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1. 정진우-시정(詩情) Jim's father wants to marry Eugenia, but her sister Netta refuses to allow it. When Jim sees Ann at a club, he falls for her even though she is with Lord Priory. He meets her the next day at the riding path, but she quickly loses him. He searches all over for her, not knowing that his father's hopeful fiancée is her Aunt. As his caricature work suffers as he searches, he is fired from his paper. But he makes a comeback with the comics 'Rags to Riches' which is based upon the Nett's. But this upsets the Nett's so much that they go back to New York, and he follows, being careful not to let them know that he is the one who draws the strip that parodies them. [自由广场(📷)]男(🕜)主(🏃)角(😳)克(😚)(kè(🚌) )拉(⏩)斯·邦，加(jiā )盟克(kè )里斯托(tuō )弗·沃肯、伊丽莎白·德比茨基主演新(💉)黑(🍊)色(🚙)(sè(💭) )惊(🚟)悚(😮)片(piàn )[焦橙邪(xié )说](The Burnt Orange Heresy，暂(zàn )译)。导演吉(jí )塞佩·卡波通蒂([双(😷)重(👄)时(❕)间(🏁)])。影(💋)片(🛶)改编(biān )自查尔(ěr )斯·威(wēi )尔福(fú )德(dé )的同(tóng )名小说(shuō )。故事讲述1970年的意(🙈)大(🏬)利(🕡)，一(😷)名(🚍)美(🤙)国艺(yì )术评论(lùn )家(克拉(lā )斯饰(shì ))与(yǔ )一位(wèi )正在(🚃)游(😛)(yó(📹)u )历(💙)欧(🧙)洲(🚜)的(📕)女性(德比茨基饰)，前往意大利拜访(fǎng )艺术品(pǐn )收藏家(jiā )(仍在(zài )选角中(🍔)(zhō(🏈)ng ))时(🚯)萌(🔡)生(🥒)了(🐤)窃取艺术品的念头。沃肯在其中饰(shì )演一名(míng )艺术大(🎿)(dà(Ⓜ) )亨(🌹)Jerome Debney。本(✝)片(🚗)将(🕺)(jiā(🐆)ng )于今夏在意大利开拍。 大致内容是一个寡妇(fù )带着9个(gè )孩子，在一(yī )个(🦍)(gè(🐒) )富(🏧)人(💷)(ré(😁)n )家(🥢)打工(gōng )，她每天都把孩子藏在阁楼里 影片是(shì )08年《死(sǐ(🥋) )亡(🌁)飞(🉑)车(📌)(chē(💔) )》的(✈)(de )前(qián )传。 大致内(nèi )容是一个寡妇带着9个孩子，在一个富(fù )人家打(dǎ )工，她(tā(♈) )每(🛣)天(🎭)都(🚭)(dō(🛏)u )把孩(hái )子藏在(zài )阁楼里 The Last Desperate Hours benefits immensely from two great leading performances; chiefly Antonio Sabato in the lead role. Sabato fits his character like a glove and comes across excellently as the detestable sleazebag at the centre of the film. He gets great backup from Pier Paolo Capponi as the lead cop on the case. The atmosphere created by Giorgio Stegani is just great and he manages to create an impression of Milan that is as downtrodden and corrupt as the lead character. The film features the Spaghetti style that most genre fans will appreciate - the score by Gianni Marchetti is truly memorable. The plot flows quickly throughout and none of the ninety minute running time is wasted. The director ensures that we always know the central figure is on a deadline and he keeps things interesting by keeping up the cat and mouse game between cop and criminal, as well as implementing a good few murder scenes - one involving a medical saw is a particular highlight! It all boils down to a surprising, yet fitting ending and overall this crime flick is one of the best Eurocrime entries that I've seen and is well worth the trouble of tracking down!