黑帮大佬和我的365

中(zhōng )文名海(💞)上明珠(🕖) S02 E09 Martial-arts expert tries to rescue an ambassador’s daughter who was kidnapped in Thailand. 邵氏旗下“娃(🕹)(wá )娃(wá )影(🕟)(yǐng )后“李(😋)菁倾情出演,饰(🌞)演的狐(🥔)仙(🎲)小(xiǎo )仙(xiān )离(lí )开天界(🙈),化身为(😍)人间女子,下界(🐥)来(lái )到(🚟)(dà(🤣)o )香(xiāng )港找丈夫…… Probably the most controversial of Woolley's films, because of an audio rape sequence with flashes of nudity that split critics and viewers (especially feminists) right down the middle –(💨) some saying it was exploitative, others saying it was essential to get the formalist message (that we are all voyeurs in the cinema, often viewing at the expense of women) across. The film tells the tale of a housewife (who we never totally see, but can hear) trapped in her luxury house at the mercy of a husband and ruthless police team investigating an illusory political crime that she may or may not have committed. Her husband (the only character we see in a conventional manner) comes in and out of the story and alternates between patronising solicitousness and cold anger. The whole is constructed around a relentlessly repetitive sequence of shots that, in the course of the film, moves ten times from wide shot exterior to intimate interiors, with the story being updated and narrated every time we return to the exterior. In each sequence, there is one POV handheld shot that varies and is usually from the wife's point of view; otherwise the story is told within the confines of the repeating images (same framing and camera movement) with only the action varying. Voiceovers narrate and reflect on a woman's position, as well as dominant male perspectives, in society. 昭和５(🐃)１(19７6)年(nián )　　(🚕)　東宝　(🙂)　　　197６ (昭51)年キネマ(🈁)旬(xún )報(🏸)(bào )ベストテン(🐪)第29位) An Italian revenge- themed crime film. A young man tries to rob a jewellery store but gets caught and sent to prison. Inside he befriends a crime boss and they break out together. After this comes the first plot twist which I'm not going to reveal...All in all an entertaining crime flick for fans of European hardboiled cinema of the seventies. Includes a truly remarkable motorcycle chasing a lorry- scene which includes either real crash footage or the most convincing effects I've ever seen. 上海(🎉)美术电影制(zhì )片(piàn )厂(😁)(chǎng ) 木偶(🎈)片 彩色 3本 文革(📖)电影在今(⛩)天看(kà(🍇)n )来(lái )虽(suī )然带(🥅)有特定(🐶)时代浓郁和鲜明的(de )特(tè(🔮) )征(zhēng )，但(💤)也正是这一点(🦐)，使得在(🚗)今(👴)(jīn )时(shí )今(jīn )日纷繁得(😕)令人眼(😂)花缭乱的影坛(📪)中(zhōng )，依(yī(🏀) )然可以记起这一特定(🚨)时期的(㊗)产(chǎn )物(wù )，而它(🔢)们也能给(⛴)观众带来浓浓的(de )怀(huá(🎦)i )旧(jiù )思(🌮)(sī )绪！本片便正(⏯)是这样一(🎹)部影片(piàn )！