在他的女儿Ema的(💓)葬礼之后(💦)(hòu )，Frank Osorio第(dì )一次(🏋)旅(lǚ )行到布(bù(😃) )宜诺斯艾丽斯去告诉(😁)他(tā )的外(wài )孙(🈴)女Alina，有关母(mǔ )亲的死讯(🔟)。不过Frank怀揣(🐆)有(yǒ(🔹)u )两个(gè(🌎) )大秘密(mì )：第(🍼)一(yī )个是(🔂)关于(🔡)Alina父亲的(✌)身份，而第(dì )2个(🚤)与犯(fàn )罪(🌖)有关。
本片讲(🔜)述的是发生在(🗳)(zài )１５７０年(nián )的关(⚫)于Orisbela的故事(🚆)，她是(👦)一个来自(zì )葡萄(táo )牙(📨)的信(xìn )教(🏺)的年(📴)轻女人(🕓)，嫁给了一个(gè(📿) )巴(bā )西人(♎)(rén )Francisco de Albuquerque，一个(gè )甘(⏹)蔗种植园的所(🦔)有者。
A typical Nazi-era melodrama, The Comedians features a strong-willed female protagonist who refuses to live according to the rules of society. Naturally, such revolutionary behavior must be punished by death and the film's Karoline suffers the fate of so many heroines of the Third Reich. That this heavy-handed nonsense was directed by the same genius who gave the world Pandora's Box (1928) is nearly incomprehensible but, if nothing else, The Comedians offered employment for Henny Porten, a silent screen star otherwise more or less blacklisted by the regime. To her eternal credit, Porten delivers a finely tuned performance despite what must have been extremely difficult circumstances.
Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran.
《角斗》
地(🥈)方检查官(💽)调查(🔤)一起关(guān )于三(sān )个意(👵)大(dà )利青(🤭)年(niá(👨)n )谋杀一(😲)个瞎子波多黎(⤵)各(gè )男孩(🧖)(hái )的案子(zǐ(✴) )，结果(guǒ )随着调(⭐)查的深入(✴)他发现(xiàn )案(🤯)子(zǐ )不像看(kà(💣)n )上去那么简单……
钱(🗽)王钱通（(🌘)李修(😽)(xiū )贤）运(yùn )用金钱与(🈴)拳头几乎(🤮)控制(🔋)了一切(🍍)(qiē )行业(yè )，并为(🥂)(wéi )所欲为(🏝)，只有号称铁(🐟)胆拳王(wáng )的(de )庄(🦍)严(yán )才敢与(yǔ )他抗衡(🈶)，为替受欺(👫)压的(🕜)(de )民众(zhòng )出头，庄严出(chū(🕥) )手打败钱(👚)通的(🖇)手下，但(😂)(dàn )却遭(zāo )到钱(😢)通(tōng )手下(🎮)高(gāo )手洪鹰(🎆)的暗算，临终前(🗼)(qián )嘱咐(fù )女儿（张玲(🤢)）和徒儿鲁旦(🈴)（姜大卫）练好(hǎo )他(🔗)和妻(qī )子(💛)自创(🧡)的歇后拳，可惜却还欠(😆)(qiàn )最后(hò(💎)u )半招(💳)。
3個人妖(🦌)立志向上，來到(🕰)鄉間經(jī(🏟)ng )營民(mín )宿，希(🧓)(xī )望能夠發大(🥍)財成大業，卻在一(yī )件(📯)意(yì )外事(🈵)件(jià(🚫)n )後，搞得民宿陰魂慘慘(🚲)，生(shēng )意(yì(🐴) )一落(🔭)(luò )千丈(📀)。