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Hot Wins (made in the majority language, Hindi) boldly confronts a problem familiar to every Indian but hitherto 'taboo' in Indian cinema, theatre and literature: the tension between the Hindu majority and the Muslim minority in India, one of the most delicate and sensitive issues in Indian politics. Indian art had conventionally avoided the issue by showing HIndus and Mislims in their own repective communities, with hardly any penetration of each other's worlds. The truth is, of course, less tidy, and Sathyu tries to broach it by looking back to 1947, the year that india was granted independence, when the sub-continent was divided into India and Pakistan. The partition is not only the background and context for the film's plot, but also its main dynamic, since the storyline chronicles the break-up of a large Muslim family in North India as more and more of its members leave for a brighter future in Pakistan. 该片由奎斯(sī )·(🖋)克(kè(🚝) )里斯(🌻)汀贝(bèi )里执导、(📔)好莱(🚞)坞著名(míng )热辣(là )女星(🏆)托普(🐲)(pǔ )金丝与一群侏儒倾(❓)情(qí(🌎)ng )出演(🛎)(yǎn )的犯罪喜(xǐ )剧(🚟)，讲(jiǎ(⬜)ng )述了(💊)五个马戏(xì )团侏(🦁)儒帮(😘)助强(🍿)(qiáng )盗美貌(mào )情妇(😱)抢劫(💛)银行(⌛)(háng )、为非作歹，最后美(🔱)(měi )妇(👔)与(yǔ )侏儒头目(mù )双双(💐)坠入(😎)情网的离奇(qí )浪漫(màn )故事(🍨)(shì )。这(zhè )部电影首次动用了(🔡)如(rú )此多(duō )的侏儒演(👭)(yǎn )员(🕔)，而(é(🏳)r )且每个都是主(zhǔ(⚡) )角，活(👘)脱脱一部白雪(xuě )公主(🔕)(zhǔ )和(🔚)七个小(xiǎo )矮人的现代(⛵)复制(🅿)版，该(😝)片(piàn )也成(chéng )为当(🕹)(dāng )时(😏)越战(🌡)美国大兵最喜(xǐ(🛺) )爱的(🐆)(de )好莱(🌰)坞电(diàn )影。 岡(gāng )ひ(📻)ろみ(🥥)は“お(🍌)蝶夫人”と呼ばれる竜(🥉)崎麗(🤾)香にあこがれてテニ(👡)ス部(🛢)に所属(shǔ )した、普(pǔ )通の(♈)女子高生だった。だがいき(🈴)なり鬼コーチ宗方仁(🐾)に可(🍒)能性(🎸)を見出(chū )され、(👹)テニ(😓)スの資質(zhì )を伸ばし(📄)てい(🍃)く。先(xiān )輩や同期の妬(🏾)(dù )み(🏘)を買(👭)いながらも、親(🙅)友(yǒ(🐃)u )の愛(👒)(ài )川マキや男子(😳)部員(🔇)の藤(🎱)堂(táng )貴之(zhī )たち(🚁)に励(☔)(lì )ま(🎯)され彼女は成長して(🚹)いく(🎽)。そして、コーチとの絆も(🚊)深まるのだが…。 Carmen Suite is a one-act ballet created in 1967 by Cuban choreographer Alberto Alonso to music by Russian composer Rodion Shchedrin. The premiere took place on 20 April 1967 at the Bolshoi Theatre, Moscow. The music, taken from the opera Carmen by Georges Bizet and arranged for strings and percussion, is not a 19th-century pastiche but rather "a creative meeting of the minds," as Shchedrin put it, with Bizet's melodies reclothed in a variety of fresh instrumental colors (including the frequent use of percussion), set to new rhythms and often phrased with a great deal of sly wit. Initially banned by the Soviet hierarchy as "disrespectful" to the opera for precisely these qualities, the ballet has since become Shchedrin's best-known work and has remained popular in the West for what reviewer James Sanderson calls "an iconoclastic but highly entertaining retelling of Bizet's opera." 1972年(nián )完成(💈)(chéng )的《守节(jiē )》以汉四郡时代(🚅)的战(📲)(zhàn )争时(shí )期为社(🦎)会(huì(💕) )大背景，描写一对等(dě(🔐)ng )待从(👩)军丈夫归(guī )来的母(mǔ(📹) )女惨(💯)遭轮奸的(de )不幸故事。由(🕘)于影(🦏)片(pià(🧞)n )强烈(liè )的社会批(😖)(pī )判(🆖)色彩(😿)，送审后不得(dé )不(🍨)减(jiǎ(🥥)n )去了(💂)(le )近20分(fèn )钟的段落(⏮)。 法兰(📟)克是(✏)(shì )一个(gè )年轻而富(fù(⛹) )有理(🍇)想(xiǎng )的警察，他从(cóng )巡警开(🔘)始做起，后来(lái )成为卧底警(🚱)察(chá )，虽然他的破案率很(hě(🈴)n )高，但(🏪)他不愿(yuàn )意象其(🚵)他警(💨)察那样收(shōu )受贿(huì )赂(🎰)，这使(⛔)(shǐ )他显得和其他人格(🏰)格(gé(🏼) )不入。这种做(zuò )法也使(♏)(shǐ )他(🔤)身陷(🛰)危机，因为他的同(🚨)事们(🍁)都与(📵)(yǔ )他为(wéi )敌，且不(🔉)(bú )时(🔚)地陷(🤟)害他。当检察(chá )组(🌴)开(kā(🖱)i )始调(⤵)(diào )查警(jǐng )局内部的贪(🛎)污内(💼)幕时(shí )，他(tā )又出面作(zuò )证(💿)，因(yīn )此更陷入危险(xiǎn )之中(📧)……