法(fǎ )国(🗞)(guó )女(nǚ )演(yǎn )员(yuán )梅(méi )拉尼•罗兰算是法国年轻一代演员中的佼佼jiǎo 者，曾(🀄)经跟让(💦)(ràng )•(👣)雷(léi )诺(🔙)(nuò )、(🚙)布(bù )拉(📦)德•(♿)皮特和(💙)伊万(🏁)•麦克(⬛)格雷(📸)格等众(👯)多知名演员(🌂)都有过合作(zuò )。2007年(nián )她(tā )还(hái )获(huò )得了法国电影凯撒奖“最具前途女演员奖(🦊)”。在电影(👋)《突(tū(👉) )然(rán )之(📚)(zhī )间(👵)(jiān )我(wǒ(🌝) )好(hǎ(🔚)o )想(xiǎng )大(🔆)家》中(😮)，罗兰扮(🧟)演的(😴)叛逆女(👚)儿，与老爸上演了一场不一(yī )般(bān )的(de )“父(fù )女(nǚ )大战”。
尹道勋（金柱赫 饰）是(🌞)乐天巨(🔎)人队(⛓)里的头(😽)号投(👊)手，他(tā(🈵) )屡(lǚ(👠) )屡(lǚ )立(👉)(lì )下(🤸)(xià )赫赫(🤨)战功(🐊)，队内无(🤩)人能够同他抗衡。然而，也因为此，尹道(dào )勋(xūn )的(de )个(gè )性(xìng )十(shí )分嚣张跋扈，丝毫不顾(🎉)及他(📢)人感受(⏺)和自(🆎)己的个(🎇)人形(🤳)象，四(sì(🖱) )处(chù(🏣) )惹(rě )是(⛳)(shì )生(🔅)(shēng )非(fē(🈴)i )，常常(🕤)搞得自(🚅)己的负面新闻写满了报纸的头版头条。
Eva (Prakriti Maduro), 哈瓦那(nà )制(zhì )衣(yī )工(gōng )厂(chǎng )的(de )女工(🍴)，梦想成(💷)为服(🎩)装设计(🛥)师，拥(🗽)有一个(👏)自己(👟)的房子(🌺)和一(🔈)直的(de )爱(🧓)(ài )人(🔐)(rén )Ángel (Carlos Enrique Almirante) 结(💋)(jié )婚(hūn )。因为一场和来自委内瑞拉的古巴后裔Jorge (Juan Carlos García)的相识她的生活开(kāi )始(shǐ )转(zhuǎn )折(🍚)(shé )。
根(🌺)(gēn )据莫(🔻)泊桑(📮)作品《Le horla》改(🙄)编。
在(😭)击退宇(🧐)宙帝(🔵)国“残虐(🚕)”大军(👍)的“传(chuá(🌮)n )奇(qí )大(dà )战(🚈)(zhàn )”过后，34支超级战队的力量散落太空。数年过去，残虐军再(zài )次(cì )入(rù )侵(qīn )，而(🍅)(ér )继承(㊙)超级(🔵)战队力(➿)量的(🤦)海贼战(🌤)队豪(🦊)快者也(🌍)来到(😍)了地球(🛹)。
Downtown Cairo is an organism that still seems alive back in winter 2009/10, but is becoming increasingly alien even to those born there. Khalid is looking for a flat. He’s a filmmaker. He looks at his images over and over again, as if he were waiting from them to produce some sort of meaning. The stories of his protagonists seem to come from somewhere inside him, he seeks points of reference in the outside world. The more he looks for them, the more they seem to disappear; not abruptly though, but in lengthy moments full of tenderness, such as when he bids farewell to his girlfriend who is leaving him, to his ill mother, to friends who have come to the city to premiere their films. For them, Cairo is a fixed reference point: One left Baghdad and is now living as a refugee in Berlin, another stayed there, a third lives in troubled Beirut. When they decide to send Khalid video material from their cities, it's not so much about helping him with his film than preserving something they still associate with Cairo via this bond, fully aware that it’(💠)s already a fantasy. An almost noiseless film in which time is overtaken by history. berlinale 2016