影视金曲排行榜 第3集

"Free Hand for the Tough Cop" is another wildly exiting, gritty and remarkably plotted 70's Euro-Cult cinema highlight, with a structure that is delightfully convoluted, wicked dialogs & action situations that rank amongst Italy's finest! Personally, I would even state this film is as good as on par with the quality levels of Lenzi's most famous crime-thrillers, like "Almost Human" and "Violent Naples", but it's not as easily available as those two and therefore still a little under-appreciated. With the revival of European cult cinema lately, this film is destined to be released in a fancy DVD-edition any time soon, and I'm sure it'll get many new fans from that moment on. For those who can't wait for an English and/or internationally released version; the film is already available on a French label called Neo Publishing. The picture quality and sound are awesome, and the disc contains some fascinating extras, but you have to able to understand either the French or the Italian language. 一位(🔏)从(có(〽)ng )越南(💩)(nán )归来的美国老兵(bī(⛳)ng )，在路(🌎)易斯(👍)(sī )安娜(nà )的家中发现(🕢)老婆(🚠)(pó )与别人偷情。愤(fèn )怒的他(🤡)受到(💶)(dào )一种(zhǒng )奇怪的鸟叫声驱(🥠)(qū )使(♒)，杀死了老婆(pó(⏲) )与她(🚦)(tā )的情(🖕)人，结(jié )果自(zì )己也(✨)被怪(🚰)鸟(niǎo )硬生生啄去了双(shuāng )眼(〽)。多年(👧)后，一群年(nián )轻的大学(🐿)生(shē(💃)ng )到美(🍀)(měi )国路易斯安娜某(mǒ(🎷)u )处寻(📼)找一(🌌)种罕见(jiàn )的鸟类，结果(🚱)被(bè(👺)i )困在(🕴)(zài )一所荒郊野(yě )岭的(😕)房子(🐒)里。而(🌮)(ér )更令(lìng )他们没想到(👴)的是(🤑)(shì )，那里除了(le )有怪(guài )鸟之外(😫)还有(🧕)大量(liàng )丧尸！ Marcus恋爱了，并将结(✨)婚，但(⬜)同(tóng )他结婚的(👫)并不(🥙)是(shì )一(😚)个女人，而是(shì )两个(🤮)(gè )性(📌)感火辣的(de )女人(rén )。他们都想(💺)(xiǎng )抓(🚧)牢他，而他也(yě )必须(xū(🎳) )在她(🏯)们之(📻)间周旋(xuán )。 为了应对(duì(🌋) )现代(🥡)(dài )人(📴)肉体和精神上(shàng )日益(🐩)严重(🕧)的压(🕥)力(lì )与紧张，英国制(zhì(👓) )药巨(😥)(jù )头(🐜)N-gen公司开发(fā )出名代号(🖋)为RAK295的(💌)机(jī )能提(tí )升补充剂。在投(💀)(tóu )放(🏷)市场前，N-gen找到(dào )3万个志愿者(🛤)进行(🥒)(háng )临床实验。两(🤪)个(gè )月后，灾(🥦)难(nán )如暴(bào )风雨般(➿)降临(🕹)。RAK295引(yǐn )发极为严重的副(fù )作(😃)用(yò(📴)ng )，3万名志愿(yuàn )者几(jǐ )乎(🐺)全部(🆕)遭受(🕯)(shòu )痛苦的折磨，只(zhī )有(🏝)名(mí(🖊)ng )为安(🕚)吉拉·米尔(ěr )斯（玛(🔵)安娜(😋)(nà )·(🌠)本(běn )灵 MyAnna Buring 饰）的女子至(🎭)(zhì )今(⏭)杳无(🍪)音讯。 1998年(nián )11月11日，汤有亮(🌻)（刘(💀)青(qīng )云 饰）一家(jiā )游玩途(😅)中遭(🖤)遇严(yán )重车(chē )祸，汤当场身(🐺)亡(wá(♊)ng )，妻子程希(xī )文(🌈)（林熙蕾 饰(😹)）和一(yī )双儿女侥(🔆)幸逃(🔠)生(shēng )，只是女儿(ér )汤乐(lè )儿(🕎)双眼(📣)从此失明(míng )。转眼十年(🔥)过去(🍩)(qù )，时(🐳)(shí )间并未治愈(yù )汤氏(☔)(shì )一(🧓)家心(🧓)中的(de )创伤，他们久久(jiǔ(💍) )沉浸(🍽)(jìn )在(🈯)失去丈夫和父(fù )亲的(🦁)悲痛(🕐)之(zhī(🐊) )中。乐儿（阎青 饰）不(🛰)愿母(🍆)亲继续折(shé )磨自己，她尝试(🛑)(shì )着(💠)将(jiāng )一家人的经(jīng )历写成(🏌)小说(✒)，而(ér )书中(zhōng )的(🎺)情节和现实(👈)截(jié )然相反。在(zài )小(🕹)说(shuō(🧤) )里，乐儿和母亲(qīn )、弟弟死(⛴)于车(🐷)祸(huò )，父亲则活(huó )了下(👱)(xià )来(🔃)，成为(💜)一个由(yóu )菲佣照顾起(🔜)居的(🥢)(de )盲人(🚬)(rén )。父亲相信鬼魂(hún )的(👌)存在(💫)，时(shí(⛪) )刻期盼与妻儿重(chóng )逢(🛷)。死去(🍅)的乐(🗨)儿在另(lìng )一个世界当(🐈)(dāng )上(🛂)了(le )小孟婆，她利用(yòng )手中的(🍿)职权(🎸)让母(mǔ )亲和弟弟重新回(huí(😴) )到父(📙)(fù )亲身边。汤(tā(💲)ng )和妻儿心照(👌)不宣(xuān )地享(xiǎng )受着(🔷)失而(💚)复得的(💣)(de )幸福生活…… Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended. Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema. 电(dià(🕞)n )视台(🦓)编导夏宁（迟佳 饰）(🧖)大大(👈)咧(liě(🌙) )咧，说话办(bàn )事不(bú )靠(🤰)谱，主(🚏)编白(🏖)丁(dīng )（曹曦雯 饰）交(🎥)(jiāo )给(🔛)他(tā(🚓) )一个任务，七天(tiān )之内(🕒)拿出(🕗)《人间(🎧)冷暖》栏目(mù )的拯(zhěng )救(🤕)方案(🏖)，否则走(zǒu )人。夏宁找(zhǎo )来群(⛪)(qún )众(🐀)演员陕西汉子(zǐ )张大虎（(🛰)田新(😬)平(píng ) 饰），让他(🕖)出演(yǎn )《卖(mà(🌕)i )煤的老张》，可张大虎(👪)做梦(⏯)(mèng )都想(📯)(xiǎng )演皇帝，夏宁费(fè(🚒)i )了九(🗄)牛二虎(hǔ )之力(lì )，总算(🐝)调教(😐)好了(🌭)(le )这个“未来眀星(xīng )”，完成(🙈)了(le )总(🧝)编(biā(⏸)n )交办(bàn )的任务，而(ér )他(😨)也从(🕔)此受(👖)到了(le )台里(lǐ )领导和同(🚐)行的(🆓)器(qì(🙋) )重。几天后(hòu )，台领导决(🚨)定调(🖇)(diào )整节(jiē )目，把张大虎请(qǐ(📞)ng )来做(♍)娱乐访(fǎng )谈，为了不让大虎(🎱)把(bǎ(🎧) )他演卖煤老张(🚐)的(de )事说出来(🧣)，夏宁(níng )忍痛(tòng )化了(🙊)不少(🐵)的(de )封口(🍶)费。吃顺了(le )嘴的(de )张大(⛎)虎令(🗣)夏宁苦(kǔ )不堪言，他(tā(🎬) )找来(📸)(lái )哥(✉)们帮忙，让张(zhāng )大虎终(✒)于过(🐠)了一(🎨)(yī )回演皇帝的瘾，而夏(🧟)(xià )宁(💝)则从(🔵)中悟(wù )出了什么...... Controversial singer-songwriter Franco Califano takes his tough, no nonsense persona to the big screen in one of his few starring roles as the man with the Gardenia, a restaurant owner who is not afraid to stand up to the mob. It's little wonder that every woman in the film swoons and sighs at the sight of him and all men, even the baddies, are awestruck at his appearance. Not that they show him constant respecto, if that were the case we wouldn't have much of a picture.