种鬼电影 正片

Kingsley Amis' novel about redbrick university life turned into likeable but harmless knockabout farce by the Boulting Brothers. The situation of accident-prone, caustic-minded young lecturer Jim Dixon having problems with his girlfriend and his professor - he was promptly annexed as an example of 'Angry Young Man' protest - here lacks all sense of satire, not surprisingly given the casting of the wet Carmichael in the central role. Cosy, undemanding, and quite forgettable. EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films. 清末民初(chū )。村女徐红焦因(yīn )战(🕉)乱与未(🆗)婚夫(fū(🚶) )张文郎(👴)失散，卖(🌅)(mài )身(😡)为(⏮)妓(jì )，易名(míng )红妹。张则到故(gù )府当工人。一(yī(🚈) )天，胡家(🙄)少爷遗(🍮)(yí )张送(🛃)绸子给(📄)爱(ài )妓红妹，红、张(zhāng )嘉得重逢。红(hóng )装病不(🔖)再接客(👪)(kè )，鸨母(👠)便以高(🐇)价(jià )将(⛎)红卖给胡。胡(hú )知情敌是张… 赵金龙得表兄(❎)(xiōng )马(mǎ(🥢) )明德相(🤠)助，装(zhuā(🙁)ng )穷试探(🔘)赛彩(🧓)凤(🥔)(fèng )是(shì )否情真。德又(yòu )向龙献计讹称(⛎)(chēng )黎(lí(😬) )英为情(🌕)人，以(yǐ(✖) )拖延龙(👫)母迫(🕯)婚(🐁)(hūn )。此时，凤被父(fù )亲迫嫁债主，英亦请(🏵)德佯装(😐)为(wéi )凤(😨)的情人(⬛)。连(lián )串(🎺)谎话终(🤱)被拆穿(chuān )，龙与凤喜谐(xié )好梦。 鄉村少女(nǚ )金(🕧)鳳（林(🚐)黛）自(🐗)幼喪母(🚘)，全(quán )仗(🌖)(zhàng )父親杜老海（陳又 新）撫養(yǎng )長(zhǎng )大，美(📊)貌活潑(😬)(pō )，驕縱(🍛)成性。村(🌑)(cūn )中青(🍚)年癩(🧥)子(🥜)（金 銓）一直暗(àn )戀(liàn )金鳳，金鳳卻(🎦)(què )鍾情(🗝)施家的(😴)長(zhǎng )工(🔗)(gōng )二牛(🚎)子（(🚨)嚴(🕤)俊(jun4 )）。 A party girl is murdered, and everyone at a Utah motel is a suspect.