举起手来!

This movie is an early horror film classic and certainly one that a well-rounded horror movie aficionado should not miss. An invalid concert pianist dies, leaving a will that does not include his personal secretary Hilary Cummins (Peter Lorre) as a beneficiary. Furious, the left-out yes-man cuts off a hand from the corpse and plots revenge. Unfortunately for Hilary, the hand inherits a life of its own and relentlessly stalks the wild-eyed Lorre as he flees in vain. Special effects keep the audience jumping as they dread the next appearance of this gruesome walking hand. The film is directed by Robert Florey, who also directed Murders in the Rue Morgue (1932). 本片是描(🔌)写的是(🦕)17世纪法国一位名叫(👸)文森特(tè )·(🦁)德保(bǎo )罗(luó(💆) )的(de )“圣徒(🥣)”的(de )一生。他有(😍)着贫苦(🎍)的童(🐛)年，曾在(🌓)阿尔及尔度过(guò )了(le )一段奴(nú )隶(⏩)(lì )般(bān )的(de )生(🏣)活，但他(💄)最终成为一(🍩)个慈善(🌭)事业(🚥)工作的(🎊)牧师，他选择(🎲)(zé )放(fàng )弃世俗(sú )的(🌰)(de )财(cái )产(chǎn )，把(🥏)一(yī )切(🆒)献给帮助穷(🌛)人的慈(🥠)善事业，并劝(🧡)说贵族出钱(📶)出(chū )力(🖐)。 简介(jiè ) : 杰(jié(🚖) )德(dé )波(bō )特(😵)回顾(gù(📃) )了几年来在音乐数(👸)字之间进行(🐕)的三角恋。舞(😊)蹈演(yǎ(🙅)n )员杰德(dé )喜(⛅)(xǐ )欢(huā(😔)n )歌(gē(🗿) )舞女郎(🎃)玛(mǎ )丽，她喜欢开夜店的强迫症(📸)患者约翰尼(🏪)，约翰(hà(🕚)n )尼(ní )不可能(🎡)(néng )在(zà(🈴)i )生(shēng )活(huó )中(🕓)坚持(chí )太久(👷)。 The superist hero of them all, Mighty Mouse, easily brushes aside molten lava and stems the tide of an island volcano, set off by the torrid dancing of Krakatoa Katy, the hottest dancer of them all. Then he carries all of the island natives to the safety of higher ground, where Katy leads them all in a jive-chanting jitterbug dance in tribute to their hero. After working successfully as an actor in France during the 1930s, Eric von Stroheim, in common with such French actors and directors as Jean Gabin, Michèle Morgan, Jean Renoir and Julien Duvivier, moved to Hollywood after the outbreak of WWII. He left behind such memorable movies as Les Disparus de St Agil, La Grande illusion, Têmpete (the last to be shown) and L’Alibi which he made for Pierre Chenal. On his return to France in 1946, he worked for both Jean Boyer and Pierre Chenal in the same year, creating with Chenal a minor masterpiece in La Foire aux chimères, which may be translated as The Fair of Dreams. 1946年在战后(😠)的废墟中，两(🎙)个男人(🎪)在(zài )修(xiū )理破旧(jiù(📙) )汽(qì )车(chē )，并(⛷)展开(kāi )对人(🐹)性的讨(Ⓜ)论。本片即以(💹)这辆废车的(👛)角度，通(⤵)过(guò )在车中留(liú )下(xià )的(de )一(yī )件(🏿)件小(xiǎo )物件(✔)，讲历任(🆕)往昔车主的(🔬)故事。 他(🙋)们中(😶)，有匆忙(🍕)(máng )出逃的(de )政(zhèng )客(kè )，有不得志(zhì(🌐) )的音乐家，有(🐹)分居又(💭)复合的老夫(🐐)妇，有儿(♒)子判(pàn )罪(zuì(📦) )的夫人(rén )，有(💮)(yǒu )赴(fù )任的上(shàng )尉(📔)…战争年代(🐥)，人们的(🥉)命运只能摇曳，但是(🎞)依然(rán )有(yǒ(🤝)u )爱情、亲(qī(🕋)n )情(qíng )等(🗣)(děng )等在动(dò(🥅)ng )荡中闪耀着(🐹)美好的(👨)人性光芒。影片并没有气势恢(huī(🐟) )弘的场面(mià(🎵)n )，却(què )用(💀)(yòng )普通人(ré(🏾)n )的生活(🐉)串联(🉐)起一段(🥞)完整的历史。 Pretty Molly Lucian enlists the reluctant aid of psychologist Felix Milne in treating her potentially homicidal husband Adam, who refuses to see a "real" psychiatrist. Traumatized in a Japanese prison camp, Adam proves to be on the verge of severe schizophrenia. In his risky struggle to help Adam, Felix finds his none-too-functional home life deteriorating, and is unable to help himself as he helps others. The situation rushes headlong to a suspenseful climax... 大学生何斐（韩(há(🔮)n )非饰）与(yǔ(🏰) )同(tóng )学(👄)(xué )李佩芳（(♒)王丹凤(🔼)饰）相恋，李(🕢)佩芳的父亲(🕷)和哥哥们都很(hěn )瞧(🔉)(qiáo )不起何(hé(🏟) )斐(fěi )，何(🦅)(hé )斐本想和佩芳分(💭)手但始终开(🛌)不了口。在佩(🌛)芳的央(💐)求下，何(hé )斐(🧕)到了(le )她(tā )父(🥍)(fù )亲(qī(😝)n )公司工(gōng )作，但是何斐一去公司(🈹)便成了嘲笑(🧟)的对象(😭)，佩芳(fāng )的哥(😡)哥们(men )也(🚱)(yě )使(🎺)(shǐ )出(chū(✝) )手段想(xiǎng )让两人分手，佩芳毅然(🌟)离家出走和(🍭)何斐走(🥒)到了一(yī )起(🌻)，但是(shì(🍢) )两(liǎng )人(rén )出(🚴)去工作(zuò )却(⛓)总是碰壁。不久佩芳(🏏)怀孕，在路上(🛬)她被汽(🦐)车撞(zhuàng )倒，车(chē )子(zǐ(🍮) )的(de )主(zhǔ )人恰(🗑)好是佩芳的(🥅)大哥和(🎪)大嫂，他们把(😔)佩芳带回了(❄)家，却(què(👹) )发(fā )现佩芳(fāng )因(yīn )为(wéi )受(shòu )到(👢)振荡(dàng )失忆(❕)了。何斐(🎭)到处寻找佩(🌂)芳，却始(🚉)终没(🎬)有她的(🎑)踪(zōng )影，为了(le )生(shēng )存(cún )，他只能(né(⛷)ng )干起了擦皮(🚾)鞋的工(👈)作。春天，佩芳(🏳)顺利生(🎟)下了孩(hái )子(🤞)，最终(zhōng )两(liǎ(🖕)ng )人(rén )在街头相(xiàng )遇(⏱)了。 At the Polar Bar & Grill in the Klondike, Popeye and Olive Oyl are the sole proprietors. Dangerous Dan McBluto, the owner of a fur farm, walks in and kidnaps Olive. In this chronicle of a vaudeville family, Myrtle McKinley (class of 1900) goes to San Francisco to attend business school, but ends up in a chorus line. Soon, star Frank Burt notices her talent, hires her for a "two-act", then marries her. Incidents of the marriage and the growing pains of eldest daughter Iris are followed, interspersed with nostalgic musical numbers