德善女王

本片(🔽)(piàn )由張徹(chè )導演，倪匡編劇，鹿峰、羅莽、孫建(🧖)、江生及郭追(🤱)領銜主演，拍於(🗽)1979年功夫片高峰(🚹)期。故事講(jiǎng )述(👒)武林(lín )世家子(🏻)(zǐ )弟(🔒)袁(yuán )鷹(yī(✌)ng )飛(鹿(🥅)(lù )峰(fēng )飾(🔨))，表(biǎ(⛩)o )面上(shàng )是(💇)(shì )仁(🌗)至(zhì )義盡(🎉)的(de )江(🚥)湖俠士，實(🕸)則是(🚞)工於心計(🌠)的奸(😈)險人物。他利用(🏑)何非(江生 飾)、(🏳)馮加金(孫建 飾(🤕))、曾樵(王(wáng )力(🏅) 飾)及(jí )楊追風(🔻)(fēng )(郭追飾(shì ))等(📭)失(shī )意(yì )江湖(hú )的(de )高手(shǒu )，對付(fù )虎威鏢(biāo )局(🥉)少鏢頭關雲(羅(🍀)莽 飾)；豈料何(🕥)非等四人與關(💴)雲不打不相識(👿)，反成好友……(📂) Bush Mama powerfully captures the anger of America when the dream envisioned by Martin Luther King met with violent suppression and the stark reality of inner city neglect exposed by the uprising in Watts in 1965. Haile Gerima's iconic film shows the Black community under siege, harassed and starved of opportunities. It is a powerful portrait of the political awakening of a mother struggling to survive on welfare and bring up her daughter. Deftly combining fiction with documentary, including footage of the LAPD questioning Gerima and his crew during filming, the film draws on a range of topical events from police killings, treatment of Vietnam veterans to the militant liberation movement in Africa. The mesmerising performance of Barbara O. Jones shows the protagonists shift from passivity to empowerment. The film vividly conjures her interior world, a fractured reality filtered by memories and anxieties as she moves towards political consciousness following the arrest of her husband for a crime he didn't commit. 清廷(🍁)御厨饕餮(🛥)公, 精(✌)(jīng )通制作(🐒)(zuò )满(🐩)汉全(quán )席(📹), 得(dé(🍣) )获(huò )盛名(🚨)(míng )! 在(🚖)(zài )其掌(zhǎ(❗)ng )管(guǎ(🔶)n )御厨(chú )期(🐓)间, 遭(💇)(zāo )奸人所(suǒ )害(🔖); 惨被逐出宫外(🐕), 永不录用. 他心(🤷)灰意冷地离开(🈳)京城返回故乡(🥀), 却竟发现全家(🎢)惨遭杀害. 只有(yǒu )小孙儿(ér )幸免(🕷)获(huò )救, 他伤(shā(⏯)ng )心之(zhī )余(yú )携(🍅)同(tóng )孙(sūn )儿离(😪)(lí )乡(xiāng )别井(jǐ(🐞)ng ), 隐居于(yú )一僻(🚲)静小村, 把孙儿(🐡)养大(⭐)成人, 更传(👄)授绝(⛲)世奇功 "饕(🤕)餮功(🍮)" 公孙两人(🕗)能否(🖲)合力报却(🎅)这血(🈂)海深仇(chó(🏅)u )!? 1979年9月(💮)8日(rì )公開（東(😘)宝）、上(shàng )映(🏔)(yìng )時間(jiān )88分(fè(🍅)n ) ◎译(yì )　　名(🔃)(míng )　蝴蝶(dié )十(🚤)八式(shì ) 片名: Lovein the Space Time Going through the filmmography of Jess Franco is never an easy thing because not only do you have to go through more than 200 movies but you've also got to go through countless alternate versions. Sometimes films can have four or five alternate versions with newly shot scenes, alternate footage or footage thrown in from another director. In 1974 Franco made a film called EXORCISM, which was a very dark mix of sex, religion and violence. It was also released in a softer version under the title DEMONIAC and another version with XXX footage called SEXORCISMS. Then, in 1979, Franco took footage from EXORCISM and added a new plot around them and the end result is this film, THE SADIST OF NOTRE DAME. 描(🚊)述一对青年男女在蓄养吃人鱼的水池中游泳(🥃)，突然被一神秘(📲)的鱼群攻击，鲜(🤗)血(xuè )四冒。其后(🎠)，剧情随(suí )着一(🏸)(yī )个(gè )“寻(xún )人(🦊)(rén )专家(jiā )"马(mǎ(🍾) )琪的(🤱)(de )行踪展(zhǎ(🏯)n )开。由(🌾)于镜头运(❕)用的(🚕)灵活性和(🎞)剪接(🍩)的紧凑，片(🈴)中多(📟)埸鱼吃人(🐊)的戏(🎽)都拍得相当有(🐺)惊吓效(xiào )果，有(💩)(yǒu )几个镜(jìng )头(👱)且血(xuè )腥得(dé(💲) )教(jiāo )人不(bú )忍(🙂)(rěn )目睹(dǔ )。