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为了(➡)给女儿买一架钢琴，刚(🍚)刚(💳)假(jiǎ )释(🔄)出(⏭)(chū )狱并且无家(jiā )可归(🎈)的丹尼斯找到同样没(mé(🎉)i )有工作(🎙)(zuò(🍀) )的老(lǎo )伙计瑞内一(😩)(yī(⬆) )同前往纽(🏵)约(♑)销(xiāo )售圣诞树，影片(➿)讲(🖐)述了(le )这(🔢)两(liǎng )个魁北(běi )克男人走(🤘)狗屎运的幽默故(gù )事(💪)。 杨(🍩)尼（尤(🎩)西(❣)(xī )·瓦坦(tǎn )恩 Jussi Vatanen 饰）是(📢)一个整天(😃)无所事(shì )事游(yóu )手好(📀)闲(🚴)(xián )的无(wú )业游民，靠着(💅)领取政府(👂)发放的失(shī )业救(jiù )济(😟)金(🐺)生(shēng )活(🕍)，一(📀)晃眼五年就这样过去(💄)了(le )，杨尼(ní )的女(nǚ )友依娜(🌜)丽（帕(😭)梅(🆘)拉·托拉 Pamela Tola 饰）对男(📻)友(🍦)(yǒu )如今的(👷)(de )现(🌡)状(zhuàng )感到非常的(de )不(🔆)满(🕘)。一天，依(🔜)娜丽拜托(tuō )杨尼去买一(🏨)(yī )台信(xìn )号转换(huàn )器(🐟)，但(💋)杨尼给(🐹)忘(🉐)记了，当(dāng )他想起来的(👏)(de )时候(hòu )，商(🔈)场(chǎng )已经关门了。依娜(🏚)丽(🔧)彻底(dǐ )的爆(bào )发了，她(🥏)向(xiàng )男友(🗞)发出了最后的通牒，如(♌)果(🎛)不(bú )能(💋)在(🛹)(zài )今天买(mǎi )到数(shù )字(💢)转换器，那么他们就分(fè(🏛)n )手。 Peruvian filmmaker Alberto 'Chicho' Durant directs the ensemble film Doble Juego (Con Game). Rafo (Fabrizio Aguilar) is a would-be filmmaker in Lima struggling to pay his bills and support his girlfriend Laura (Mari Pili Barreda). He gets scammed by a Spanish con artist (Fernando Cayo) as part of an elaborate scheme involving several other Peruvians. The film is based on the corrupt administration of President Fujimori. Con Game was shown at the Sundance Film Festival in 2004 as part of the World Cinema program. 互(hù(🧡) )联(💖)网(wǎng )上传闻，若(ruò )有(🥌)人(📨)于盂兰节(♊)上(🤯)一个 Саша лю(🎃)б(🍢)ит С(😐)оню. И Петя лю(⛩)бит Соню. А М(🃏)и(🚑)тя в(🍭)о(🈹)лочится за(📿) кажд(🍣)ой юбкой, но(😋) в(🌄)друг влюбл(🥨)яетс(🧚)я. В подругу(💈) м(🙃)ате(🍲)р(🎥)и. Как в перв(📒)ый раз. До бес(🧥)пам(📒)я(🚸)тства. ある日DM発(🚗)送会社に(🐳)勤(🏂)める林徹(chè )のマン(👇)シ(⌛)ョンに(💒)女の子(zǐ )が引っ越して(🅾)きた。彼女(nǚ )は加藤留(🌫)美(🦈)(měi )とい(🧞)う(💤)フリーのスタイリス(🤷)トだが、(👵)本当はルビイという(🈯)名(🐣)(míng )の快盗だった。徹は(🏄)さっそく(🏵)相(🚷)棒として犯罪を手(🔳)伝(🛶)わされ(🥜)る(📘)。まずは巧(qiǎo )妙な手口(🈲)で食料(liào )品屋の親父か(🤐)ら売上(📈)げ(📁)金(jīn )を盗んだが、中(🔩)味は大(dà(🤖) )金(🧒)とは程遠くて経費(⛎)を(📍)差(chà )し(😣)引くと赤(chì )字だった。頭(⬇)の切れるルビイと頼(🏬)り(🥞)ない徹(🔗)だ(😔)ったか、二人(rén )は次(🥩)に銀行襲(🈲)撃を計画した。しかし(🛂)、(🥖)これも徹(chè )が脅迫の(🚫)手紙と買(🕰)物(🐕)メモを間(jiān )違えて(💁)失(🔴)敗(bài )。ル(🔀)ビ(🆑)イは凝りずに宝石店(👤)詐欺(qī )を試(shì )るが、あ(♈)っさり(😳)店(🔕)主に見抜かれてしま(♟)う。犯罪(zuì(🐠) )計(➖)画を楽しむような(👙)二(🍣)人は豪(📣)華マンションに忍(rěn )び(🎮)込むが、管理が厳し(🌊)く(🚻)て脱出(🗼)す(🍜)るのに精一杯(bēi )で物(🛳)を盗むど(⛴)ころではなかった。徹(🙁)(chè(🥌) )はルビイが好きだが(😝)、彼女に(🤚)は(🚗)恋人がいた。ルビイ(🔇)が(🏃)喧嘩(huá(🐆) )し(🎀)た恋人に宛てた手紙(🌓)を取り戻してほしいと(🥠)いう。徹(🚎)は(🎡)気やすく引き受ける(🏮)が、運(yù(🥡)n )悪(🚬)く警察に捕まって(🍯)し(🅰)まう。気(🔫)のいい刑(xíng )事の計(jì )ら(🍖)いで徹はすぐに釈放(💼)さ(🦁)れたが(🔹)、(🧒)ルビイはそんな自(zì(🍀) )分のワガ(🏤)ママを聞き入れてく(🤭)れ(🔇)た彼(bǐ )を暖かく迎(yí(🌓)ng )えた。そし(😍)て(🧟)今度は徹のほうが(🥢)、(🏥)新(xīn )し(🚸)い(👫)犯罪計(jì )画をルビイ(🌄)に持ちかけるのだった(🥔)。 Trilogy of Terror (original title: Trilogia de Terror) is a 1968 Brazilian horror film by Brazilian film director/actor José Mojica Marins. Marins is also known by his alter ego Zé do Caixao (in English, Coffin Joe). The film consists of 3 stories adapted from the Brazilian TV series Alé(🤤)m, Muito Alé(🌆)m do Além (Beyond, Much Beyond the Beyond): O Acordo (The Agreement), A Procissao dos Mortos (Procession of Dead), and Pesadelo Macabro (Macabre Nightmare). Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema. В совреме(🚐)нную(🌥) Москву, жит(🙋)е(🏬)ли которой оста(📶)вляют всё м(🔌)е(🚍)ньш(🔷)е(💥) места для и(🎵)скренних отнош(🤭)е(🚼)ний, любви и(🎾) пред(🍎)а(🍄)нности, яв(🍇)л(🛷)яет(🦖)ся дьявол с о(🍮)баятельным(🎑) име(👧)н(👏)ем Герман. З(🙈)а тыс(🤾)ячелетия т(🖕)в(😀)орения зла и инт(🆎)риг, он реши(🔂)л(😤) нем(🔬)н(🍨)ого развея(🐡)ться и позволит(🗓)ь(🔹) людям поиг(🚫)рать(🤓) с(🏕) собой на р(⛓)а(🔴)вны(🍖)х. Избрав тре(🏣)х друзей, в су(🦍)дьб(🆙)у(🌼) которых он(🤩) вмеш(🔆)ался еще 15 ле(🤖)т(🏳) назад, Герман пр(💰)едлагает и(➖)м(🗓) нов(🆖)ы(💥)е искушени(🐮)я и возможность(🚅) в(🐤)ыбора. 本片改编(🛵)(biān )自威(wē(📬)i )伯(😌)史密(mì )斯的小说，一(💡)名(🚘)佣兵受(🚩)雇(gù )护卫(wèi )一辆行(háng )经(🚣)战(zhàn )火正炽的刚果的火(🤧)车，去解(🐆)救(💃)一(yī )群难(nán )民，取(qǔ )得(🍵)价(jià )值连(🏷)城的钻石原石…还救(❓)(jiù(🍛) )了一位(wèi )美丽(lì )的传教士。