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哪咤(🈴)（傅声）生(shēng )于三千多年(nián )前的(👛)商(🛴)朝(🗝)，父(👑)(fù )亲李靖（卢(lú )迪），是当(dāng )时的(👖)总兵(👒)官(➗)，镇守陈塘关(guān )。在纣王的(de )统治下，人民(mí(🔺)n )饱(📳)受(🍁)压(😧)迫，哪咤总是抱(bào )打不平而闯祸(huò(🕊) )，因(👹)此令(🏥)其(qí )父增添不少(shǎo )麻烦。父子最(zuì(📻) )终水(🍷)火(🚐)不容(róng )，为救全家(jiā )哪咤不惜削骨(😵)(gǔ(💜) )还(🈲)父(🍧)削肉还(hái )母。然而，哪咤却为一位(wèi )神仙(🔄)太(🚵)乙真(🏍)(zhēn )人（李允中）以莲花令(lìng )其(qí(🗄) )复(🐓)活(🏐)，并(🍌)赐(cì )给他两件宝物(wù )，去解救(jiù )受(👤)(shòu )苦(🐾)的(🚿)百姓。 瑞典唯美派情(qíng )色大师乔.萨(sà )诺(🦖)（(🔮)JOE SARNO）(🎓)1972－(😑)1974年(nián )的名作“少女(nǚ )三部曲”之(zhī )一(🛷) While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. 愁(🌠)云惨(✊)淡(dàn )的华盛顿市，一幢普通公(gōng )寓(🛥)内，单(📪)身(⛄)(shēn )妈妈克莉丝（艾伦·鲍斯(sī )汀(👧) Ellen Burstyn 饰(✒)）(⛽)和(🔺)女(🌯)(nǚ )儿芮根生活于(yú )此。然而近(jìn )一段(💰)时(🤕)间，克(🔪)莉丝却被女(nǚ )儿种种怪异(yì )的举(⚡)止(🍅)折(🕢)磨(🚀)得烦躁不堪(kān )。芮根的行为(wéi )举止(🛠)怪异(🏑)，迥(👻)(jiǒng )异常人。克(kè )莉丝带她求(qiú )医问卜，终(🈲)无(💴)(wú(🚉) )所(🌚)获，甚至(zhì )精神科医生(shēng )也束手无(🔑)策(🤨)。万般(🛐)无 奈之(zhī )下，几近绝(jué )望的母亲求(⛓)助(zhù(🆔) )于(🎟)莫林神父(fù )（马克斯·冯·西多(🥒) Max von Sydow 饰(🤩)）(🌭)，一(🍀)个(😝)有着(zhe )丰富驱魔经(jīng )验的老者。恐(kǒng )怖(📕)的(🐫)夜晚(🥫)，神父与藏身(shēn )少女体内的恶(è )魔(😄)展(🐓)开(🦂)连(👪)番(fān )较量。这是一个注定让(ràng )无(wú(💶) )数人(🦑)永(🕴)生难(nán )忘的恶魔之夜(yè )…… 津軽(qīng )三(🌷)(sā(🖋)n )味(📷)線(🏌)が奏でる、やるせない男女の心(🆒)(xī(🏚)n )象風(🌻)景。 Two children go behind the scenes of a small circus. 小(xiǎo )辣椒和繡花枕(zhěn )受一位億(🍐)萬(wà(👼)n )富(⬇)翁林某所(suǒ )託，飛往美國(guó )三藩市(🛒)追(🌋)尋(⛷)(xú(🔁)n )他(📝)的獨生女(nǚ )兒林秀鶯的下(xià )落，並囑(🔢)二(💘)(èr )人(🎅)將此行任(rèn )務保持秘密。抵達後尋(🧜)找(⛸)(zhǎ(😛)o )林(🏬)女期間，因義助一女子(zǐ )免被小偷(🦋)扒(bā(🔐) )去(🈲)巨款，而與武館中的(de )教(jiāo )頭張得標結(jié(🦊) )為(🚜)好(🛃)友(❕)。兩人(rén )終在嬉皮(pí )士(shì )聚集的地(⛏)方(🔭)(fāng )發(🖥)現了林秀鶯(yīng )，可惜她誤(wù )入歧途(🎚)，結(jié(⛽) )識(🧦)了黑社會歹(dǎi )徒羅拔吳。小辣椒和(🗣)繡(🤼)(xiù(🔖) )花(🕥)枕(🚠)表明來意(yì )及說服她回(huí )港，不料羅(🕙)(luó(🐢) )拔吳(🔋)獲悉秀鶯(yīng )是香港富豪(háo )之女，即(🕚)與(🏛)(yǔ(🌽) )其(🎸)黑社會首領(lǐng )大哥合謀，將秀鶯擄(🛏)去(qù(🕧) )，小(🙋)辣椒和繡(xiù )花枕為拯救(jiù )她，聯同教頭(🈁)張(🦔)得(🈸)標(📖)一(yī )起(qǐ )前往歹徒基(jī )地…… 文(🔤)森(🍃)特(tè(😨) )和妻子弗(fú )朗(lǎng )索瓦丝年纪(jì )轻(💭)轻、(👅)两(🧀)情相(xiàng )悦。两人住(zhù )在日内瓦，生活(🤞)舒(🏨)适(🏂)，文(🍶)(wé(🚃)n )森特是个园(yuán )丁，妻子则(zé )在艺术画(🌘)廊(🤝)做(zuò(🔘) )助理。晚上(shàng )和朋友一起(qǐ )看电影(🏾)，之(👭)后(❣)(hò(🐔)u )讨论电影的(de )意义和使命(mìng )。可他们(🍾)受够(🔞)(gò(🚾)u )了自己只能(néng )做个见证者，见证世界上(🛑)(shà(🌞)ng )别(👉)的(😂)地方的(de )（尤其是第三世界）伟(wě(🐧)i )大(⭕)(dà )事(🆙)业。他们(men )不想看什么了(le )，只想行动(dò(🛃)ng )。文森(🕋)特(👺) 终(zhōng )于决定移民去(qù )非洲（因为(🏖)(wé(🍅)i )那(🌮)里(🍂)第(🏀)三世(shì )界离他们最近(jìn )，还有个可(kě(🗻) )以(🤴)帮忙(🐤)安顿(dùn )的朋友）。可(kě )等两人辞了(🚠)(le )工作(🌾)，卖(🐟)了(le )家具和车子，与朋友一一(yī )道了(📳)别，身(💒)(shē(🏗)n )在非洲的朋友(yǒu )却来了一封(fēng )电报…(👎)…(🚉)