Daffy is looking forward to celebrate Easter but his mysterious animator decides to make very bad things with the three completely new episodes.
本(🌀)剧(🔃)(jù )场(⬇)版紧接(jiē )TV版第27话。在27话(📇)良太(👜)郎(láng )一(🚂)行(háng )人为了追(zhuī )踪异(🔣)魔神(🐐)而回到过去(qù )，但(dàn )他们却不(🏂)(bú )知(🐌)道自己已经落入了(le )牙王(wáng )的(✳)圈套(⛵)。当良太(tài )郎等(děng )人消灭完(wá(🗡)n )异魔(🎆)(mó )神并想回到Den-Liner的时(shí(📥) )侯，却发(🚗)现Den-Liner已(📥)(yǐ )经被牙王劫持……(😁)
一(yī )个(🥒)压(yā(😡) )力重重的(de )保险公司经(📑)理日(🚓)日(🎤)奔(bē(💍)n )波于(yú )紧张的生活中(🥠)，但是(🎅)(shì(🚘) )他发(🛣)现，对他(tā )来说自由是(🅾)那么(🌤)(me )的遥(yá(🐜)o )不可及。
故事叙述父子(🎍)三鼠(💣)住(zhù )在河(hé )边过着平(píng )静的(🚈)生活(🌽)，原以为能(néng )在河(hé )畔眺望河(💳)(hé )光(🆔)度过一生，死后化(huà )成雨(yǔ )、(🍯)汇成(🔖)小流，与(yǔ )喜爱(ài )的河(🌎)川永(yǒ(🏄)ng )远融(🗻)(róng )合一体。不料，东京(jī(🌒)ng )都建设(🈸)局(jú(🍑) )打算兴建工程将河川(📨)(chuān )铺(🌏)成(💟)(chéng )暗(✂)渠，它(tā )们只能离开家(🚻)园，展(🥔)(zhǎ(💶)n )开漫(📬)(màn )长惊险的旅程。
在海(🚺)(hǎi )边(🏡)度假的(🧦)(de )罗马(mǎ )皇帝尼禄正在(🙊)准(zhǔ(🙉)n )备一(yī )场盛大的(de )演出，但他的(🥣)母亲(🐛)阿(ā )格里(lǐ )皮娜却不(bú )识相(🥄)的带(💚)着日耳曼军(jun1 )团赶(gǎn )来，强迫尼(🐅)禄带(🐎)兵去征服不列(liè )颠。表(🏨)演前夕(🚠)，各种(⛏)(zhǒng )阴谋(móu )和谋杀层(cé(🦂)ng )出不穷(📍)
在海(🤠)边度假的(de )罗马(mǎ )皇帝(🕜)尼禄(🎃)(lù(📴) )正在(🏴)准备一场盛大的(de )演出(🛤)(chū )，但(⚫)他(💁)的(de )母(🐰)亲阿格里皮娜却不(bú(📍) )识相(😊)(xiàng )的带(🕎)着日耳曼军团赶(gǎn )来(🗄)，强迫(🏔)(pò )尼禄(lù )带兵去征服不列(liè(👘) )颠。表(🤩)演前夕(xī )，各种阴谋和谋杀层(🕺)(céng )出(🌍)不(bú )穷
Set in the early days of World War II, General Claire Chennault works to assemble a volunteer fighter squadron to help the Chinese fight the Japanese.
挥霍无(wú )度的(🎦)威利·(🕍)利兰(🎍)再次(cì )返回(huí )到一贫(🗼)如洗的(🍥)伦敦(🆔)家里，他父(fù )亲很(hěn )高(🧐)兴，但威(🦎)利·(🙆)利兰(lán )似乎并不(bú )愿(👚)意留(🗓)下(🤳)。
Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.
13岁男(🌳)孩帕(pà )布罗(luó )的父亲(💇)去(qù(🐞) )世了，在(🤶)村庄外的路(lù )上，他遇(👞)到了(🐨)(le )一个奇特的陌生人帕(pà )科，帕(♿)科的(🍏)车坏了。帕布(bù )罗一开始(shǐ )对(📰)帕(pà(👛) )科有戒备，但在(zài )感觉(jiào )帕科(✋)很能(🔋)(néng )理解自己后，帕布罗(🌬)(luó )逐渐(🔤)(jiàn )地(👯)将帕科(kē )视为父亲一(🙄)样。然而(🎠)(ér )，帕(🥅)(pà )科来到这个偏僻的(🦆)小村却(🛵)有着(🤩)(zhe )不为(wéi )人知的目的…(💼)…