一(yī )场火车(🙄)对撞的(🔋)(de )惨(cǎn )剧夺去131名乘客的(🎊)性命，大(🎣)卫•杜恩(ēn )（Bruce Willis 布鲁斯(👯)•威(wē(🕟)i )利(👒)(lì )斯(sī ) 饰(shì )）奇迹般地成(⌛)(ché(👽)ng )为这场灾难过后的唯一(😎)幸(🦃)存(🍟)者，且浑(hún )身上下毫发无(🧜)(wú(🗣) )伤(🐗)(shāng )。在(zài )他参加遇难者(zhě(🐾) )追(㊗)悼(🏊)会之后，他在车窗上发现(🥃)一(🌅)张(🏬)神(shén )秘便条，写道(dào )：“你(📀)(nǐ(🛒) )这一生生过(guò )几(jǐ )次病？(🍍)”
A Parisian museum director believes his wife has lost interest in him and so places a poisoned cigarette in the box on his desk - thus allowing chance to decide the moment of his death.
改(🏘)编自普(🔶)契尼伟大的抒情(qíng )悲(🈂)(bēi )剧《蝴(⚓)蝶夫人(rén )》，该剧以日本(🤦)为(wéi )背(😗)景，叙述女主人公小竹(⏰)与外国(💋)军(🧞)官(guān )奥拉夫顿结婚(hūn )后(hò(🎗)u )空(🍎)(kōng )守(shǒu )闺房，等来的(de )却是(🏋)背(🛃)弃(🔑)，小竹最后切腹自杀了结(🌏)尘(♟)(ché(🚋)n )缘。
根据德国(guó )古(gǔ )典(diǎ(📸)n )史(🍬)(shǐ(🎻) )诗《尼贝龙根(gēn )之歌》改编(😨)。本(🍖)片(👲)共两部，第一部的(de )副标题(💰)是(♋)《西(xī )格(gé )弗(fú )里德》或《西(xī(🔹) )格(🥝)(gé )弗里(😏)德之死》，又译《斩龙遇仙(🥫)》；第二(🍒)部《克伦(lún )希(xī )尔(ěr )德(📁)的复仇(🌀)》。第一部剧情：库山王(🦖)子西格(✊)弗里德从(cóng )传说中得知，如(rú(🐆) )果(🎁)(guǒ )能(néng )用丛林内的巨(jù(💯) )龙(😛)血(🤭)液沐浴，就能全身刀剑不(😖)入(🚳)，乃(⛪)(nǎi )立刻启程斩龙(lóng )取(qǔ(📗) )血(🔹)(xuè(🌸) )。不料飘来一(yī )片(piàn )树叶(🔘) 贴(🙏)在(🛍)他的背上挡住了龙血。他(🌑)自(🚠)(zì )恃刀剑不入，乃(nǎi )出(chū )兵(😏)讨(🏏)伐矮人国(guó )，夺取隐身头巾和(🌓)尼伯龙(🕐)根的国宝。后(hòu )来，他更(♐)凭这(zhè(🎉) )两(liǎng )样(yàng )法宝之助打(🍷)败(bài )冰(🥟)岛女王的武士，跟王妹克伦希(🕓)尔(🔤)德(dé )结婚。武士哈(hā )根(gē(🍊)n )获(🔂)(huò(🙎) )悉(xī )，将长矛对准(zhǔn )被树(🚴)叶(😁)贴(🏵)住而未沾龙血的背部猛(🍫)掷(🦗)，西(🛃)格弗里德应(yīng )声(shēng )倒(dǎ(📑)o )地(🚨)(dì(🤜) )。第二部描(miáo )述(shù )西格弗(⛪)里(🍙)德死后，克伦希尔德嫁给了(🏼)(le )匈(🈶)奴国王伊泽(zé )尔(ěr )，生下一个(⛏)孩子(zǐ(🍤) )。她邀请她的兄弟前来(🎵)参加派(🏟)对，并(bìng )鼓(gǔ )励伊泽尔(⏫)向杀(shā(🚺) )死(sǐ )她(tā )前夫西格弗里(lǐ )德(💋)的(🈴)凶手哈根报仇。不料哈根(🐏)得(🌱)到(🏘)她(tā )兄弟们的保护(hù )，于(📶)(yú(🚏) )是(📋)(shì )她必须为逼迫(pò )自己(🤡)的(🌑)兄(🗑)弟交出哈根而展开一场(💉)激(🍛)战(🕥)(zhàn )。
After 16 years' experience on stage, the actor and playwright Curt Goetz (1888-1960) made his debut as a film director and producer with the silent movie Friedrich Schiller - Eine Dichterjugend (1923). Writing razor sharp dialogue was his profession; acting comic parts in the theatre - without having to renounce speech - was his craft. And that is why the silent cinema presented such a special artistic challenge to Goetz, a task whose accomplishment was prompted by a difficult subject: the poet Friedrich Schiller's adolescence. An enthusiast of the spoken word makes a movie about the early life of a powerfully eloquent poet, but has to eschew the cadence of poetry. Under such circumstances, the artistic potential of a film director must prove itself.
想象一下，两(liǎng )位(wèi )《星(🐇)际(😖)迷航记(jì )》里的柯克船长（(🚘)Captain Kirks）(🌇)，两位《星球大战(zhàn )》里的黑武士(🕥)(shì )（Darth Vaders）(🐎)，以及曾乘坐(zuò )阿(ā )波(⛸)罗11号宇(🍮)宙飞船登陆月球的飞(🏂)行员(yuá(⛸)n )阿姆斯特朗（Neil Armstrong）的(de )声(shēng )音出(💔)现(🕳)在一部(bù )电影里，会是什么(🗡)情(🥍)况？美国国家宇(yǔ )航局(🕷)（(🌶)NASA）(👡)将首(shǒu )度(dù )联(lián )手(shǒu )中(🐛)国(✅)台(🤼)湾太极(jí )动画公司（Digimax）(🍞)，推(🥘)出(🥞)立体动画电影《量子战争(📨)》（(🏺)Quantum Quest）(🎗)，该(gāi )片片长45分钟(zhōng )，预计(🧥)耗(🏟)资1000万美元，将于今年9月率先登(🏐)(dēng )陆大(🥐)银幕。
An absentee landlord's agent frames his rival for burglary.
Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.