火影忍者剧场

一个记者正在(zài )寻(👜)找(zhǎo )一条独(🤱)家(🕖)新闻，会见(jià(📘)n )一(🤦)位(wèi )部长(zhǎng )的女儿，与(💼)她展(zhǎn )开生(🍃)(shē(🥓)ng )意，损害了自己的妻(qī(🍡) )子。 Mrs. Rada the Goat tells her five children to behave while she goes to the fair, and under no circumstances open the door to anyone except her. But the Big Bad Wolf, Kostika (Titi) Suru, and his nephew, the Little Bad Wolf, along with friends Rassul the Lynx and Petrika the Donkey has made a plan to kidnap the children while their mother is away. And when the eldest child, Matei, decides to disobey his mother and visit the fair himself, things start to go badly for the goat-family. Written by Signy A rich playboy has a large house in the countryside. One weekend he invites a fashion model. On his way to the house, he drives past a gang of crazy young men. They find out where he lives, enter the house and kill him. Eventually the model arrives... Great Italian pulp movie, a classic for the genre! "Roma l'altra faccia della violenza(trad.:The other side of violence)" is a police movie where violence, theft and rape are caught in a mixture of raving unconsciousness and pure havoc. With a great appearance by Franco Citti, this film stands up for one of the best Italian pulp movie ever made. Quite similar to "Roma Violenta" and "Milano Violenta" with Maurizio Merli yet not the same cup of tea. It deserves more rudeness, rawness and pathos for the audience... In an attempt to eliminate all possible nationalist fractions, the Ching Emperor (Wong) orders the destruction of the Shaolin Temple - considered the focus of anti-Manchurian resistance. As 美国(guó )内(📉)战(⚽)期间，流寇(kòu )把乔(qiáo )赛·韦尔斯（(🛀)克(💫)林特·伊(yī(📸) )斯(🧒)特(tè )伍德 饰）一家的(😑)(de )安稳(wěn )田园(😬)摧(🙋)残(cán )到家破人亡。于(yú )是乔(qiáo )赛·(🛑)韦(🙋)尔斯决定加(♓)入(🍿)(rù )南军游击(jī )队，保护(🕯)手无寸(cùn )铁(🔳)的(🧝)(de )人。内战结束时，他(tā )拒(⚾)绝向杀(shā )害(🔝)自(📢)己家人的北(🐾)(bě(🚍)i )军投(tóu )降，走上一条逃(⭕)亡之(zhī )路。在(🗄)路(🤞)(lù )上，他遇到一个(gè )印(♋)第(dì )安切诺(👹)基(👤)老酋长，一(yī )个纳(nà )瓦霍(huò )妇女，和(🌸) 来(🍢)自堪(kān )萨斯(🎷)(sī(🌛) )的母女俩…… S13E21-26 这部电(🚉)影的(de )故事(shì(👙) )情(👖)节涉及纽约多个居(jū )民犯下的(de )一(💶)系(🕦)列无动机谋(🔉)(mó(💫)u )杀案(àn )：一名狙击手(🎆)从水塔(tǎ )中(🔴)射(🆒)杀人(rén ); 一位父亲谋杀了(le )他的(de )家人(🛁); 在(🌮)圣帕特里克(📆)节(🍫)(jiē )游行期间(jiān )，一名警(🎌)察向人(rén )群(🕰)开(🥓)(kāi )火。 犯罪的唯一共同(🧙)(tóng )点是(shì )肇(🥟)事(🚩)(shì )者都冷静承(💯)认有(yǒu )罪，并解释说(⛄)，“这(🙏)是上(shàng )帝的(🚴)(de )旨(🤨)意(yì )。” 在调查谋杀(shā )案(🛴)时(shí )，天主教(🛴)(jiā(🕞)o )警察彼得·尼古(gǔ )拉斯(sī )越来越(🥠)多(💍)地被一个名(⌛)(mí(💛)ng )叫伯纳德(dé )·菲利普(🎤)斯的证(zhèng )词(📿)所(🎵)(suǒ )困扰，他们发现每一(yī )个杀手出(🖖)(chū(🔮) )现，似乎都无(⏲)法(🐫)(fǎ )摆脱(tuō )他自己的命(🎩)运与这种(zhǒ(⛓)ng )神(🖼)秘事件(jiàn )的联系。随着(🍴)他(tā )逐渐(jià(🈁)n )接(⛩)近真相，他最担(👑)心(xīn )的事(shì )情得(dé(♓) )到(⚾)了证实。 新加(🚻)(jiā(🍯) )坡华(huá )侨李光明回到(☔)国内，顺便(bià(🐅)n )替(🏟)自(zì )己的好友魏希友(yǒu )会见(jiàn )笔(🈴)友(♈)夏小(xiǎo )菁。在(🚓)机(🧢)场接魏(wèi )希友(yǒu )的是(🌄)小菁的妹妹(🏽)夏(📈)小(xiǎo )芸。因为(wéi )照片与真人的差(chà(🦐) )异(👮)，“魏希友”和小(🥇)芸(🌎)错(cuò )过了。之(zhī )后为了(🦂)姐姐小菁(jī(🛢)ng )相(🌻)亲(qīn )的事，小芸误以为(🔆)光(guāng )明是魏(😖)希(🦔)(xī )友，而光明也(😋)误(wù )以为(wéi )小芸是小(🐽)菁，他们彼(bǐ(🌶) )此(😉)试(shì )探着(zhe )，渐渐有了感(🌛)情(qíng )，但(dàn )是(📲)都(🎊)觉得对方不像信里所(suǒ )描述(shù )的(🛹)性(🕵)格。而这一(yī(👔) )切(🥟)引(yǐn )起了小菁(jīng )的误(🍏)会。此时，真正(🥢)(zhè(🍱)ng )的魏希友回到国内，主动要找(zhǎo )小(🔕)菁(😿)见面。得知(zhī(🥌) )希(👨)友(yǒu )的想法与态度，光(👵)明(míng )有些忧(🎊)虑(🌅)(lǜ )。 This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions.