海滩边，巨浪(🈹)滔天，英(📜)武的骑士(shì(🦋) )布(😤)(bù )洛(luò )克(kè )（马克(🧞)斯•冯•西多(🈁) Max von Sydow 饰）与(🌮)(yǔ )黑(hēi )衣死(😺)神（本特•埃切(qiē )罗(😚)(luó )特(tè ) Bengt Ekerot 饰）(🚤)摆(😃)下了一(🌇)盘生死棋(qí(🌳) )局(jú )。在(🚱)(zà(🎻)i )下棋的过程(🕓)中，骑士在回(😚)顾自己的(🥧)人生，所见所(💥)闻(wén )暗(🕖)(àn )合(hé )圣(shèng )经(🌭)的图景。十四(🏏)世纪十(〽)字(🍂)军(jun1 )东征后期(⏩)，欧洲大(🥘)陆(lù )瘟(wēn )疫(yì(👛) )蔓(màn )延，民不聊生。布(🎊)洛克(kè )曾(céng )遇(😺)(yù )到(dà(🥇)o )过马戏团的(🛌)一(🎁)对夫妻，丈夫笃信神(😳)明，无比虔诚(ché(♋)ng )，妻(qī )子(📲)(zǐ )则更加现(🛩)实，唯命是从。他(tā )们(men )的(🐬)相濡以沫让(🔵)幸(🏘)福唾(tuò(🐐) )手(shǒu )可(kě )得(🖱)。骑士在(🍵)树林中邂逅(hò(🍦)u )了(le )铁(tiě )匠(jià(🕥)ng )夫妇。铁匠(⤵)非常粗鲁，他(🏄)的妻子(📹)很是风骚，他们(🔪)在(zài )树(shù )林(🛹)(lín )里(lǐ(🚥) )对(💣)着路人演出(😿)双簧，仿(🚆)佛一(yī )对可笑(🧦)的傀儡。最后(hòu )，在(zà(🤹)i )经(jīng )历过集体(🔞)膜拜的(🔔)祭奠仪(yí )式(🎞)(shì(🔩) )后(hòu )，武士和他的朋(💫)友们再次遇到(📗)了死神(🕸)，曾经的无助(🛺)(zhù )与(yǔ )恐(kǒng )惧(jù )，愤怒(🍹)与怀疑，都化(🚐)作(🚏)了人(ré(🈚)n )生(shēng )的诘问(📐)……
傻(📦)小子张(zhāng )三(sā(🤐)n )元(yuán )和李四(👝)宝为讨房(🚅)东女儿(ér )林(🌔)(lín )小(xiǎ(🍨)o )珠(zhū )欢心，讹称(♒)与电影圈中(🧠)人相熟(🎖)，带(🏖)她参观片场(👶)。元(yuán )、(🚟)宝(bǎo )混(hún )入片(🤦)场，四处乱闯，被职员(🎁)(yuán )误认为临时(🖐)演员，捉(⏫)(zhuō )了(le )二(èr )人去(🗻)化装演戏，闹出连场(🕢)(chǎng )笑(xiào )话(huà )。
电(👸)影剧情(🕴)：
《洛神》的故(🚽)事家传户晓，曹操垂涎(⛎)(xián )绝(jué )色(sè )美(♒)(měi )人甄(⚾)宓的美色，他(👰)的长子曹(cáo )丕(pī )及三(🎽)子曹植亦不(🎊)例外(wài )。本(🎵)(běn )来甄宓对(🖤)曹丕及(🦍)曹植均(jun1 )有(yǒu )好(🗝)(hǎo )感(gǎn )，因为(🚌)丕刚毅勇(🚌)武而植才华(🆕)洋溢，细(♏)心温柔，可惜(xī(🎯) )后(hòu )来(lái )她(tā )发觉(🛵)丕为人器量狭(🍾)窄，因此(🎩)(cǐ )非常失望。然(⛺)而，在(zài )曹(cáo )操(cāo )的(🤔)旨意下，她被配(👿)婚予丕(🐱)(pī )，成(chéng )为(wé(🔘)i )政治斗争的牺牲品，宓(🚣)忍痛下嫁丕，植(🙁) 万分痛(📧)苦(kǔ )，变(biàn )得(🧒)(dé )文思不再。操死，丕登(🎈)上帝(dì )位(wè(🔻)i )后仍一直(🚪)想加害植，后(🐪)(hòu )来(lá(🕡)i )更误信谣言，以(🍩)为儿子(zǐ )是(🤱)(shì )植(zhí )的(🌊)(de )骨肉，因此以(🦄)毒酒赐(🕞)死宓，并将植贬(😛)斥远地，拆散(sàn )一(yī(🔵) )对(duì )璧(bì )人…(🔍)…
第二(📃)部・二十面相(🐯)の悪魔－－小林君(🥐)らの努(nǔ )力(lì(🚒) )で、明(🚈)智は顔に火(🛁)傷を負(fù )いつつも焼(🐨)け落ちる西洋(🚂)館から(📉)救出される(🥝)。だが設計(jì )図(tú )は既(🏌)(jì )に複写さ(📆)れている(😰)らしく、折(🔛)(shé )柄、(❤)復讐を誓う怪(🍅)人(rén )の通(tō(🍎)ng )信。電波監(🕳)理局の調べ(❤)では、(🧒)奥多摩方面に(🥓)本部がある(🏿)らしい(😲)。その日、図面(🗞)の残(cá(✌)n )り半(bàn )分を持(🦀)ち大阪原子研究所(🖌)から小泉所長(💗)が上京(🦃)。警(jǐng )戒(jiè )は(🖋)厳重だがその隙に、(🐈)子(zǐ )息(xī )の小(🔈)(xiǎo )泉君(📂)が誘拐され(📧)てしまう。やがて、深(🍂)夜に設計(jì(🕗) )図(tú )と少(🍙)(shǎo )年の身柄(🌘)を交換(🐘)するとの二(è(🙋)r )十(shí )面相の(🍾)手紙が小(📘)泉邸(dǐ )へ。折(🛐)悪く明(💾)智も不在。学(xué(🎄) )校(xiào )では小(🐒)林君ら(💶)が相談の上、(🔺)小泉家(㊗)を訪れること(🌸)にしたが、彼(bǐ )等(🕦)がやって来た(🔵)時は明(🕖)智に化けた(🎟)怪人が両親を騙(piàn )し(🎂)て設計図を持(👼)ち出す(🏚)ところ。小(xiǎ(🐋)o )林君らの追跡を振り(📏)切って逃げ(🌦)去るが、(👭)車体ナンバ(🍆)ーを手(🚠)掛りに捜査が(🐤)進められ、(🤘)舞台は×(📱)×遊園地に(🈺)移(yí )る(🍕)。小泉君は無事(👡)発見。怪(guài )人(😶)(rén )ら海(🤽)外逃亡の恐れ(😒)に捜査(💃)網が全国に張(🔨)られても手掛(guà )り(🦗)はない。だが小(✍)林君ら(✒)はふとした(⬅)事から奥多摩の鍾(zhō(🌲)ng )乳(rǔ )洞(dòng )に眼(⭐)を着け(🥂)、踏み込む(🔛)が、一(yī )味のため大(✅)空洞に監禁(👡)され水浸(🐧)し寸前。一人(🏦)脱れた(⛸)篠(xiǎo )崎(qí )君は(🔰)秘密室の無(🗒)電機で救(🦆)援(yuán )を求め(👀)る。爆破(🦕)装置を仕(shì )掛(💾)(guà )け出発し(⏭)かけた(🛌)怪人らは駈(qū(🐛) )けつけ(👿)た明智始め警(🍦)官隊に応戦。しかし(🛡)危い処で空(kō(🏔)ng )洞(dòng )を(🐁)逃れた少年(🚮)探偵団の働きで、遂(🤗)に捕縛された(💖)。
剧(jù )情(🥢)(qíng )简(jiǎn )介：(🏬)
Living in a little town near Sevilla, Joselito is a naughty little boy who sings like a nightingale and who, because of his voice, is everybody's favorite. When after a wild adventure, he befriends a little blind girl, he decides to win her doll in a singing contest.
EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films.
英文名称：Nazha's adventures in the East Sea
某朝，外(wà(👸)i )患(huàn )战(zhàn )乱(⛰)，中都百姓(📗)纷纷逃亡。王(🥛)尚书之(😪)女瑞兰，逃难之(🐿)(zhī )时(shí )与(yǔ(🖍) )母(mǔ )亲失(🕐)散，途中遇一(⌛)秀才蒋(❄)世(shì )隆，世隆的(🕜)妹妹亦走失(🧠)(shī )，两(liǎ(👻)ng )人便结伴同行(🚱)，一种子(🚡)(zǐ )互(hù )助(zhù )互(😴)(hù )依，产生感情，在客(🍉)栈中结为夫妇(🚐)。不久，战(🏃)乱平(píng )宝(bǎ(⏭)o )，百姓先后还乡。蒋世隆(🚵)因受(shòu )了(le )风寒(💧)，病倒在(🏯)客栈，瑞(ruì )兰(🐦)(lán )在其身旁照料。一日(🤾)，王(wáng )尚(shàng )书(🔵)(shū )从边关(🆙)回朝，路过客(🔟)店，父女(🐡)久别重逢。瑞兰(♊)向父(fù )亲(qī(🙁)n )说(shuō )了(le )患(🤖)难中与世隆(⬇)结合之(🍏)事，并(bìng )哀求父(🤳)亲带他一起(✝)回去(qù(😘) )，可(kě )王尚书嫌(🤬)世隆贫(🌥)寒，还(hái )说(shuō )私(🥤)(sī )订(dìng )终身，不成婚(⚡)配...