中国合伙人观后感 正片

「(📜)旧日本軍(jun1 )の病院(🔽)」 It's the old dark house plot again with added gore. Foolish young people take shelter in in old house or in this case, hotel and all hell then breaks loose. Not one of the most original stories in the field of horror films and sadly there is nothing really new in this made for TV movie. Other than the only known case of death by washing machine that is! Made in 1989 but looks even more dated than that, the jocks and bimbos in the American splatter films were pretty air-headed but they were always far worse and incredibly stupid in the European ones. Anyone with an ounce of sense would see what a 'con-damned' building this house was and run for the hills. These just wait around aimlessly to be picked off by the forces of evil. The sound dubbing isn't very good either and somewhat annoying as none of the voices seem to be in tune with the actors. And the small child while I guess, is supposed to be cute is just a major pain in the backside. But then again, none of the cast are sympathetic and you don't really care what happens to them. Thus it rattles onto a dull finale and disappointment. Like a lot of Spanish and Italian films in this genre, the horror effects happen for no rhyme or reason, just to try to elicit a scare. There has to be some bounds of credibility and logic in even the most dopey plots. 影片《花(🚞)溅(jiàn )泪》描(miáo )写(😅)了(🌺)几个性(xìng )格各异的(de )舞女(👁)：天真(zhēn )活泼的(🍓)米(mǐ )米，有(🛫)正义(yì )感的丁(♏)香(👁)(xiāng )，风流娇(🔽)冶(yě )的曼丽，楚(🔵)楚(🎌)可怜的(de )顾小妹(💋)……。洋场(🔰)买办常海才(cái )不(♑)怀好意地(🎐)追求米(mǐ )米(mǐ(💽) )，米(🍖)米(mǐ )却钟情于(📠)大(dà )学生(🧕)金石(shí )音，而米米(🍸)(mǐ )的假母(👪)又(yòu )逼迫米米(💺)去(🧦)(qù )嫁给有钱(qián )有势的杨(🚸)老(lǎo )头做姨太(tà(📠)i )太。在不得(💏)已的情况(kuàng )下(🚌)，米(🎤)米嫁给了常海(hǎi )才。金(jī(♊)n )石音失恋后(hòu )，就(💶)从军(jun1 )去了(📣)。不久(jiǔ )，常海才(cá(💟)i )对米米感(👽)到(dào )厌倦，又(yò(🎣)u )企(😨)图抛弃她(tā )。他(🚡)想出(chū )了(💅)一个"两地(dì )同时(📴)服毒(dú )自(📤)杀"的诡计，结果(🌳)被(😴)(bèi )金石音的同(➖)学小李(lǐ(🐃) )发(fā )觉，米(mǐ )米方(👸)才获救(jiù(🌇) )。影片最(zuì )后，顾(🤑)小(💄)妹(mèi )因受到洋(yáng )场阔少(✅)小陈(chén )的欺骗而(🍍)(ér )发疯，觉(🚀)悟(wù )的米米和(🌍)(hé(🚞) )丁香则担(🎀)负起服务国(guó(🐛) )家的责任，走上了(🌠)光(guāng )明的(🥥)道(dào )路。 Delicate and surreal. "A hora mágica" is a mix between a noir movie and a fantastic, surreal movie, dealing with the contrasts between reality as it is and reality as we want it to be. Life imitates art, but what life? What art? Is any of it worth it? The acting, the scenario, the timing, all promote an air of falsehood, and for a good reason: this is the land of fantasy, of desire, a place to try (and fail) to escape the roughness of real life and join the paradisiac land of the movies (or, as it is, of radio soap-operas). And this is why it also explicitly resembles a noir movie, the kind of movie that epitomizes the glamour of Hollywood. This game between reality and fantasy is paralleled to the shock originated with the arrival of TV in Brazil, rivaling radio, as TV virtually destroyed the radio soap-operas (the main character is a radio soap-opera actor). All in all, a delicate film, beautiful to the eyes and the soul, well-done technically, and with a good soundtrack. In particular, the final sequence is simply perfect, maybe among the most beautiful in the history of cinema; that sequence alone justifies recommending this film. 影片(pià(🔇)n )由意大利(🔐)(lì )畅销作家费(🔘)(fè(💣)i )德瑞克•莫洽(✅)执导，执导(🦂)过不(bú )少电影的(🌵)莫(mò )洽，这(🥛)次(cì )首度将自(🤺)己(🔺)(jǐ )的小说搬(bā(🏘)n )上银幕。 Two deranged brothers, who are under the domineering influence of their crazed mother, kidnap young girls and keep them captive in chains in their basement, where they subject them to depraved "games" that often end in torture and murder For Balduin, going out to beer parties with his fellow students and fighting out disputes at the tip of the sword have lost their charms. He wants to find love; but how would he, a penniless student, ever dare looking up to any woman worth of loving? Absorbed in his dreary thoughts and indifferent to the advances of Lyduschka, Balduin is unexpectedly offered a fortune by the mysterious money-lender Scapinelli - but on a strange condition...