Inspector Angelo De Pol (Jeff Blynn) is assigned to the case of a double murder in Venice, the victims were a married couple. He suspects that a psycho killer in on the loose, however during the investigation the inspector discovers that the husband was a sex maniac and a drug addict. Soon afterwards bloody killings begin to occur.
A black-out occurs during the meeting of a gang of criminals. When the light is back one of them is found killed with a stab on his back and all the clues point to a penniless man who had an argument with the victim a short time before the murder.
Just for the record, the Italian title of this film is "The Seventh Woman". Three bank robbers on the run in their aging Citroen come across a remote beach house & find that as a perfect place to hide out. Trouble is, though, the house is occupied, by a few Catholic school girls and their teacher, who is also a nun. The sadistic bank robbers move right on in, kill the maid, and then proceed to have their way with a a couple of the girls and their teacher. One girl spurned one robber's advances with a deftly aimed comb handle to the groin area, and he's not doing too well, though. The girls, of course, and the nun, are not about to continue to be subjected to rape & torture, and eventually get the upper hand. This is no where near as nasty as "Last House On The Left", it's more a rather pale imitation. Still though, it's a decent enough exploitation film, if you like that sort of thing, but there's nothing to elevate it above that particular distinction. 6 out of 10.
1964年(niá(👲)n )，六名来(🥕)自新泽西(⛔)州的青(🎉)(qīng )少年(🤑)跑(pǎo )去观(🤰)看(kàn )披(🍑)头士(shì(📲) )乐队在(zà(🍿)i )Toast of the Town (1948)上的表(💠)演，希望(😝)能见到他(tā )们的(🔗)偶(ǒu )像。但(dàn )是，他(tā )们没(🧦)有(yǒu )票。在(zài )这(✈)个过程中(🚢)，他们学到了(le )关(🏌)于友谊和(🍵)成长的新东西(🦆)(xī )。
In between drinking cans of Fosters beer, Australian soldiers tread on a few landmines, and generally experience the war in Vietnam.
以《衰鬼上(shàng )错身》开始(🦁)为(wéi )人熟知(zhī )的史蒂夫(🏙)·马丁，其实在(zà(🦏)i )他跃登(💪)(dēng )银幕(🌽)的(de )处女作(📂)(zuò )时就(🐏)表(biǎo )现(🚾)出一鸣惊(🍲)人的搞(🐑)笑才华(huá )。本片(pià(⛳)n )男主角(🔢)大笨蛋从(♐)小由黑(💟)人(rén )佃(✉)农收(shōu )养(⛓)长大(dà(😩) )，后来(lá(🥥)i )离家出(chū(🕴) )外闯荡(🎧)江湖，从事多种有(yǒu )趣的(🐶)工(gōng )作，自(zì )然也闹(nào )出(🔞)了不(bú )少的笑(👭)(xiào )话，还展(🏥)开了一段热闹(❗)的(de )多角恋爱。全片剧情的(🚬)铺(pù )排比较(jiào )松散，但多(📈)个(gè )片段组(zǔ )成(🌉)的发(fā(🐘) )展轻松(⚓)流畅而惹(🍊)笑，娱乐(📛)(lè )效果(🐴)颇(pō )高，是(🧣)(shì )导演(🎐)卡(kǎ )尔·赖(lài )纳(🍁)的代表(📍)作之一。
5个(⏱)年青(qī(👏)ng )人天性(🔁)(xìng )活泼、(🍭)好动、(📉)口袋里(🚊)经常(cháng )所(👡)剩无(wú(😬) )几，但(dàn )依然乐(lè )观向上(🏰)(shàng )，一天他们来到一歌舞(🚽)厅(tīng )，经理(lǐ )同(🥁)意让(ràng )他(🈚)们试(shì )唱，演(yǎ(🚕)n )出在即(jí )阿伦却入院，晓(🤵)芬想起一(yī )位酷似阿伦(🔜)的人，将其请(qǐng )来(📚)凑合(hé(🗼) )上台，结(🥎)果大(dà )获(🙃)成功(gō(🏋)ng )。此人(ré(⛸)n )乃是富商(🏠)子弟世(🕛)华因逃婚(hūn )而离(⏩)家(jiā )，二(📘)人(rén )从移(😷)位(wèi )到(🎛)回位(wè(🙃)i )经历了一(🥉)段本不(🥥)属于自(👀)己(jǐ )的人(👐)生(shēng )片(🖇)段 ……
庄森（Bruno Ganz 饰）和露(🔎)(lù )西（Isabelle Adjani 伊(yī )莎贝尔(ěr )•(✈)阿佳(jiā )妮 饰）(😔)是一对生(👞)活在德国维斯(🏾)马(mǎ )的恩爱(ài )情侣，他们(🐘)的(de )婚事在(zài )即，紧(jǐn )张幸(🏾)福。但庄森突然接(🐷)到(dào )消(😷)息，居住(🗺)在城堡中(➰)的德(dé(🍙) )古拉伯(❌)(bó )爵（Klaus Kinski 克(👧)(kè )劳斯(📐)•金斯基(jī ) 饰）(🍇)意(yì )欲(🕥)购买一套(📒)房子，露(📵)西家(jiā(😘) )附近刚(gā(💬)ng )好有一(🔍)(yī )间，为(🕡)(wéi )了筹备(🥌)(bèi )婚礼(🌋)庄森欣然前往。然而(ér )令(🚾)他难(nán )以置信的是，德古(🎏)拉伯爵(jué )竟是(👅)传(chuán )说中(🚠)的(de )吸血鬼(guǐ )。庄(🎣)森(sēn )被他吸去了鲜血，九(💢)死一(yī )生逃回(huí )家中。
フ(🎑)ランスの文(wén )豪(🕓)ヴィク(💨)トル・ユーゴー(🛺)の名作(🔫)(zuò )『レ(😉)・ミゼラ(🌪)ブル（(🚐)ああ無情）』を(😱)、主人(⤵)公(gōng )ジャ(🚞)ン・バ(🧠)ルジャ(🤡)ンの軌跡(🔟)を主軸(🍪)にしつ(🚢)つスぺシ(📐)ャルTVア(🌬)ニメにしたもの。19世紀の(👥)初頭。貧(pín )しい若(ruò )者ジ(🔴)ャン・バルジ(🐄)ャンは一(🈲)切れのパンを(💣)盗んだだけで何年も暗(🏩)い獄中に投獄(yù )されて(📑)いた。釈放後(hòu )、(🥍)なおも(😯)変わらぬ世の中(🍞)の理不(🤽)(bú )尽。や(🧢)さぐれた(🗓)ジャン(🍌)は聖職者(zhě )ミリ(😨)エル司(🏺)教(jiāo )と出(🐋)会(huì )い(🗞)、彼(bǐ(🚛) )の教会(huì(🔄) )から燭(🌔)台を盗(🌉)む。だがミ(🍪)リエル(⏪)はジャンの罪(zuì )を認め(🏾)つつ許し、その博愛に(🐿)触(chù )れたジャ(🚵)ンは真人(💁)間として生き(🏾)ていくことを誓う。数年(🃏)後(hòu )、数奇な人生の起(🅾)伏を経(jīng )てマド(🐨)レーヌ(🕸)と名前(qián )を変え(⛪)、つい(🐉)にはあ(🕐)る町の市(🕘)長(zhǎng )と(🔼)までなったジャ(😛)ンだが(🌳)、彼には(🎴)さらな(🛣)る運(yù(👜)n )命の嵐(lá(🌧)n )が待っ(😀)ていた(💻)。日本生命(🛣)の提供(👼)による当時のスぺシャ(😩)ルTV番(fān )組路線(xiàn )「日生(🕐)ファミリース(👃)ペシャル(🛬)」の一本とし(🌸)て放映された作品。製作(🐚)は東映動(dòng )画（現(xiàn )・(🥩)東映アニメーシ(🛹)ョン）(👀)で、主(zhǔ )人公ジ(🤶)ャンの(📫)声優は(🎅)名優・小(🔯)林昭二(🌼)が担当した。