新昨夜星辰

世界上再也(🛴)(yě )没(méi )有任何两个人的性格能像(xiàng )艾(ài )力（(🚖)丹·(🕎)布卡廷斯(⬛)基 Dan Bucatinsky 饰(💃)）和(hé )汤(🆒)姆（(🙆)理查德·(🚼)拉科(🗝)罗 Richard Ruccolo 饰(shì )）这样迥异(😓)了，艾力受父母(mǔ )的(de )影响，喜(😏)欢积(🍑)极而又夸(🕋)张(zhā(🍔)ng )的(de )表达自(🍅)己的(🐠)感受与情(🗜)感，而(⚓)(ér )汤姆(mǔ )则恰(📉)恰相反，生来就(jiù )沉(chén )默寡(guǎ )言(🎻)(yán )的他无时不(🦍)刻不(♉)板着(zhe )一张(🗜)(zhāng )脸(🈳)(liǎn )，犹如一(🕒)个机(♌)器人。 Joe, international poker player, is considered an irresponsible family-chief. His two sons drifted into gangsterism. The older dies from it. The younger, Manu, was sentenced to death. Joe takes on to a terrific battle in order to save his son. Will he succeed in it? For life has more than one trick in its well-worn sleeve. Witness the return of Baltimore's greatest alien terror in this monstrous saga. Watch in horror as alien space specimens escape to pillage the countryside, leaving pandemonium in their wake! 成功(gōng )的(🥈)(de )小说作家杰克尔博士被最(zuì )近(jìn )创作的一个(⚡)叫做(🔡)海德的小(✂)(xiǎo )说(😰)(shuō )虚构人(🚻)物搞(🍞)得心神不(😧)宁。一(📂)(yī )天他从一场超现(🤖)实的梦中(zhōng )醒(xǐng )过来时，发(🆚)现自己的阴茎(😙)(jīng )被(☝)(bèi )海德取(📗)走了(🤶)，只留下一(🌟)个(gè(🎱) )可(kě )怕的洞；(🐱)原来这只是一场(chǎng )探(tàn )讨男(nán )人惧怕丧失力(⛱)量、(🕯)身(shēn )份(fè(🅾)n )和青(🧤)(qīng )春(chūn )的(🥒)心理(🙇)历程的开端…(🔡)… 世(shì )界(jiè )上再也没有任何两个(gè )人的(de )性(xì(🏮)ng )格能(🏠)像艾力（(🎌)丹·(🍡)布卡廷(tí(🖼)ng )斯(sī(🐃) )基 Dan Bucatinsky 饰）和(📘)汤姆(🧦)（理查德·拉(lā )科(😬)罗 Richard Ruccolo 饰）这样迥异了，艾(ài )力(🎋)(lì )受父母的影(🤴)响，喜(🌍)欢积极(jí(🍊) )而(é(♏)r )又夸张的(😮)表达(💣)自己的感受(shò(🆘)u )与(yǔ )情感，而汤姆则恰恰相反(fǎn )，生来就沉默寡(🔑)言的(🈴)他无时(shí(🎴) )不(bú(👣) )刻不(bú )板(✡)着一(🎭)张脸，犹如一(yī(👓) )个(gè )机器(qì )人。 A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended. 西暦2062年、惑星探査(chá )を終(zhōng )え(📯)て地(🤽)球に帰還(🚆)した(🥤)宇(yǔ )宙船(🕷)(chuán )は(👡)、地表を(🛡)覆う(🌴)核爆発を目(mù )の当(🤡)たりにする。放射能汚(yú )染(🚒)(rǎn )を避けるた(🎎)め宇(🌟)宙船は沖(🐵)(chòng )縄(📺)(shéng )近海の(👂)海底(🌰)へと不時着。科(🎁)(kē )学者のリュウ夫妻は、地(dì )球(qiú )の再生を(🏀)幼い(🔣)娘アマミ(📻)クと(🚥)スーパー(👜)コン(👋)ピュータ(🌳)・メ(👄)イザックシステムに託し、自らは冷凍睡眠(🎍)へと(😨)入った。そ(🗿)れか(🆎)ら90年後、(🧕)わず(🥅)かに生き(🖕)残(cá(🍪)n )った人類は汚染さ(🛶)れた地(dì )球(qiú )を離れ、生(⚡)体コンピュー(🔅)タが(🐚)制御する(🕧)バチ(⬇)スフェア(📂)でそ(📛)の余命を保っ(🥓)ていた……。 Carmen Uranga is a 42 year-old woman who after 20 years jurisdiction of her native country (Argentina), she returns to solve a family problem related with the inheritance that her sick father wants to leave him. Their return trip results in the unavoidable memories of the torture that that was object during the dictatorship and a dramatic revelation. 很久以前，斯里人以捕(bǔ )捞(lāo )珍珠(🔺)为生(🤖)。一天，一个(🤽)叫(jià(🦐)o )基(jī )诺的(🍘)采珠(🍬)人，找到了(💌)全世(🦍)(shì )界(jiè )极为(wéi )罕见的一颗珍珠，他(tā )为(wéi )了给(♈)(gěi )被(➕)蝎毒咬伤(👑)的儿(🧠)子医治(zhì(🏪) )，急(jí(🚩) )于(yú )将珍(🚡)珠卖(💅)出。小镇上(shàng )的外(wà(💚)i )族(zú )白人，长期垄断珍珠(zhū(🤼) )的交(jiāo )易(yì )和(🌚)买卖(🎊)，他们以低(🈵)价买(🏢)进(jìn )后(hò(💸)u )，再以(🉑)高价卖出。基诺(🚢)不(bú )甘(gān )忍受他们的欺诈，与未婚(hūn )妻(qī )一起(🔌)准备(🛃)逃离小镇(🔩)。不料(👏)(liào )，他们竟(🛩)被贪(🚊)婪的买珠(🐼)人恶(🍖)(è )意(yì )追杀。最终，他们勇敢地(dì )战(zhàn )胜了敌人(📓)，也破(🌑)解了卖珠(🏸)(zhū )的(🛥)(de )先辈(bèi )们(✝)神秘(🏉)失踪之谜(📃)。经过(🔓)(guò )这一(yī )系(xì )列的事情使基诺恍然(rán )大悟(wù(⛄) )，他们重新为珍(🗜)珠找(🐕)到(dào )了它(🔐)(tā )应(🔞)(yīng )有的归(🤢)宿…(🎾)…