼)道德败(🧗)坏(huài )的(😻)(de )女人。她向女(🚖)儿(🐼)的丈(👀)夫温(wēn )德(dé )米(🍳)尔爵士(🌦)勒索“封(💞)口费”，承诺不(🐃)与女儿相认，以(♌)免女(nǚ(🚕) )儿(ér )名(🆎)誉受损。招致人(🥜)们怀(📚)疑(yí )温(wēn )德米(🎱)尔爵士(🎎)与埃尔(🧗)琳夫人有(yǒu )染(🏟)。温德米尔夫人一气(🎤)之下(xià(🚆) )决(jué )定与爱慕(💌)自己的(🈶)达林顿爵(jué )士(shì )私(🧕)奔。埃尔(📢)琳夫人不愿看(💟)到(dào )女(👋)儿步自己的(👱)后尘，冒(📫)着牺(xī )牲自己(🤶)幸福的(🌩)代价挽(🌬)救了女(nǚ )儿(💧)(é(🚧)r )。由始至终，埃尔琳夫(🥒)人(rén )也(🥫)(yě )没有和女儿相认(📬)。
安·雪莉(lì )是(☔)一個紅(🚦)髮的少(🍜)女，她是一(yī )個(〰)(gè )孤兒。故事的開始(🤓)是說島(👑)(dǎo )上(shàng )一對兄妹要領(🌟)養一個男孩來(lái )幫(🧐)忙農務(🍡)，但領養中心卻(📯)誤(wù )送(🐪)(sòng )了一個女孩給他(😛)們，但這(zhè )個(gè )女孩最(⛱)後還是(🚡)住了下來，這(😉)(zhè )對單(➗)身的兄妹分別(💀)叫作馬(🌋)修(xiū )·(🆔)卡斯巴德和(🎎)瑪(💊)莉拉，他們(men )住(zhù )在愛(🎢)德華王(📫)子島的艾凡里(lǐ )鎮(🚐)(zhèn )上。安有著豐(🏌)富的想(🤳)像力且(🕸)(qiě )能言善道，更(🐢)有著創作的天(tiān )份(🙉)(fèn )……(🗨)。
Une femme traverse les lignes du front pour montrer son nouveau né à son fiancé.
This charming film is practically unknown, but it is one of Klein-Rogge's best performances, as he plays a romantic lead with a dash of villainy. Klein-Rogge is the feared Master who lives in a bleak castle on top of a mountain, and the villagers in the valley below dread his ill-omened arrival at every wedding. The story concerns one couple who marries despite the master's baleful influence, only to have him crash their wedding party and bring about the death of the bride. The bride's sister, seeking revenge, tries to kill the Master but instead they fall in love, as she realizes that he is not really evil, but blighted by a loveless existence. Their love is ill-starred, however, as the Master kills an insolent guest at their wedding who takes liberties with his bride, and this is followed by a peasants' revolt, where the castle is stormed and the Master captured. In the end, the lovers escape, but their love is finally doomed. The year before this film, Klein-Rogge had his great triumph as the evil Dr. Mabuse in Fritz Lang's 'Dr. Mabuse, Der Spieler', and his most memorable roles have been as villains. This movie demonstrates what a really wide range he had as an actor - he starts off with his very characteristic glowering villain, but once the girl enters his life he demonstrates both joy and tenderness, as well as grief and pain when he thinks he has lost everything. I don't know if such an obscure film could be a candidate for restoration, but it would be a worthy project, as the sets, costumes and many of the performances are as classic examples of expressionism as one could hope to see.
A secret society holds a meeting to determine what to do about a powerful and dangerous man whom they have been studying closely for the past three months. They all agree that he deserves to die. Two of the members, Farallone and Forrest, are both in love with Lilith, the group's only female member. But Lilith accepts neither of them, preferring to devote herself to the group's cause. When the group meets again and deals cards to all the members, Forrest draws the ace of hearts, meaning that he will be the one to carry out the assassination. Lilith then suddenly agrees to marry him, in order to give him courage. But after their first night together, both of them begin to feel differently about what they have planned.
这是史诗片(pià(⏱)n )巨(jù )匠冈斯的早期(🔢)作品，原(🧛)版长(zhǎng )达九个(🍾)小时。
本(🏁)片又译作《党(dǎng )同伐(🧤)异》，是D．W．格里菲(fēi )思(🐃)(sī )最具(🥩)创作野心的(📆)作品。由(🐿)于(yú )受到《国家(💚)的诞生(🖇)》惊人卖(⏫)(mài )座的影响(🔊)，格(🍦)里菲思遂再接(jiē )再(🎞)(zài )励拍(🗯)摄一部场面更大，内(🐽)(nèi )容(róng )更有深(🏑)度的影(🌰)片。他花(🗄)了一(yī )年半的(🎼)时间，动用了二百万(😬)(wàn )美元(💋)的制作费，拍摄成片长(🖖)(zhǎng )220分(fèn )的巨片（原(🐸)版长480分(🚜)）。可惜(xī )本片(⌚)在1916年9月(🧐)于纽约公映时，并没(🦗)有受到预期的欢迎。本(🔗)(běn )片(pià(✂)n )所以卖座失(👧)败，原因(🍹)很多，最主要是(🤬)格里菲(💪)思在本(⤵)片所(suǒ )采用(⤵)的(🚇)故事结构太复杂，导(🆔)(dǎo )演(yǎ(🔌)n )手法已超越当时观(📣)众的接受(shòu )能(🍊)力。加上(🚄)主题过(🍓)于严肃，其中提(🕧)倡的宽容和反对暴(📋)力(lì )的(🥊)论调跟当时美国的高(🚶)昂参(cān )战(zhàn )情绪引(🅰)起冲突(😼)，因此未能受(shò(🈴)u )到普遍(📙)欢迎。不过，人们却(què(🚩) )不能否认这是一部电(🥤)影艺术(🥫)(shù )上(shàng )的不(🎬)朽杰作(♿)。《忍无可忍》由四(♉)段不同(🏀)时代发(🚝)生的故事(shì(🕘) )组(📝)成：巴比伦的没落(🕤)、耶稣(🍃)(sū )基(jī )督的受难、(🔁)法国的圣巴托(🐶)罗(luó )米(😙)宗教大(🚬)屠杀，以及二十(📈)世(shì )纪初美国的劳(💽)资冲突(🍝)。格氏(shì )描述他自己的(🕴)构想：“四个(gè )大(dà(🔊) )循环故(🐦)事好象四条河(🤓)流，最(zuì(📬) )初是分散而平静地(🔤)流动着，最后却汇合成(🈂)一条强(🤤)大汹涌(yǒng )的(🛴)(de )急流"。本(💯)片一开始，是一(🍈)个(gè )母(🏰)亲推摇(💚)篮的镜头，插(🗓)入(🤲)惠(huì )特曼的诗句：(🕒)“如今如(🐬)同昨(zuó )日(rì )，世间的(🍷)人情变化循环(😅)无穷(qió(🤽)ng )。摇篮摇(🏗)动着，为人类带(😃)来(lái )同样的激情，同(🌲)样的优(⏺)乐悲(bēi )欢。"这字幕之后(🐛)，展开第一(yī )个(gè )作(🧔)为全片(😽)基调的现代篇(🙊)故事(shì(🥂) )。随着剧情的进展，导(🛃)演经(jīng )常切入另外三(🐆)段故事(🙋)，成为(wéi )四(sì(💁) )段平行(😷)发展。最后，画面(🌋)仍(réng )回(💈)到母亲(🐹)和摇篮，呈现(📈)出(🔽)“人类从不容异已到(🚟)宽容的(🙂)进(jìn )化(huà )"的主题。作(🏏)为故事核心的(🌀)现(xiàn )代(📍)篇“母与(🏫)法"，内容描述四(🈵)(sì )个失业的男女工(💄)人从小(🕸)镇来(lái )到都市中找工(🐝)作，有人误入(rù )歧(qí(⌛) )途，有人(🃏)渴望过正常的(🙈)家庭(tí(👖)ng )生活。正派的男主角(🎿)被诬陷(xiàn )为杀人凶手(📊)，被捕后(🏵)判处死(sǐ )刑(😌)(xíng )。行刑(♌)之日，真凶良心(😩)发现(xià(👘)n )，在最危(🧛)险的一刻将(🙀)男(🏒)主角(jiǎo )救了出来。从(🎱)这个故(🔯)事中，可(kě )以看出二(🏀)十世纪初期美(💔)国的(de )一(🌡)般社会(🛳)状况：农村不(💆)安定(dìng )，都市阴暗而(😉)复杂、(🎪)劳工生(shēng )活困苦、法(💻)律问题重重等。格(gé(🖍) )里菲思(💺)在本片中进一(📽)步表演(📸)(yǎn )他在“平行剪接"方(📬)面的杰出(chū )才能。他利(🌮)用四段(💖)故事中的(de )类(📊)(lèi )似情(💺)景作比较剪接(💣)，使分散(🤔)(sàn )的情(🤳)节显得统一(🍃)有(👭)力，并因(yīn )类似镜头(♎)的多次(🐱)重复而使剧(jù )情(qí(💊)ng )产生出热情奔(🔎)放的情(🐔)绪高潮(💅)(cháo )。譬如有一段(🐘)镜头是这样剪(jiǎn )接(🈷)的：一(📠)、耶稣基督被士兵(bī(🛅)ng )押着前进；二、巴(📦)比伦的(🍟)村(cūn )女(nǚ )向情(🎂)侣奔告(🍫)国王的危急；三(sā(👈)n )、现代的少女拚命为(📂)救她的(😵)(de )爱人而奔走(🌬)；四、(🗾)在巴黎大(dà )屠(🚟)(tú )杀中(⭐)，新教徒(🚆)企图在群众(🕶)骚(🥇)(sāo )乱的街道上援救(⛎)未婚妻(💨)。格(gé )氏利用移动摄(🔗)影、镜头、划(🕟)(huá )过(guò(🛁) )镜头等(🍺)技巧连接四段(👝)平行发(fā )展的情节(⏱)，节奏紧(😛)凑流畅。格氏甚至在个(🌖)别的故事片段(duàn )中(🕖)使用短(🔛)短的倒叙技巧(🆗)（FLAXHBACK）来(🍮)(lái )交代情节，显见他(🛌)的“电影(yǐng )文法"的确比(👓)同时代(♎)的导演高(gā(🍓)o )出很多(💜)。除此之外，格氏(👋)在(zài )本(🏇)(běn )片中(👢)亦首创“大特(🐚)写(🎄)"和“大(dà )远景"的镜头(👊)，以加强(🍺)观众的(de )心理感觉（(🌸)如：特写女人(🏆)紧(jǐn )握(✡)(wò )的手(🕊)，表现她在听到(🍺)丈夫判(pàn )死刑的消(🍓)息时的(🗯)焦急；以大(dà )远景拍(🐝)摄资本家独坐办公(🦂)室(shì )中(🌍)，暗示他庞大的(🔛)支配权(🏡)力(lì )）。他又利用影(🕗)片染色的方法(fǎ )来加(🕑)强各种(🍵)特殊效果（(🆓)如夜(yè(🛠) )景用染青色的(🕙)影片、(👭)点灯的(♓)(de )房(fáng )内用染(🐤)黄(⌛)色的影片、巴比伦(🦃)(lún )城火(💺)烧时用染红色的影(🌭)片）。这种影片(🗂)染色方(⌛)法虽非(🔮)格(gé )氏(shì )首创(♈)，但却没有人像他这(☔)样(yàng )在(🌱)一部电影片中大胆的(👼)全面(miàn )采用。令人惊(🗻)异的是(🕥)，这样(yàng )一部内(💹)容复杂(👦)的大制作竟然(rán )由(🅿)(yóu )始至终没有一个完(🌂)整的剧(🧛)本(běn )，而只是(🙆)靠格里(🚑)菲斯的临场(chǎ(💻)ng )即兴创(🍭)作而成(🎐)。此外，本片(pià(🐅)n )也(🛐)(yě )没有任何布景的(🌁)设计图(🧑)，但(dàn )格氏却能够命(🈵)人搭盖出宏伟(🍏)(wěi )得哧(🧛)人的巴(👃)比伦布景。在拍(🧣)(pāi )摄(shè )巴比伦攻耶(🌆)路撒冷(💞)的场面时(shí )，更在一天(📞)之内同时动用一(yī(📟) )万五千(🍃)名临时演员和(🤝)二百五(🌥)(wǔ )十辆战车。他这种(🗓)大手笔使(shǐ )得(dé )当时(🎠)意大利(🐇)出品的历史(🕷)巨片(pià(❔)n )也瞠乎其后，由(🚙)此也可(📤)以看(kà(🤺)n )出格氏对自(🌒)己(🎸)的创作能力如(rú )何(🌧)(hé )自信(🛣)。或许正如格氏自己(📓)的(de )格言所说：(📏)“艺术经(🐄)常都是(🎉)(shì )革命性的、(🐔)爆炸性的，以及(jí )轰(🛂)(hōng )轰烈(🐷)烈的"。看《忍无可忍》一片(🕰)幕前幕后的表现，可(😎)知(zhī )格(🦔)里菲思的确是(🌠)一个身(🌗)体力(lì )行的艺术家(🛐)。