新梁山伯与祝英台 第03集

该片(piàn )主要讲(⬜)述的是(🆑)富(🕚)(fù )家子(zǐ )高原（邓光(🧝)(guā(🌊)ng )荣 饰(🎻)(shì(🏤) )）与大学生(shēng )李锦文(🎱)（(🚖)林青霞(xiá ) 饰）的恋情受(🔚)到(dào )高(🧚)父(fù )极力阻止，因高(gā(🎛)o )父(🧝)知道李(🐥)母(😌)曾开(kāi )酒馆，认为双方(🍹)(fāng )家世(🍮)悬殊，不能(néng )婚配。高原(yuá(⚓)n )与(🌀)锦(jǐn )文不(bú )顾一切，私(🎁)(sī(🦑) )奔到(🔈)(dà(🧤)o )乡间结婚。二人勤劳工(🤖)作(🕹)，高原且(🍒)半工读完(wán )成大(dà )学课(👃)程，但(dàn )好景(jǐng )不常，高原(🌌)患上(shà(🈂)ng )脑(🦓)瘤，变成失明(míng )，锦文多(🏾)方(🖤)奔走(🎫)(zǒ(🛺)u )筹钱给他动手术(shù )。 一(✉)(yī(🏛) )个记者正在(zài )寻找一条(🌯)独家新(⛷)(xīn )闻，会见一位部(bù )长(🏈)的(🕊)(de )女儿，与(🌓)她(🐃)(tā )展开(kāi )生意，损害了(🏐)自(zì )己(👟)的妻子。 该片(piàn )主要讲述(👆)的(⏯)是富(fù )家子高原（邓(🍑)光(🚫)(guāng )荣 饰(🧡)(shì )）与大学生(shēng )李锦(🍧)(jǐ(✏)n )文（林(🤹)青霞(xiá ) 饰）的恋情受到(😣)(dào )高父极力阻止，因高(gā(🐲)o )父知道(📕)李(🐉)母(mǔ )曾开(kāi )酒馆，认为(🕘)双(🥑)方(fā(🧚)ng )家(⛷)世悬殊，不能(néng )婚配。高(📝)原(🏧)与锦(jǐn )文不顾一切，私(sī(😣) )奔到(dà(🗡)o )乡间结婚。二人勤劳工(🔕)作(🌅)，高原且(🧘)半(🚱)工读完(wán )成大(dà )学课(🐘)程，但(dà(⭕)n )好景(jǐng )不常，高原患上(shà(🌃)ng )脑(🧥)瘤，变成失明(míng )，锦文多(🆗)方(🐟)奔走(zǒ(🦇)u )筹钱给他动(dòng )手术(shù(🏕) )。 TV第(📈)(dì )54话再(🦊)编集版(bǎn )。 Mr Hoffman sells books and provides his female customers with nice moments in a room at the back of the shop. The number of female customers grows very rapidly and when Mr Hoffman isn’t up th the demand, he calls in his two oldest sons who keep the shop going. Unfortunately his youngest son is only interested in reading. One day, as he delivers books to one of the customers, the lady teaches him about the pleasures of sex. In order to celebrate this, the father organises a party and all is well that ends well テストドラ(🔳)イバーの速水は、テス(😬)ト中に(🔚)事(➕)(shì )故を起こし会社(shè(🏒) )を(🔭)クビ(⬆)に(🕷)なってしまう。数日後(😪)、(🤺)速(sù )水は友人の女性(xì(🛍)ng )ドライ(🍥)バーの岩(yán )崎美(měi )代(🚽)子(🕋)を誘い(💶)、(💣)大阪の宝石店(diàn )を襲(💆)い数千(📈)万円(yán )相当(dāng )の宝石強(👱)奪(🏅)(duó )に成(chéng )功、警察の(🎳)追(🌌)手(shǒu )を(🐯)くらますために別々(🕷)に(🗄)逃亡し(📁)た。速水は宝石(shí )を持(chí(🖌) )って府営バスに乗り込(⏮)み、逃(❎)走(🏯)は完全に成(chéng )功した(👪)か(🏭)のよ(💴)う(🐳)に思(sī )われた……。と(⬛)こ(🔢)ろが、そのバスに、銀(📋)行強盗(💵)(dào )に失敗して警察(chá(🍉) )に(🔧)追われ(📯)て(🧖)いる谷村(cūn )と桐野が(♎)乗(chéng )り(🤵)込み、バスを占拠して(🕒)し(🆕)まったのだ。愕然とす(🈵)る(🏄)速水、(🌫)バスの運(yùn )転手で心(🕴)筋(💠)梗塞(sā(🌈)i )を患う官本、そして乗(💌)客たち－－駆(qū )け出し(🌶)女優(yō(🗽)u )の(😌)立(lì )花かおる、主婦(🌊)の(🏜)戸田(🔬)政(🎭)江(jiāng )、ホステスの小(📶)(xiǎ(😲)o )林ハルミ、大工(gōng )の西(🍱)(xī )勲、(💅)小学校教師(shī )の松原(🛏)啓(🥎)一、そ(👤)の(🐮)松原の教え子(zǐ )で彼(🗞)と浮気(🎇)を続(xù )ける河原文子、(🧣)チ(🤓)ンドン屋の極(jí )楽一(🚘)郎(📿)、良子(🐼)、達たち、無職の老(👣)人(🔹)(rén )・半(🚵)田市次郎、塾に通う小(🤱)学生(shēng )の加藤と田中、(🌴)総勢13名(🚝)で(🚣)ある。谷村(cūn )、桐野は(🐼)乗(📻)(chéng )客(🐗)を(😇)人質にしたため、恐(💗)怖(🆑)を感(gǎn )じた乗客たちは(😫)徐々に(🍋)エゴをむき出(chū )し、(🌷)車(🚪)内のパ(🗻)ニ(📁)ック状態はエスカレ(🔗)ートし(🐈)ていく。やがて、速(sù )水(🍂)は(🏾)隙を見て脱(tuō )出を試(🛍)み(🍤)るが、(🔕)逆に宝石泥棒である(🙆)こ(🌩)とを見(🚺)破(pò )られてしまう。警察(🍇)(chá )は各国道沿に非(fēi )常線を張(😩)る(🖲)が、バスは次々と非(💼)(fē(😧)i )常線(⛹)(xià(♑)n )を突破し、その後を(🚍)パ(🐱)トカー、白バイが追(zhuī )った。一(🥈)方、速(sù )水の乗ったバ(🎀)スがバ(🐶)ス(🍅)ジャックされたと知(🕟)った美(💋)代(dài )子も、オートバイ(📑)で(🍝)バスを追走(zǒu )した。やが(☝)てバス(🍆)の運転手の宮(gōng )本は(🌬)持(🥘)病の心(🐤)筋(jīn )梗塞(sāi )で倒れたた(👐)め、速水が運転することにな(📂)っ(🦂)たが、緊張のために(😖)眼(🔘)は徐(🥑)々(🆙)にかすんでいった…(🕓)…(🌹)。 This extremely obscure Italian production tells the story of a modern day neo-Nazi youth gang that meets in a place decorated with swasticas and a poster of the "Führer". The members of this gang are all bored teenagers from rich families. One of the gang prefers playing pin pall to getting a girlfriend, because playing pin ball literally gets him off. The leader of the gang indulges in violent sexual fantasies, which ultimately leads to rape and murder. This inspires a teen gang from the streets, whose members are poor kids from the ghetto. The story is quite interesting, especially the aspect of the impact the neo-Nazi gang has on the street gang in the end, although the gangs as such have nothing in common. Unfortunately, the film becomes extremely slow paced after a good first 20 minutes, and it never really returns to a faster pace. The interesting cast, unknown faces even for connoisseurs of obscure Italian films of the Seventies, does a good job throughout, which makes it even more sad that the movie as a whole is merely a disappointment. All in all, "I Ragazzi Della Roma Violenta" is a movie that could have been far better than it eventually turned out to be. However, it's remarkable that the film precedes some of Larry Clark's issues in his films "Kids" and "Bully" for about two decades. ニューヨーク市警において(♿)、空手師範の座(zuò )をめ(😿)ぐる争(👥)い(🔒)に巻き込まれた沖縄(🧥)空(🔇)(kōng )手(🚡)家・檜垣一真(zhēn )は、悪(🤼)徳(😥)空手家(jiā )・二階堂弘宣(🚍)の襲撃(🙂)(jī )に遭った。一真は応(💽)戦(🏛)するも(🐃)のの、娘・由(yóu )美の目(🕞)の前で片(piàn )腕を失ってしまう(💰)。そ(♓)れから10年後、由美は(🎳)空(👬)手家(🍴)生(🚛)(shēng )命を絶たれてしま(🦇)っ(💡)た父親の後(hòu )を継(jì )いで、檜(😳)垣(yuán )流空手の達人に成(🐓)長して(⏫)い(🕳)た。由美(měi )は父親の復(🌓)(fù(🙏) )讐を(🦋)果たすため、今(jīn )では(🏕)空(🖼)手界の大(dà )物となった(🎆)二階(jiē(🚒) )堂のいる東京に向か(💤)っ(👸)たのだ(♎)が…。 维斯康蒂压(yā )卷之(🏷)作，也翻译(yì )作《无辜的人》，直(zhí )至(🐋)其(🕥)去世后方才(cái )上映。影(💾)片(😵)依然(📬)(rá(🚬)n )是他最为心仪的(de )贵族(👮)没(🤦)落主题，由意(yì )大利著名影(yǐng )星(👢)吉(jí )安尼尼领衔(xián )，扮演(📁)一位好(🐼)色(💘)(sè )公爵，经常在外(wài )招(👅)蜂(🏕)(fēng )引(🚉)蝶；不料(liào )后来(lái )他得(🎦)知(🚸)妻子与人(rén )有染并生下(✳)一子(zǐ(🐧) )时，恼羞成怒，竟然将孩(⏬)子(🌥)在寒(há(🚜)n )风中(zhōng )冻死。最为(wéi )讽刺(🛐)的是，他并(bìng )不恼怒妻子与人(ré(🌓)n )私(😵)通(tōng )，而是因为(wéi )她的(🧠)(de )情(🌲)人并(🕯)非(🐰)贵族，而是贫苦作家！最(📿)后(🎌)公爵因放不(bú )下面子而自杀。豪(💪)华(huá )的美工设计(jì )、还(😼)(hái )原贵(❤)族(🎶)生活(huó )的奢华摆设是(🎒)维(🍕)(wéi )斯(📼)康提晚年创作(zuò )中不(bú(💏) )可(🚺)或缺的一(yī )环，出生于贵(📶)族世家(💵)(jiā )而又对贵族腐朽(xiǔ(🐂) )陈(🔶)旧的生(🗨)活方式(shì )进行唾弃批判(🔇)，想彻(chè )底革新而又(yòu )无法(fǎ )割(🏙)断(🖖)世袭的(de )高雅文化格调(🔊)，是(🚭)维(wé(🦏)i )斯(🌻)康提一生(shēng )所困(kùn )扰(📨)的(📖)话题，也是(shì )他电影主要的创(chuà(🗼)ng )作方向。 Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.