火影忍者367 第16集

謝(xiè )洛美·漢尼(ní )耶飾(shì )演一名剛進(jìn )入巴(bā )黎一家規模龐大(dà )的顧問公司任見(jiàn )習職員的年輕人(rén )，而負責訓(🗃)練他(tā(🕰) )的是公(📨)司的一(🆓)名(míng )紅(👄)人，這人(🔗)自視(shì(🚜) )甚(🚔)高(gā(😓)o )，完(🍥)全不(🕎)接(⏲)(jiē )受(💒)任(🈹)(rèn )何(🍫)爭(🐪)辯或意(🛬)(yì )見。年(⛓)輕人被(🎱)派(pài )往(💆)外(wài )省(🍘)負責督(💞)導一間(🙉)(jiān )鋼鐵(👞)公司的(👹)核數(shù(⛷) )工作，他很快發(fā )現自己的工作其(qí )實是為公司的全(quán )線裁(cái )員作準備。他突(tū )然很懷念與(yǔ )身為(wéi )單親母親的(de )女友(yǒu )在巴黎那較簡單(dān )，不需要作(⛲)出那(nà(🙃) )麼多妥(🌚)協的生(🧑)活(huó )。但(🕑)事實往(🔸)往並(bì(💚)ng )不是那(👋)麼(🎂)簡單(⚽)的(🐬)(de )……(🥐) 故(🍪)事发(🌴)生(😨)在(zài )位(👪)于(yú )罗(❄)马的历(🚛)史(shǐ )古(🖥)城(chéng )斯(🙎)波莱罗(🎴)，克莱(lá(🌍)i )尔（詹(👋)妮弗(fú(👜) )·康(kā(📓)ng )纳利 Jennifer Connelly 饰）从纽约(yuē )远道而来，准备(bèi )进入此地的芭蕾(lěi )舞学校学习深造(zào )。在这里，克莱(lái )尔邂(xiè )逅了名为杰(jié )森（Gary McCleery 饰）青年，两个(gè )人漫步街头(tóu )，在(zài )鬼使(🔛)神差之(🍌)下来(lá(🔵)i )到了著(🐇)名芭蕾(🗻)舞(wǔ )演(🥛)员娜塔(🎵)莉(⬆)（詹(🐶)(zhā(🎡)n )妮弗(🍒)·(⬜)康纳(🎢)利(🌯) Jennifer Connelly 饰(shì )）(🧢)的旧宅(🔆)。 Marian Martin (Crawford) is a factory girl living with her mother in a grimy railroad town. Factory boy Al Manning hopes to marry her, but Marian is determined to find a better life. When a train makes a stop in town, Marian looks through the windows and sees the wealthy passengers. She then makes the acquaintance of Wally Stuart, a New Yorker who gives her champagne and writes down his address, telling her to look him up if she ever makes it to New York. Marian, now tipsy from the champagne, happily returns home. Giggling, she tells Al and her mother that she was drinking down by the railroad tracks. 野田(tiá(📂)n )伍郎（(🥪)藤原龙(😳)也(yě ) 饰(♋)）少年(🏽)时父母(🔦)(mǔ )因债(🐾)(zhài )台高(🦓)筑双双(shuāng )自杀(shā )，自此伍郎(láng )生活(huó )陷于黑暗，辗转(zhuǎn )于孤儿院、少管(guǎn )所、黑帮等边缘(yuán )地带。回到日本(běn )后，他与当年的(de )好友(yǒu )公介（塩谷(gǔ )瞬 饰(shì )）、(🏉)纯、达(🗯)(dá )男合(🌩)(hé )伙靠(🕞)婚姻欺(🐂)(qī )诈为(🈁)(wéi )生。 文(🤰)森(🧓)的妻(🚱)子(🙄)(zǐ )三(📐)年(🃏)前死(🌄)于(🎖)凶杀(shā(🏻) )，文森的(🏙)生活也(🍑)(yě )因此(🗨)变得破(🚚)碎。邻居(🧓)爱丽丝(🌛)由于(yú(🎊) )喜欢文(🔃)森，希望(😐)(wàng )文森(sēn )重新回到从(cóng )前，并且不断的(de )鼓励(lì )他，为了文(wén )森能(néng )够快乐，决定根(gēn )据从案件中了解(jiě )的情况制造出罪(zuì )魁祸首，并让他(tā )落入到文森手中(zhō(🕥)ng )。文(wén )森(🛵)发现“真(🕛)(zhēn )凶”后(⛹)，将其杀(🥟)(shā )死以(👹)(yǐ )泄愤(🔅)，但(💱)是(shì(🧓) )“凶(🉑)(xiōng )手(🛠)”并(🌛)没有(🎐)死(😘)去(qù )...... 在(🔀)电影‘(🚪)第3个愿(🍽)(yuàn )望’(🤸)里，当书(🛏)局(jú )几(🌆)女文员(🚪)Maggie (Mattison) 发现查(➿)(chá )尔斯(🏇)•狄更(💥)斯小说(🛠)的第一版后，她得(dé )到了3个愿望(wàng )。 This is a very powerful film. Admittedly parts of it are hard to watch, but it is an outstanding piece. In a nutshell, it is about a hippie commune that has been set up by someone who believes that the best way to help the homeless and often deranged cripples in Moscow is by offering them sexual love. I did not realise (because of the black and white, and the fact I watched this film before looking up to see when it was made) that this film was shot recently in Moscow, using real homeless people in their real situations. I assumed, because of the black and white, and the whole hippie commune idea, that this was the 70s. Shockingly, this includes his real-life footage of the current situation of the marginalised in Moscow, and that upset me to the core. Obviously some of the characters are actors (or, rather, are acting), but many are simply being shot in their everyday surroundings. Let's hope that some good comes out of films such as these, in the same way that Cathy Come Home helped change the situation for many in the UK all those years ago.... Is Aristakisyan Russia's new and very own Ken Loach? We shall have to wait and see.