火影阿飞

华玲玲（(👢)甄珍）因母(🏙)(mǔ )亲早逝(shì(🍩) )，和(hé )父(🤬)(fù )亲（金石）及两(🥤)个妹(➕)妹(🆗)四人(🛋)相依为(wéi )命。玲(líng )玲(🔙)不(bú )满(mǎn )父亲和公司的(🤛)秘书?崔(🐩)郁珊（宋冈陵(líng )）(🤱)交往(⛄)(wǎ(⚡)ng )，愤(fè(🗽)n )而(ér )带着妹妹离家(🍱)出走，借住在男友?方(fāng )子(🚪)威（秦(🏁)祥(xiáng )林(lín )）的朋友(💏)?孟游(🎴)正（叶(🃏)明德）的别(🏂)墅(shù )。崔(🌊)(cuī )秘(mì )书因不(bú )想(💇)破坏(🕴)他们父(🧜)女感情，向华父提出(🐘)(chū )辞(cí )呈(ché(🔟)ng )。 玲玲为了自(💂)食其力(😈)，找了一份秘书(shū )的(🗯)工作(🎠)(zuò(😸) )，但(dà(🆙)n )公(gōng )司老板和父亲(👁)有生意往来，玲玲因(yīn )而(🏍)辞职(zhí(🍣) )。好(hǎo )不(bú )容易知道(🚕)她们(📔)姐(🏑)妹住(🤲)处，玲玲的舅(jiù )舅劝(🈁)说(shuō )玲玲(líng )回(huí )家不成(🏕)，华父只(🤮)好拜托子威帮忙，但(🐻)玲玲(😡)(líng )拒绝(⭕)(jué )，反要子威帮忙找(⛴)新工作。子威介绍(shà(🕊)o )玲玲(🍟)(líng )担(dā(🐻)n )任高中(zhōng )老师外孙(🔇)女?小萍的家(🕝)教，万万没想(💍)(xiǎng )到(dà(🦉)o )小(xiǎo )萍(píng )的母亲正(⛺)是崔(🎟)秘书，玲(🚭)玲对郁珊冷(lěng )嘲热(😖)讽(fěng )，郁(yù )珊(shān )泣诉自己(㊙)的过去(✊)，并希望玲玲能体(tǐ(🔘) )谅自(🦌)己(🍱)(jǐ )的(😛)苦(kǔ )衷(zhōng )。子威和玲(🐱)玲为此大吵一架，子威(wē(🔜)i )愤而离(🎮)(lí )去。崔(cuī )秘书收拾(🔅)好行(⛑)李(♊)准备(📩)带小萍离开，玲玲不(🏪)(bú )忍小(xiǎo )萍(píng )失去父爱(🌯)，赶紧将(🎯)他们留下，一同(tóng )生(🐮)活(huó )。 为了化(😐)(huà )解误会，子(👟)威故意(🍑)谎称要跳海自杀(shā(🔣) )，玲(lí(🔦)ng )玲(líng )紧(❓)张地赶到海边，误会(🈵)冰释，两人(rén )也合好(hǎo )如(🥋)(rú )初(chū(🧤) )。 西班牙早期的科幻(🍀)电影(🆓)之(🎡)一，讲(🚂)UFO的(de )，同时(shí )带点(diǎn )当(🛤)(dāng )时西班牙THRILL片的神秘元(🛩)素。4/5 这是(🐠)70年代(dài )中期意(yì )大(➿)利(lì(📗) )一(🚈)(yī )部(🐾)重要的“政治电影”，讲(🎳)述了意(yì )大利南(nán )方某(📉)城(chéng )市(💝)的两位法官先后被(📈)杀，负责调查(⏫)(chá )的(de )探(tàn )长(🧕)(zhǎng )罗加(📃)斯(sī )把目光集中在(🎼)一个(🗡)名叫克(🎑)雷斯的药(yào )剂(jì )师(🦎)(shī )身(shēn )上，认为他因先前(🦂)被法院(🚹)判入狱而(ér )进行报(🎯)(bào )复(🌒)。但(💨)(dàn )罗(🌨)加斯的想法遭到警(🏩)方高层的否定(dìng )，总部(bù(🎵) )取消(xiā(🤔)o )了(le )他的任务并把他(⛱)调到(😵)另(❄)一个(👉)部门。后来罗(luó )加斯(⭕)(sī )了(le )解到原来黑幕就是(🚸)警方首(🥀)脑，但在(zài )追查此(cǐ(🚅) )事时被(bèi )不(💋)知名的黑手(🎇)开枪击(🖤)毙。 Lovely, but uptight young lass Sandy sheds her inhibitions and decides to happily indulge in group orgies in both San Francisco and Las Vegas after her doctor informs her that she only has a few weeks left to live. 製作＝東(dōng )映(yì(🍑)ng )（京(🗝)(jīng )都撮(🏗)影所） In all likelihood, a one-off revival of Wakayama's 11 film GOKUDO (SCOUNDREL) series, which originally finish in 1974. Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.