故事(shì )发生(💥)在(⛰)1998年的(🐿)(de )夏天(tiān )，张成文（潘粤(⛎)明 饰）的父(fù )亲张(🦋)子(🤸)明（李幼(yòu )斌 饰(shì(🦉) )）(🐱)身为军长(zhǎng )，自(zì )然(⏲)希望儿子能够(gòu )子承父业(🚦)，为(🥀)国(guó )家卖力，然(rá(💫)n )而(👆)，张成文却并不这(zhè(🔜) )么(🏆)想(xiǎ(❇)ng )，他满门心(xīn )思想(xiǎng )要(🚰)转业，去(qù )追求个人(🕙)的(🐐)荣耀(yào )和梦(mèng )想，父(🆔)子两(liǎng )人为(wéi )此僵持(🦐)不下(👔)，气(🚐)(qì )氛十分紧张。那(nà(👚) )一(🚱)边，林为群（高天(🕊) 饰(✅)）虽(suī )然身(shēn )为富(fù )家子(🐼)弟，却(què )毅然(rán )决然(😦)穿(📒)上军(jun1 )装，被编入了红(🛃)(hó(🐔)ng )军团四连。
卢卡(kǎ )·(🏐)佛(fó )洛瑞（吉姆(mǔ )·罗(luó(☝) )斯(💱)·斯图尔特 Kim Rossi Stuart 饰(shì(📒) )）(🌻)从小在非洲长(zhǎng )大(🎏)，父(🔴)亲经(🍗)(jīng )常出(chū )差，留下年幼(🕳)的(de )他和(hé )母亲寂寞(📃)思(🆗)(sī )念，一日母亲丧(sà(🅾)ng )身汽车轮下，目(mù )睹惨(🧜)(cǎn )剧(🌬)发(🈴)生的卢(lú )卡从(cóng )此(🗞)心(🎦)中埋下阴影(yǐng )。成(⭐)年(😗)后的卢卡(kǎ )回到意大利，成(🦍)(chéng )了知名爵士(shì )钢(🕍)琴(🌖)(qín )家，融合非洲元(yuá(👳)n )素(🆘)的(de )爵士乐令他(tā )大(🖲)受欢迎，更扬(yáng )名国际，但是(💛)人(🏉)(rén )前的(de )荣耀并不(🕢)能(🤢)(néng )治愈(yù )他人后的(🐎)伤(🙀)痛，卢(🛠)卡始终无法敞(chǎng )开心(🚉)扉向任(rèn )何人(rén )，更(😔)和(⌚)整个世界(jiè )保持(chí(🐎) )冷漠和梳理(lǐ )，令(lìng )他(🤮)内心(🚾)情(😗)绪(xù )走向一个恶性(🗒)循(📂)(xún )环。随着年纪增(🍱)(zē(🎢)ng )大，对母亲的负罪感(gǎn )逐渐(🐎)填满了他的(de )生活，他(🕣)的(😍)音乐(lè )里被深藏了(🚁)(le )许(🍂)多(duō )痛苦(kǔ )，但最终(🏋)连(lián )音乐(lè )都无法承载(zǎ(🆔)i )这(🅰)一切，在38岁时(shí )，他(😝)灌(🛅)录了最后(hòu )一首(shǒ(✂)u )独(🌊)奏作(🏟)品《能飞(fēi )得多远》后，选(⛏)(xuǎn )择悬梁结束自己(🏂)(jǐ(📂) )的生命……
盲目(mù(📁) )标Hermoso提供圣穷人微(wēi )小(🌍)的(de )拉(💒)美(🌯)国家移(yí )民的(de )罢工(🐹)只(🥐)作为(wéi )一个作家(🛶)在(🥃)美国(guó )的富(fù )人和名人的(🔆)(de )一名(míng )年轻女子的(👫)故(🗡)事(shì )。当她回到她的(⚫)(de )家(💾)乡，以促进她(tā )的小(➡)说“绝(jué )望的(de )信” - 路人皆知暴(🔥)(bà(🌆)o )露她(tā )的家乡土(🏅)地(💮)(dì )的政治腐败 - 她是(🐼)(shì(🍺) )一个(🔤)值得欢迎的(de )，她(tā )无法(🌐)想象在(zài )她最(zuì )糟(🔢)糕(🆗)的恶梦。 封(fēng )闭的环(🚁)境中，人(rén )物孤独茫然(💄)，任(rè(🖋)n )凭(✊)凛冽的命运摆(bǎi )布(⛎)
小(🚏)(xiǎo )四川（黄凯(kǎ(😔)i ) 饰(🍋)）来上海打工(gōng )，被(✌)风满楼(⛺)老板(bǎn )王小(xiǎo )姐（(🚕)许(🥙)晓丹(dān ) 饰）看中，从(💰)此(😋)，他(tā )成了风满楼的(📵)茶(chá )房。风满楼的另(lìng )一个(😙)老(🅾)板（马仑(lún ) 饰）(😔)姓(🦒)苏，宁波(bō )人，是个地(🕘)道(🥤)的(de )暴(🐲)发户。负责收(shōu )银的是(⚽)陕西妹小(xiǎo )丫子(zǐ(💳) )（(📁)马伊琍 饰(shì )），她的(🌽)理想是将来(lái )有了钱(👮)在上(🚕)海(➗)安(ān )家。小四川对工(🌏)(gō(🕎)ng )作认真负责，但(dà(🏑)n )天(🥎)天(tiān )和他作对的(de )是(🐢)无(wú )处(😨)不在的玻(bō )璃门，由(🚟)于(🕡)每次(cì )服务(wù )一溜(⛹)小(🛒)跑，看似(sì )透明的玻(🥚)璃让他(tā )一再吃苦头，不(bú(🏦) )光(🛎)碰破了鼻子，还吃(🕣)了(🎁)王小(xiǎo )姐耳(ěr )光，有(🔍)一(🍍)次连(✖)小(xiǎo )丫子(zǐ )也受了牵(🎇)连(lián )。连续碰壁让小(🧦)(xiǎ(⏩)o )四川提高了警惕(tì(💆) )，但(dàn )他发现人与(yǔ )人(🥅)之(zhī(🤼) )间(😮)远比透明的玻(bō )璃(🔖)复(🕛)杂得多，你不定什(♊)么(🚥)时间就(jiù )突然撞上(📳)。风满(mǎ(🏠)n )楼日(rì )复一日上演(🍣)(yǎ(🔥)n )着各(gè )种各样的市(🐋)(shì(🈯) )井人生，最后王(wáng )小(🐐)姐走了，小丫(yā )子成(chéng )了老(🏹)板(🎮)娘。原来(lái )苏老板(📁)离(🗾)了婚......
怪(guài )獣ブーム(🛑)の(🤽)さな(⏸)かに日活が1967年に製作(🆖)した怪獣映(yìng )画。渡(🦓)辺(🚺)明の原案を、『放(🌨)浪のうた』の山崎巌(🎐)(yán )と(🔓)、(💉)『殺るかやられる(🏺)か(🐙)』の中西隆(lóng )三(🌖)が(🎈)シナリオ化し、『(🛳)日本仁(🎼)侠(xiá )伝 花の渡世人(👦)』(🧚)の野(yě )口晴康が監(💦)(jiā(😻)n )督した。巨大怪(guài )獣(🌫)の脅威と親子(zǐ )の情愛を(🈸)中(📏)心に描き、恋愛(🎷)も(🚠)のの要(yào )素までも(🦌)取(🌵)り入(😗)(rù )れた意欲作。雑(zá )誌(🚧)記者の黒(hēi )崎浩(hà(🖨)o )は(🐾)、カメラマンの小(🏞)(xiǎo )柳糸子と共に、船(🔝)津社(🔫)長(🍬)の命を受けて南海(➖)(hǎ(🎄)i )諸島(dǎo )の探検に(🍂)出(❎)(chū )かけた。2人には、(🗜)生(shēng )物(🤦)学助教授の殿岡が(🐺)同(🔁)行したが、たまた(👜)ま(🚶)、ある火(huǒ )山島に(🍟)上陸(lù )した3人は、薄気(qì(🐌) )味(🆔)悪い洞窟を見(jià(📅)n )つ(🏚)ける。その奥(ào )には(🎱)巨(🤓)大な(🌁)卵があって、島民の(👝)話ではガッパの卵(⤴)だ(🕯)という。ガッパとは(📱)、身長70メートル以上(🏰)、ワ(🕷)ニ(🌗)のような鱗のある(✈)太(🧀)い胴体と4本(běn )の(🏅)足(🤱)(zú )、そして、前足(🔄)(zú )から(🈺)尾にかけて大きな(🔰)羽(🗂)根のある爬虫類で(🔧)あ(💁)る。ちょうど卵が割(🌒)れてガッパの子供(gòng )が現(🗨)わ(🎐)れたが、思わぬ(🥚)獲(🔌)物(wù )に喜んだ黒崎(🛫)は(🔽)、ガ(🍨)ッパの怒りを恐(kǒng )れ(🔆)る島民の反対(duì )を(📈)押(➖)し切って、日本へ(🌀)連れて行(háng )くことに(🎏)する(🌖)が(🚋)・・・。
基洙（金炳(📝)(bǐ(🕝)ng )哲 饰）和钟(zhōng )大(🎟)（(🤮)刘亚仁 饰）是情(qí(🏆)ng )同手足(🐱)的兄(xiōng )弟，两人从小(⤵)就(🐐)失去(qù )了父母，视彼(🌅)此(🛡)为唯一的港湾和(hé(😹) )依靠。基洙性格(gé )老实(shí )稳(⛏)重(⛰)，他勤(qín )勤恳(kěn )恳(🔴)地(🛅)干着辛(xīn )苦的工作(🍁)，只(💹)为(wé(💪)i )了能够攒下钱来(lái )维(🍁)系(xì )他和弟弟的生(🐃)活(🆑)(huó )。尽管现实如此(cǐ(🔗) )苍白，但基洙心(xīn )中的(🐳)梦想(🈂)却(🚗)(què )从未(wèi )褪色，他知(📈)道(👍)，只要(yào )继续努力(😬)下(🐫)去，有朝一日，他定能(🤖)够在马(🗽)尔(ěr )代夫(fū )开一场(🛃)只(🐦)属(shǔ )于他(tā )一个人(🕦)的(💧)个人演(yǎn )奏会。
李旭(🐤)东（宗惟康 饰）是一(yī )位(⏭)非(💞)常富有才华(huá )的(✌)音(🤼)(yīn )乐家，创作(zuò )出了(🎷)(le )“楼(🔧)东怨(🏆)”，他的女儿李月(yuè )英常(🎹)常喜欢唱这(zhè )首歌(♓)(gē(😇) )。一天，李月英(yīng )的歌(🍣)声被银汉公(gōng )司的工(🎀)作人(💹)员凑(còu )巧听到，惊(jīng )为(😇)天(🚫)(tiān )人，他们看到了(🍛)(le )李(🔑)月(yuè )英身上隐藏的(🏐)商(shāng )业(🛐)价值和无(wú )限潜力(🍁)，邀(㊙)请她(tā )加入(rù )公司(🖼)。在(🍣)层(céng )层的(de )包装之下(🍓)，李月(yuè )英以歌星的身份出(💺)现(⛑)在了大众的(de )视野(🔱)之(😠)中。
Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema – La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score.
Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great Southern Hawaiian Fruit Company, but Chad is reluctant. So Chad goes to work as a tour guide at his girlfriend's agency. Written by Pat McCurry {ccgrad97@aol.com}