十二金鸭 第6集

由布莱恩(🕞)·德(🌎)(dé )·帕尔马（Brian De Palma）(👠)指导(👾)， 保(bǎo )罗(luó )·施拉(🔗)德（(🅰)Paul Schrader）编剧(jù )的(de )《迷情(👂)记》（Obsession / 1976）是一(yī )部(bù(🐉) )文艺(🔈)气息相当浓厚(hò(🗯)u )的(de )悬(🛐)疑片。帕尔马导演(🆓)一(yī(🌳) )反常态，并没有在(🎣)(zài )影(🗺)(yǐng )片中过分卖(👔)弄血腥(xīng )暴力(lì )，而是(🔕)以细(🦃)腻的手(shǒu )法(fǎ )把(🈶)一个(💭)奇异的故事(shì )拍(❤)(pāi )得(🛠)如梦如幻，韵味十(⏭)(shí )足(💼)(zú )。 画商罗贝尔(🏗)先生(shēng )在(zài )住宅门口(🍙)发现(😳)一份犹(yóu )太(tài )人(🔷)的报(🗒)纸，从报社(shè )得(dé(📂) )知，这(🌰)种报纸并不是(shì(🍶) )免(miǎn )费赠送的，是通(👊)过(guò(😃) )邮(yóu )局订阅的。从(🏂)订阅(🔔)者(zhě )的(de )名单上，他(🕞)找到(🏎)另(lìng )一(yī )个和自(👺)己同(♏)名的人，他(tā )们(📙)的惟一区别是地(dì )址(👮)(zhǐ )不(😾)同。为了找到这(zhè(👕) )个人(✉)(rén )，他利用一切线(🗒)索(suǒ(🎖) )，但是在些线索又(🧞)一(yī(💊) )一(yī )断掉，包括(⤵)一位叫伊(yī )莎(shā )贝尔(🏷)的女(⛎)人。要证(zhèng )明(míng )自(⛓)己，他(🎐)必须找来父(fù )母(🏻)(mǔ )、(💌)祖父母的出身证(😁)(zhèng )明(míng )，他的律师皮(😆)埃尔(🔦)从(cóng )中(zhōng )相助。有(🥋)传闻(🥦)说这(zhè )个(gè )他找(😯)了半(🥗)个巴黎的克(kè )兰(🕸)(lán )先(🤘)生在一起秘密(🌪)携(xié )带(dài )炸药扎毁盖(🏫)世太(⬅)保机关(guān )的行动(🚆)中失(🏇)败身亡(wáng )，但是不(🔃)久后(🍃)，就在(zài )他离(lí )开(🏒)巴黎上火车时，伊(yī(💮) )莎贝(🕒)尔就坐在他的(de )身(📠)(shēn )边(📰)，克兰先生恰恰就(🎾)(jiù )在(🛂)(zài )送行者的人群(🧜)中。他(🔰)(tā )发现，这个克兰(🔶)先生(shēng )，将房子挂上(🥁)“出租(🤚)(zū )”的记号后，依然(🥀)住在(📟)(zài )那(nà )里，他们通(🚦)过电(🥍)话(huà )定(dìng )下了见(📱)面的(🌇)时间，但(dàn )是(shì(🗣) )当他赶到那里的时(shí(🛩) )候(hò(🎢)u )，皮埃尔已经预先(🍩)向警(🌤)(jǐng )察通报了消息(🅱)。 马(mǎ(➕) )达(dá )民族是世界(🛥)上最古(gǔ )老的(de )民族(🖱)之一(⏯)，他们拥(yōng )有(yǒu )自(😠)己的(🦂)独特的民族(zú )文(🐏)化，生(♑)活方式和意义(yì(🕶) )理(lǐ(💻) )念，摩根教授一次(cì )关(guān )于马达族的(🔻)讲座(🎭)引起(qǐ )人(rén )们对(🔗)马达(😽)族人民的(de )浓(nóng )厚(🖼)兴趣(📽)。劳拉，尼古(gǔ )拉(lā(🈂) )斯，摩(🍻)根和妮可四(sì(🦗) )个(gè )年轻人由于不同(👖)原因(🌜)(yīn )走(zǒu )到一起，他(📧)们决(🔞)定(dìng )结(jié )伴通行(🏹)去考(🎫)察马达人(rén )，一路(📥)上由于此行的(de )目(mù(🐄) )的不(📡)尽相同，并且存在(🥉)(zài )意(🎎)识上的差异，他(tā(🍃) )们(men )看(👻)起来快快乐乐，实(🍹)则并(😶)不同心，就在他(tā )们(men )到达马达人内部(🌮)围(wé(📈)i )绕(rào )着要不要深(🔡)入马(🛁)达人(rén )内(nèi )部考(🙋)察的(🏫)问题，四(sì )人(rén )的(🏀)观念(😟)的差异终于暴(📫)(bào )发(fā )… Director Mario Caiano is not one of the better known Italian directors; but he's certainly one of the most underrated and has proved himself more than capable of delivering the goods on a number of occasions with films such as Calling All Police Cars, Night of the Doomed, and this film. The Polizi genre is best known for it's fun action flicks with a focus on car chases and shootouts; but with this film, the director has taken the theme and added an extremely grim atmosphere to it, and this bodes well with the plot line which takes in a robbery gone wrong, a resulting war between the criminals and a police investigation. The film opens with a bank robbery in which the crooks make off with a load of money which was intended for some workers' pay packets. This interests Police Commissioner Foschi as the wages are normally paid in cheque. Things haven't gone well for the criminals either, as two of them have decided to rip the other one off, leading him to track down his former partners with the cops on all of their tails. Basically the story takes place during the end of the Pacific War and the aftermath period and it focuses on Mizoguchi, who is the son of a Buddhist Priest. When his father dies, he’s sent to the Temple of the Golden Pavilion in Kyoto. Mizoguchi is physically unattractive and becomes, in some way, jealous of the beautiful Temple that he loves so much. Like in the novel of Jules Verne four persons try to get to the centre of the world by entering into a world of caves by a volcano. On their way they discover among other things also prehistoric animals like some dinosaurs.