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阿(⏱)炳（(🗣)郑茂(mào )松 饰(shì )）(🌸)天(〽)资聪慧，自幼跟父亲华(🌉)雪梅（宁(níng )化(huà )鲁(lǔ(🏯) ) 饰(shì(🖇) )）学艺。父母双亡(🌭)后(⏺)，他(⛪)已是(shì )无(wú )锡城(ché(👍)ng )有名(míng )的“小天师”。孱弱(⛺)艺人(🐇)钟师傅(fù )（邵(shào )华(huá(🎲) ) 饰）遭恶霸李老虎(💺)（(Ⓜ)董(🐓)玉刚 饰(shì )）欺(qī(🦖) )凌(lí(🎎)ng )，其(qí )女琴妹（袁梦娅(👄) 饰）卖艺还债屡(lǚ )遭(🌼)街(🕰)(jiē )头混混滋扰，阿(⏮)炳因(🗳)无力相帮，心(xīn )生(shēng )愧(🙎)(kuì )疚(🍺)(jiù )，遂云游他乡。数(🦇)年(🤚)后二人重逢，各诉(sù )衷(🦀)肠。官至警察局长的李(🤢)老虎(⛰)越发霸(bà )道(dào )，由(🎥)(yó(🐙)u )于(💻)倔犟的阿炳和琴妹(🏈)不肯为其(qí )唱(chàng )堂会(📊)(huì )，他(💡)(tā )差人弄瞎阿炳的双(🌚)眼，遭凌辱的(de )琴妹(mè(👱)i )绝(🌽)(jué(🏥) )望中命丧黄泉。阿(❔)炳再(🍶)度四处(chù )漂(piāo )零(líng )，一(📷)腔(qiāng )悲愤时时灼烧着(🍽)瞎(🕔)子阿炳的心，回顾(🆔)(gù )几(😜)十年自己所走坎坷之(🌌)路，心(🔢)中(zhōng )万(wàn )般(bān )感(🕊)(gǎ(📶)n )慨(kǎi )。最终，流传千古的(🔑)《二泉映月》从指(zhǐ )尖流(📞)出...... 清(😄)朝时，由岳飞创立(🏝)的(🎎)形(⬆)意门(mén )一(yī )派(pài )勇(🦖)(yǒng )于抗清，朝廷鹰犬任(🎴)天化(😠)（任(rèn )世(shì )官 饰(💾)(shì )）(🐒)武(wǔ )功高强，四处搜(🍢)寻(🖋)形(🏵)意门高手陈(chén )鹏(🖨)飞(fē(🗳)i )（田俊 饰）。僻静的青(🈚)龙镇上，隐(yǐn )姓(xìng )埋(má(✳)i )名(👾)的(de )陈鹏飞和孙子(📞)陈兴(🧔)龙（成龙 饰）每日(rì(🙇) )辛勤(🍴)练功，陈鹏飞为了(🆕)避(🌍)免暴露(lù )身(shēn )份(fèn )严(🦐)(yán )令(lìng )兴(xìng )龙惹是生(👓)非。这(🐥)日，兴龙上街赌(dǔ(🌈) )钱(🚈)显(👳)(xiǎn )露身手拆穿庄家(👮)骗局，当地富户随即(jí(🔗) )邀(yā(🔕)o )请(qǐng )兴(xìng )龙到自(🤴)己的(🧝)武馆中担任教头。兴(🍙)(xì(🕘)ng )龙(🔍)将(jiāng )武馆(guǎn )改名(🎑)为形(🐈)意门，又隐藏幕后替馆(🕛)(guǎn )主料(liào )理(lǐ )各方挑(🚿)战(😙)者。青龙镇的形意(👣)门(mé(🥟)n )名(míng )声(shēng )渐(jiàn )起，将任(🧣)天化(🆘)引来，懵然不知的(🌿)兴(🌤)龙(lóng )将任(rèn )天化一行(🦊)引到家中，任天化将陈(🍪)(chén )鹏(🧔)飞(fēi )杀(shā )害(hài )。幸(📇)有(🐵)陈(🤲)鹏飞好友八脚麒麟(🎳)及时赶(gǎn )到，兴龙(lóng )才(🌻)免于(🆑)一死，自此兴龙跟(♿)随八(🚼)脚(jiǎo )麒麟(lín )苦(kǔ )练(🚞)武(🌇)功(🚑)，矢志为爷爷复仇(🖌)……(🎟) 영미는 일찍 부모를 잃(💪)고 낙도 분교장 이장생(💍)씨(🤚)의 슬하에서 오빠(🙋) 문구(🖊)와 생활하다가 진학을(🔴) 위해(🈯) 상경한다. 항상 정(💷)숙(🗞)한 태도로 입시준비를(🀄) 하던 영미가 인격보다(🤱) 돈을(✖) 중시하는 의사어(🗯)머(🍤)니(🔗)에게 환멸을 느껴 탈(♌)선하여 불량배와 노는(😾) 재수(🎱)생 지환에게 정조(🐗)를 빼(⛅)앗긴다. 정조관념이(😭) 강(🌨)한(😌) 영미는 자살을 기(😱)도해(🗿) 식물인간이 된다. 이장(✈)생씨는 정조는 생명보(🥋)다(💘) 고귀한 것이라고(☝) 교육(📠)했던 자신을 질책하고(🐠) 문구(🚇)는 지환엄마에게(🤵) 환(🔷)멸을 느낀다. 자꾸 격해(🦃)지는 지환과 영미의 생(🤙)활을(🔆) 보고 이장생씨는(🛠) 낙(🍍)도(🅰)로 데려가 인격형성(🍈)과 융화를 기도한다. 本(🤘)(běn )片(✊)是“安托万系列”的(🍝)最后(🏪)一部(bù )，特(tè )吕(lǚ )弗(🐬)有(🖕)选(🥞)择地插放了安托(🛳)万（(🐋)让(ràng )-皮(pí )埃尔(ěr )·李(📴)(lǐ )奥 Jean-Pierre Léaud 饰）一路成长(🍪)的(💌)点滴。安托(tuō )万三(🛬)(sān )十(🎤)而立时，职业上，成功进(👫)入一(🗣)(yī )家(jiā )印(yìn )刷(shuā(👮) )厂(🚇)，成为一名作家，出版了(💣)自传体小(xiǎo )说；婚姻(🔩)上，与(👣)克里斯汀（克劳(🔔)迪(🎢)·(🔯)贾德(dé ) Claude Jade 饰(shì ) ）的(de )缘(🔆)分走到尽头，但两人离(👑)婚后(🎺)亦(yì )是朋(péng )友，在(🏞)两人(➰)办完离婚手续，共同(✒)回(📎)忆(🌪)(yì )过去(qù )一(yī )幕(✍)幕的(📉)甜蜜往事时，仍会心生(😻)(shēng )美(měi )滋滋(zī )。 영미는(👌) 일(🧒)찍 부모를 잃고 낙(🌯)도 분(🥃)교장 이장생씨의 슬하(🔨)에서(🤪) 오빠 문구와 생활(👵)하(🌷)다가 진학을 위해 상경(🌙)한다. 항상 정숙한 태도(🦀)로 입(🐣)시준비를 하던 영(🈂)미(🌔)가(🐼) 인격보다 돈을 중시(🚱)하는 의사어머니에게(⛳) 환멸(🏒)을 느껴 탈선하여(📣) 불량(🏳)배와 노는 재수생 지(🗞)환(👆)에(🆑)게 정조를 빼앗긴(🛐)다. 정(🚙)조관념이 강한 영미는(👱) 자살을 기도해 식물인(🍪)간(➗)이 된다. 이장생씨(🐜)는 정(🎫)조는 생명보다 고귀한(⛩) 것이(🏈)라고 교육했던 자(💩)신(👬)을 질책하고 문구는 지(🎠)환엄마에게 환멸을 느(⏯)낀다(🍧). 자꾸 격해지는 지(🌦)환(📆)과(🉑) 영미의 생활을 보고(💘) 이장생씨는 낙도로 데(🌟)려가(🚢) 인격형성과 융화(🏚)를 기(🐿)도한다. 1911年。埃内斯托(🛶)是(😒)個(🏆)17岁初入(rù )社會(huì(💪) )的(de )青(♉)年，由於從小被棄養， 他(🕟)是(shì )由(yóu )中產(chǎn )家庭(🏚)(tí(💚)ng )的叔叔和嬸嬸一(💳)手帶(👼)大，叔叔並(bìng )安排(pái )他(😐)在一间贸易公司當個(🐂)辦(📰)事員。 At a Catholic public school, Benjamin Stanfield is tired of being the teacher's pet and decides to play a practical joke on his form master Father Goddard. In confession, Stanfield tells Goddard that he has accidentally murdered his friend Blakey and buried him in the forest. When Goddard investigates the matter, he finds a buried scarecrow. Goddard is outraged, but, due to the seal of confession, he knows he cannot expel Stanfield. Shortly after, Stanfield once again enters the confession booth, telling Goddard that what before was a practical joke, he has now made happen. In disbelief, Goddard once again goes to the forest to investigate the matter. This time, he discovers Blakey's dead body. The plot soon thickens as Stanfield's fellow student Arthur Dyson mysteriously disappears. 寇(kòu )克(kè )将(jiāng )军(😃)，欢迎您重返企业号！ Just for the record, the Italian title of this film is "The Seventh Woman". Three bank robbers on the run in their aging Citroen come across a remote beach house & find that as a perfect place to hide out. Trouble is, though, the house is occupied, by a few Catholic school girls and their teacher, who is also a nun. The sadistic bank robbers move right on in, kill the maid, and then proceed to have their way with a a couple of the girls and their teacher. One girl spurned one robber's advances with a deftly aimed comb handle to the groin area, and he's not doing too well, though. The girls, of course, and the nun, are not about to continue to be subjected to rape & torture, and eventually get the upper hand. This is no where near as nasty as "Last House On The Left", it's more a rather pale imitation. Still though, it's a decent enough exploitation film, if you like that sort of thing, but there's nothing to elevate it above that particular distinction. 6 out of 10. This is the second film about the detective Feluda (Soumitra Chatterjee) set in the holy city of Benares, where he (along with his cousin, Topshe and friend, Lalmohan Ganguly) goes for a holiday. But the theft of a priceless deity of Lord Ganesh (the Elephant God) from a local household forces him to start investigation. Feluda comes in direct confrontation with Maganlal Meghraj (Utpal Dutt), a ruthless trader. Maganlal makes the mild-mannered Lalmohan a knife-thrower's target and threatens Felu to stop investigation. But there are several other suspects as an innocent artisan is brutally murdered, a shady 'holy man' holds court on the banks of the Ganges and an adventure-loving little boy (and his grand-father), brought up on crime thrillers. The climax is a shoot-out on the Ganges, followed by the unraveling of the mystery.