念(🖼)唱作打，生旦(dàn )净丑，一群京(💓)(jīng )城(🚊)胡同(tó(🐺)ng )里长大(🥏)(dà )的熊(📎)孩子(🥜)们，却卷(juàn )入了邪恶盗宝(bǎ(🐦)o )集团(📫)的(de )惊天(📷)阴(yīn )谋(🧒)。台上是(🛑)梨园少年，台下是功(gōng )夫英雄(xió(➿)ng )，“花(huā(💑) )架子”与(😝)真功夫(😗)，究竟鹿(🛸)死谁手(shǒu )，所有(yǒu )出乎意(yì )料的真(zhēn )相，都将(♒)随着关(🎠)小(xiǎo )山(🧖)和伙(huǒ(🛄) )伴们(👜)的(de )误打误(wù )撞一一(yī )揭开……(🚝)
本剧以(👚)三(sān )山(📠)市的失(✒)踪断(⏫)(duàn )指案展(zhǎn )开，围(wéi )绕着杨(🐙)伟对(🏋)茉莉的(🚎)(de )虐恋；(💞)强子、(😰)王琦(👐)以(yǐ )及吴彬(bīn )之间的三角(🛅)关(guā(📲)n )系；女(🎙)大学生(⛳)的裸(luǒ(🐣) )贷疑云(yún )；面对(duì )无处不在的(🌋)第三(🔎)只眼，他(🍊)们能否(👰)(fǒu )逃脱(📉)法(fǎ )律的制(zhì )裁？而(ér )面对爱情、仇恨、(💔)欲望、(🌶)金钱的(🔫)(de )他们，又能否(♿)(fǒu )逃脱命运的安排？本剧三(sā(🐎)n )个故事(🏓)(shì )环环(🌚)相(xiàng )扣(🕳)，逐(zhú(🔉) )步展开，而真相究(jiū )竟又是什么(🈂)呢(ne )...？
三(🚋)线(xiàn )电(🚧)视剧(jù(💒) )演员(💪)张植绿要改行(háng )做房屋推(🐓)销,他(🚳)(tā )在准(⛽)备(bèi )面(⛸)试的(de )档(🚴)口找到一个保姆去打扫他无人(🚞)(rén )居(🙆)住的(de )老(🏊)宅。
跳出(🔤)《比海還(🦊)深》（2016）的助導身(shēn )位，廣(guǎng )瀨奈(📶)奈(nài )子繼承(⛩)(chéng )恩師(👩)是枝裕(😟)和一貫家庭缺(quē )失主題(tí )，以圓(yuán )熟的敘(xù(🥟) )事技巧(🚻)，剖開父(🍿)子(zǐ )關(🕡)係的(🥕)(de )思考空(kōng )間。憑(píng )《誰知(zhī )赤子心(😎)》（2004）成(🈸)為(wéi )史(➗)上最年(👰)輕康(🤰)(kāng )城影帝(dì )的柳樂(lè )優彌(👶)，經歷(🕞)過高山(🐑)(shān )低谷(💥)，在死亡(🦏)(wáng )邊緣走(zǒu )了一回(huí )，與這個落(👗)泊孤(📓)絕角色(📏)感同身(🧥)受(shòu )。自(🤞)殺(shā )不遂被(bèi )中年鰥夫收留，獲(🛅)編的名字竟(📄)與(yǔ )他(🧤)的亡(wá(🚇)ng )兒相同(tóng )。亦父(fù )亦子的微妙關係，卻被兩(liǎ(⛱)ng )人過去(🎺)(qù )的秘(👮)密(mì )動(🔖)搖。兩(🥒)個「缺」的人生(shēng )，能否(fǒu )合成(😜)一(yī )個(🌇)「圓(yuá(㊗)n )」？
A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘(🕝)Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.
The story of two old folks, who have spent the most time of their lives behind prison walls. Now seventy years old men have been granted an amnesty. Both men have a passionate desire to change their lives in according to a certain plans. Time is one of the main characters in this story. The time that passes from one point to another and how it changes and influences human spirit and thoughts. Old prison friends Markus and Eduard are not murderers and do not have blood on their hands, from young age they have revolved in circles around thieves and other rouges, their greatest crimes have been carried out by robbing the country and deceiving. State robberies and frauds have led men to long periods of punishment from Soviet Estonia until nowadays Europe Estonia. Now, however, the cell mates received the freedom and decided to meet each other in a week at the hotel "Palace" to plan together life in the freedom, but until that men needed to put in order their "personal things".