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Bargeman Louveau finds an abandoned boy, Victor, and with the authorities permission takes him back to his own family where he raises him. 10 years later Victor and Louveau's daughter Clara have fallen in love, and it is then that Louveau is called to Paris, where it has been discovered that Victor is really the son of Maugendré, a charcoal shipper on the Nivernaise canal. Meanwhile, Victor protects Clara when a jealous bargehand attacks her and he manages to save the family barge from crashing into the lock. Returned to his real father, Victor is sent away to be educated but misses Clara and his life on the barges. When Maugendré realizes this he lets him return and when they are married he gives Victor and Clara a barge of their own. It's the story of four characters:The father (Nolff),the mother(she was not given a name),the brother (Michel)and the sister (Djenna).It takes place in Britanny among the menhirs (Carnac?) and in front of the sea. 《天(tiān )机(🥒)(jī )之(🐄)(zhī )九(🍦)幽(yō(🧗)u )业火(💨)(huǒ )》讲(🕞)述了(👃)架空(👯)世界(📗)中的(👬)都城大邺(🌜)城，突(tū )发(😎)业(yè )火(huǒ(📅) )杀(shā )人的(🚬)(de )连环(huán )惨(🥨)案，耸人听(☕)闻，神鬼莫(🐚)测。来自天(🌾)照(zhào )府的(🐽)(de )破(pò )案(à(🎦)n )天才(cái )时(🌊)浩轩与千(📺)年城隍庙(🍞)的道术奇(😢)才玄坤，两个(gè )命格(gé )奇绝(jué )、天(tiān )赋异禀的少年为参透玄机，缉拿真凶而身陷(xiàn )水火(huǒ )。二(èr )人拨(bō )开杀气与血(🔁)雾，在(🕜)使二(🔘)十年(🙏)前倭(🎛)国遣(🍳)胤(yì(✝)n )使灭(🚽)(miè )门(🔐)(mén )案(👋)(àn )浮(🔣)出(chū )水面(🚹)(miàn )的同时(🎾)，一卷“业火(🍜)五灾”的秘(🥋)密卷宗(zō(🚳)ng )也揭(jiē )开(👄)(kāi )了(le )他们(🧙)(men )诡异(yì )的(⛎)身世之谜(🎼)。环环相扣(🎞)，案案相承(🕘)，云(yún )诡波(👎)(bō )谲(jué )的(😪)(de )都城(chéng )之(📘)中，一系列精心谋划的杀人迷局，随着无(wú )限膨(péng )胀的(de )仇恨(hèn )与野心在时空中徐徐拉开帷幕…… This film's German title would translate as "Journey in the Night", but that "night" is metaphoric: it refers to blindness, rather than anything nocturnal. The film's most notable merits are its photography (by Max Lutze), the direction by F.W. Murnau (a bit lighter than usual from this director) and a remarkable performance by Conrad Veidt ... an actor who never fails to impress me, yet who surpasses his own high standards in this drama. (novel "A Manchester Marriage") In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s.