梦幻天堂剧情 第10集

Colt 38 special squad is a rare breed in the poliziotteschi genre. Excellent shot and filled with great casting, cinematographer/director Massimo Dallamano really comes trough on this one. Known for his outstanding camera precision on the Sergio Leone trilogy Colt 38 grapes you all the way. Of course there are a lot good examples for movies in those Italian cop/crime films.Like Milano Calibre 9 or The big racket. But Colt 38 special squad belongs among those films. Rather than just focusing on the usual violence this one delivers also a other angle, those of the mental-pain and struggle. Like a real pro Massimo let's you get involved in those characters and start to care form them. With all well paced storytelling we follow French crime lord Ivan Rassimov as the Dark angel in his mad rage against the city and his cops. Expeccialy against Marcel Bozzuffi as hard boiled Capitan Vanni. An old beef is going on between the two of them. Personal as can be, Vanni and his special crew of cops now not only arresting the locals bastards but are also mix up in the personal vendetta between Vanni and the crew of Dark Angel. The result is well packed storytelling with some brutal, but subtle action. Colt 38 is a well crafted movie with memorable scenes. Think in the line of city bombing and care chases. Rassimov is one's of the most cool killers. But really, Vanni is stealing the show in my opine that is. Of course also in real life those guys competing. Both are die hard actors. Dirty rotten by all those amazing scripts in there carrier. Kinda like De Niro and Pacino in Heat. Do not make the mistake of thinking less about this movie in budget ways. It's great cinema and a prime example of Polliziotesschi madness. Not to be missed Duras's first work of short fiction, Des journées entières dans les arbres (Whole Days in the Trees and Other Stories), was published in 1954. Consisting of four stories, Des journées entières dans les arbres touches on several themes that Duras explored more fully in her later work—(💁)particularly the developing sexuality of young women—(🎹)but in form and structure is more similar to her earlier works, which tend to be realistic and conventionally structured. 少林寺数(shù )百(bǎ(🥠)i )年来弘扬大(🍽)业(📁)，发(fā )展武功，曾为(🤜)太平盛(shèng )世(🚽)立(♋)下不朽功勋。清(qī(🕔)ng )廷为打(dǎ )压(yā(🕎) )异己，控制人(💣)民，借(🕤)(jiè )助少林叛徒(🖍)石少锋(fēng )（(🥔)田俊 饰）等人围攻(🍨)(gōng )少(shǎo )林，致(💐)使少林弟子(zǐ )流(liú(🎣) )落各地。少林(❣)大智(zhì )禅师得意弟(😚)子云飞（谭(🤾)道(⏳)良 饰）功夫学成(🔎)(chéng )，奉师(shī )命(🐗)(mì(👎)ng )下山保护反清义(🕞)士(shì )并(bìng )清(💟)理(👥)少林门户。云(yún )飞(🔮)(fēi )于路得谭(🌕)小(💃)弟（成(chéng )龙(lóng ) 饰(🕐)）帮助混入(🤦)石(🏪)少(shǎo )锋(fēng )所在白(➰)石镇。恰逢(féng )众(💦)义士搭救一(🔽)少林(⏫)子(zǐ )弟，不(bú )幸(🤨)(xìng )石少锋一(Ⓜ)伙早有准(zhǔn )备(bèi )，石(👾)之左膀右臂(🙈)杜(dù )清(qīng )（洪金宝(⛏) 饰）将众(zhò(🐄)ng )义(yì )士杀伤无数。云(🔈)飞(fēi )接(jiē )近(🐟)杜(🐁)清，假意投靠(kào )石(🎉)少锋一伙，不(🌵)料(㊙)被(bèi )石看破，身陷(📳)缧绁，谭小弟(🥒)(dì(👡) )再(zài )次出面将云(😯)飞救出(chū )。原(😪)来(🌧)谭小弟之兄长(zhǎ(🥘)ng )正(zhèng )是被石(🙀)少(🛎)锋害死，二(èr )人决(🏂)计合力诛杀石(🌜)(shí )，随即邀请(🍵)因石(🛩)少锋(fēng )而失手(🌖)害死自己心(💣)爱(ài )女子的(de )剑(jiàn )术(🀄)高手江南浪(🛁)子加(jiā )入(rù )己方…(🕋)… 法国名导(㊙)(dǎo )演(yǎn )勒卢许与首(⚾)席女星(xīng )德(➗)(dé(⛷) )纳芙在70年代中期(✉)合(hé )作(zuò )的(📺)亲(⛄)情伦理片。女(nǚ )主(📕)角在年轻时(🐺)抢(🆖)劫银(yín )行，被囚20年(🌘)，她在入(rù )狱(🎁)前(🌉)生(shēng )产(chǎn )的儿子(🕧)赛门已长大(🕞)(dà(🥡) )成(chéng )人，出狱后想(🔷)跟赛(sài )门(mén )重(🏻)新建立母子(🔓)关系(xì )，但产生一些(🏢)挫折，直(zhí )至(🐗)她发现儿子竟然(rá(💳)n )爱上她的女(🍠)友时，事(shì )情出现了(🐧)(le )转机。而她自(🌽)己也(yě )找(zhǎo )到了新(📴)的爱侣，就(jiù(🚐) )是(💹)(shì )赛门的老师。 This extremely obscure Italian production tells the story of a modern day neo-Nazi youth gang that meets in a place decorated with swasticas and a poster of the "Fü(🚉)hrer". The members of this gang are all bored teenagers from rich families. One of the gang prefers playing pin pall to getting a girlfriend, because playing pin ball literally gets him off. The leader of the gang indulges in violent sexual fantasies, which ultimately leads to rape and murder. This inspires a teen gang from the streets, whose members are poor kids from the ghetto. The story is quite interesting, especially the aspect of the impact the neo-Nazi gang has on the street gang in the end, although the gangs as such have nothing in common. Unfortunately, the film becomes extremely slow paced after a good first 20 minutes, and it never really returns to a faster pace. The interesting cast, unknown faces even for connoisseurs of obscure Italian films of the Seventies, does a good job throughout, which makes it even more sad that the movie as a whole is merely a disappointment. All in all, "I Ragazzi Della Roma Violenta" is a movie that could have been far better than it eventually turned out to be. However, it's remarkable that the film precedes some of Larry Clark's issues in his films "Kids" and "Bully" for about two decades. Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.