昭和(hé )30年代前半(🆕)(bà(😀)n )の(🚺)東京の下町を舞(🛸)台に、童謡を(🥞)歌(⛵)い継(jì )いでい(⛲)こ(🥅)うとする女性教師(shī )と合唱を(💺)通(✒)し(⏩)て成(chéng )長していく子どもたち(🕥)の(🌌)絆(🚺)(bàn )を描いた(⤴)感(🎨)(gǎ(🥊)n )動アニメ。昭和31年(nián )の春、深(shē(🈹)n )川(🎞)・木場(chǎng )の小学校(xiào )に坂本理(🖤)(lǐ(🏬) )恵(🌈)子という名の(🍲)教(🏩)(jiāo )師が赴任し(🖲)てくる。彼女は戦(🚌)死(🎣)した兄(xiōng )の遺言により、子(zǐ(📒) )ど(⛽)も(🥊)たちに童謡を伝(🕉)えていくこと(👡)に(🦄)強い情熱を持(✉)っ(😚)ていた。そんな彼女の指導の下(🏃)(xià(🕵) )、(🏐)子どもたちは年(nián )末に開催(cuī(🔗) )さ(😺)れ(🙌)る合(hé )唱大(🐹)会(🐟)で(🔀)の優勝を目指し練習(xí )に取り(🌮)組(🏎)(zǔ )むが……。
玩爵士(shì )的玩到Chris Botti这(🈲)(zhè(✴) )个(🍃)程度其(qí )实就(🖱)算(📋)成(chéng )功了，要(yà(🚱)o )不在这个(gè )媒体(🌬)时(🈵)代，没有偶像与八卦。大家岂不(bú(🥑) )被(🔖)闷(📢)坏。尤其在一(yī )些(🈺)中产阶(jiē )级无(😞)聊(🚬)的(de )小资趣味(wè(🎭)i )里(💙)，Chris Botti这种略显苍白的素雅可谓百发(📀)百(🛬)中(⏸)(zhōng )。这点和(hé )某些ECM狂热(rè )份子十(🌵)分(👻)(fè(📎)n )类似。个(gè )人(😾)非(📙)常(🐜)不(bú )敌Chris Botti每每将(jiāng )其越发见(jiàn )老(🕋)的(🍎)帅哥(gē )脸作封面。说到这，发现这(🤭)些(📎)(xiē(🍀) )似乎和音(yīn )乐(😔)都(🏷)没啥(shá )关系，罪(😦)(zuì )过、罪过(guò )、(✂)还(🌌)是听(tīng )音乐为主(zhǔ )。
枫本来只是(🛶)个(🤨)受(🤱)到双亲关怀成长(🗯)的普(pǔ )通女孩(🕕)，在(💦)一天偶(ǒu )然得(🛏)知(🥫)了(le )一个事实(shí )：“她的(de )父亲是另(😗)外(🤩)一(🗡)个家的人，她的母亲只不(bú )过是(⏬)父(⬆)亲(📥)(qīn )的情人。”知(🕤)道(🌺)了(🛅)(le )这个事实(shí )后，枫受(shòu )到了极大(💃)(dà(🍯) )的打击，认为自己(jǐ )的存在就是(🏑)(shì(😷) )个(📍)错误，就不该生(shē(⚓)ng )下来……
音楽(🔳)、演(yǎn )劇、ファ(🍿)ッ(🕗)ションなどのカルチャー発信(🎡)地(🤝)で(🔩)あり、現在大規模な都市開発(🐢)(fā(🐖) )計画で転(zhuǎn )機(🚪)を(🍂)迎える街・下(xià )北沢を舞(wǔ )台に(🌹)描(🦇)かれる人情喜劇。7年の放浪の末(🌶)に(🍤)下(👼)北沢(zé )の実家(🛎)「(💎)饅頭屋うさや」に戻ってきた(🎓)DJタ(📅)イガー（竹中(zhōng )直人）が、片(⛹)思(🧗)い(🦓)中のマドンナ（(🔠)鈴木(mù )京香）(🕵)にいいところを(🐼)見(😸)せようと、ソープランド建設(🍬)(shè(🕡) )計(🌍)画に立(lì )ち向かうのだが……(🐩)。監(🌙)督を務めるの(💈)は(🛏)自身も下北沢に拠点を置(zhì )く「(😘)代(🌝)官(guān )山物語／探偵誕生」の信(⚾)藤(🥃)三(💕)雄。
昭和20年，太平(🐹)(pí(🏇)ng )洋战争刚(gāng )刚落下帷(wéi )幕。经历(😵)(lì(👘) )了惨烈战(zhàn )火的日本(běn )山河寥(🌚)落(🎞)(luò(📹) )，百废待(dài )兴。生活(🎃)(huó )在最低层的(🥃)(de )人们凭借(jiè )一双(🌎)勤(😷)劳(láo )的双手艰(jiān )难求生。废墟上(😂)的(🌹)(de )东(🏂)京，小(xiǎo )商贩们渐(jiàn )渐云集，靠着(🗡)他(🍝)们物美价廉的(👞)美(📉)食为贫穷的手工(gōng )业者提供(gòng )果(🤠)腹(🆓)之餐(cān )，而立食(shí )师的神话(huà )也(🍝)就(🥑)此(💔)拉(lā )开序幕。月(🔫)见(🍹)之银二（吉祥寺怪人 配音(yīn )）(🕵)最(🥟)早登(dēng )场，长发(fā )飘飘宛如(rú )仙(🕰)人(💻)的(🔧)老(lǎo )者在霸王(wá(💴)ng )餐界打出(chū )名(🤳)堂。在(zài )此之后，狐(🧢)炸(🗾)肉饼之(zhī )阿银（兵(bīng )藤真子 饰(👵)(shì(🌙) )）(🤘)、汉堡(bǎo )之阿哲（川井宪次(cì(👾) ) 饰(🛋)）、牛(niú )肉盖(🚚)浇(🕖)饭(fàn )之牛五郎(láng )（川井宪次 饰）(🎾)等(🍌)传奇立食师相继登场(chǎng )，为二战(😭)(zhà(🤶)n )后(😩)的日本(běn )发展(🍃)史(🎻)做(zuò )出了异样(yàng )的注脚……
普(♒)雷(🥥)姆（沙希德·卡泼尔 Shahid Kapoor 饰）在父(🐞)亲(🍲)(qī(🚙)n )的百般要(yào )求之(🗽)下决(jué )定去相(💟)亲(qīn )，见面的(de )是一(🍫)位(🍭)名(míng )叫普纳木(mù )（阿姆瑞(ruì )塔(🥋)·(🐘)拉(🥌)奥(ào ) Amrita Rao 饰）的美丽(lì )女孩。虽(suī )然(🚒)对(🎃)这次(cì )相亲并(🚿)不(❕)(bú )抱有任何(hé )的期望，但普雷姆(mǔ(🆚) )还(📇)是被聪(cōng )慧活泼的(de )普纳木所深(📄)深(🍍)吸(🔙)引，两个人无论(🖌)是(🖇)性格(gé )还是爱好(hǎo )都可谓是(shì(⏩) )天(🕵)作之合(hé )，很快，他们就坠(zhuì )入了(👀)情(🤖)网(🛤)，并决定于半年之(🌳)后结婚。
《Battlespace》讲述了(⚪)(le )一个发生(shēng )在宇(⏮)宙(🚠)大(dà )毁灭之后(hòu )的未来科(kē )幻(✏)冒(🕵)险(💉)故(gù )事。在一(yī )个好战的(de )变异种(☝)族(😴)的(de )紧密追捕(bǔ(🗳) )下(🏻)，Mara Shryyke 上(🥇)校(xiào )被困在了(le )一个荒凉(liáng )的星(🦃)球(💓)，束手无策(cè )，而且更(gèng )为糟糕的(🚞)(de )是(🙀)她(🐓)发现一个大规(🎲)模(🖨)杀伤性武器将在42小(xiǎo )时内摧毁(👼)(huǐ(⬜) )她所在的(de )星球.........
One day a woman named Maude (Catherine Jacob) walks into a swimming pool and sees a young girl splashing about with her friends--in that one instant everything changes. Twelve years ago, someone stole Maude's baby girl, and ever since she has devoted her life to finding her missing daughter. Twelve-year-old Zita, who has a birthmark eerily the same as Maude's lost child, lives with her breezy gypsy mother Joana (Arly Jover) in casual squalor. The girl's vague history, combined with a doctored birth certificate, no baby pictures and an absent father confirm Maude's suspicions that she has finally found her missing child, and she goes after the girl with all the tact of a hostile takeover. Cold and abrasive Maude is not a woman who invites easy sympathy, she drinks too much, smokes constantly, and wears a slash of lipstick as harsh as fresh blood. In marked contrast is Joana, whose easy manner makes her seem the more naturally maternal of the pair. But as Maude begins to infiltrate Zita's life (with expensive presents and promises of wealth and privilege) the struggle between the two mothers intensifies into a pitched battle between nature and nurture. Writer-director Virginie Wagon invests this intense drama with sympathy, compassion and keen intelligence. Ultimately, the one thing that separates the two women is a Solomon-like decision, as heart wrenching as it is necessary.