关于(🤱)法王亨利二世(shì )的情(qíng )妇黛安·(💖)德·普(🏺)瓦(wǎ )捷(📐)和他的妻子凯瑟(sè(🥫) )琳·德(♍)·美第(🅰)奇之间(🥉)的权(quá(🦅)n )力与(yǔ(🚒) )感情之(🌡)争的电(diàn )影(🐺)。
A group of 18th-century scientists, led by Dr. Murdock, have remained young after all these centuries by using electricity to suck the life out of young women. If one of the scientists misses a treatment, his skin hardens to the toughness of stone. A female prisoner discovers why so many of her fellow inmates are disappearing, and attempts to stop them with the aid of a prison psychiatrist.
它也许(🎖)是世界(🔕)上第(dì )一部(bù )真正的摇滚电(diàn )影，也是摇(❄)滚这个(🏆)词第一(📑)次被(bè(💪)i )用到电影中，以今(jī(💷)n )天的(de )眼(🏯)光来看，它(tā )其(🍔)实(shí )和(🚴)一部纪(🏽)录片差不(bú(🗡) )多，因为(🅿)片中的(😥)情节几(🏟)(jǐ )乎(hū(🆖) )可以忽略不记，台(tái )词也(yě )只是对(🆖)音乐的(🚖)铺垫(dià(🔌)n )，它(tā )真正的意义在(⛔)(zài )于汇(🦇)(huì )集了(😵)摇滚乐(🍱)最早一(🍳)(yī )批乐(🍠)(lè )手歌(🙆)手的现场演(📠)出，并用(🕛)(yòng )这些(🛤)疯狂在现(xiàn )实世(shì )界里引出更多疯狂(kuá(💄)ng )，由(yóu )于(🛅)比尔·(🙉)哈利(lì(🧑) )、“彗星”等人的演出(Ⓜ)实在疯(🛡)(fēng )狂，而引起的(💆)骚乱(luà(💙)n )又太(tà(🔌)i )多，所以在英(🏮)(yīng )国众(👁)(zhòng )多城(💃)市遭到(🥗)禁映。
EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films.
清(🚋)末(mò )民初。村女徐红焦(jiāo )因(yīn )战乱(🛁)与未婚(🔡)夫张文(🙏)(wén )郎失(shī )散，卖身为(🦆)妓，易(yì(🌶) )名红(hó(🐃)ng )妹。张则(🎋)到故(gù(⛓) )府当(dā(🌩)ng )工人。一(🏃)天，胡家(jiā )少(💒)爷(yé )遗(🍅)张送绸(🕴)子给爱妓红(hóng )妹，红、张嘉得重(chóng )逢。红装(🌘)病不再(💜)接客，鸨(⏭)母(mǔ )便(🙏)以高价将红(hóng )卖给(📅)(gěi )胡。胡(💡)知情敌是张…(🚬)
『嵐(lá(👳)n )を呼ぶ(📝)男』（あら(🚞)しをよ(😺)ぶおと(✂)こ）は(🛃)、1957年に(🤽)公開された石(shí )原裕(yù )次郎主演(🦂)の映画(🚧)。石(shí )原(🦉)裕次郎の代表作(zuò(🍟) )の一(yī(🎻) )つ。その(㊗)後も、(🏿)主(zhǔ )演(🔵)渡(dù )哲(🥍)也（1966年(🐽)）、近藤(té(🏬)ng )真彦（(🚛)1983年）に(⛑)よってリメイクされている。北原(yuán )三枝(🈳)演じる(♊)ヒロイ(🍗)ンの女(🕖)帝マネージャーの(🐔)モデル(✏)は当(dāng )時女(nǚ(🎦) )性マネ(🌫)ージャ(🌀)ーのはしり(🚕)として(🚸)注目を(🖊)集めて(🍄)いた渡(🕐)辺美佐である。主題歌も裕次郎(lá(📆)ng )自らが(⏱)歌い、(🗿)彼にとっての最初(🙁)のヒッ(🚦)ト曲(qǔ(🧔) )となり(🙁)、独特(⬇)の歌い(🤗)方(fāng )が(⤴)今(jīn )日でも(🏒)ものま(🗳)ねの対(🍡)象になっている。
The city is rounding up all unlicensed dogs. Spike has a license. So does Tyke. An unlicensed stray steals Tyke's license; Tyke gets collared and the chase is on.
第(dì )一部・妖怪博士－(🈲)－警戒(👉)(jiè )厳重(🎾)な日本(🍑)原(yuán )子力(lì )第一工(🅱)場に、(📬)ある夜、怪盗(🍉)が侵入(👃)。新聞(wé(🦎)n )は国際スパ(🎉)イ団首(🎁)領、怪(🎾)(guài )人二(📷)十面相の仕業(yè )と報(bào )じる。幸い、狙わ(🍛)れた原(♟)子炉設(📍)計図(tú )は名(míng )探偵(🏡)明智小(🥔)五郎の(➖)機(jī )転(🎧)で相川(❎)技師長(👎)の家に(🕔)隠されてい(🍩)た。明(mí(⛎)ng )智は中(🕵)村捜査課長(zhǎng )に今(jīn )後の警戒を注意。明(⏮)智(zhì )の(😰)事務所(🧘)に集っ(💔)た小(xiǎo )林、相川、(🗳)篠崎、(🧢)斎藤(téng )、大野(🏑)、上村(👅)君ら少(🚅)年(nián )探偵団(👠)は、相(🙅)(xiàng )川君(🌨)(jun1 )のお父(👡)さんのためにも逮(dǎi )捕を誓い、捜査に(🏹)散る。と(👌)ある屋(📛)敷(fū )町で異様な風(🛺)態の老(🛺)乞(qǐ )食(🏵)を尾行(✴)した相(🔇)川君は(🏤)古(gǔ )びた西洋館で(🎻)縛られ(🤩)た少女(🎣)を発見するが、それは蝋人形。驚く中、(📮)紳士に(🌕)変装し(🏣)た二十面相に掴まり地下(🎠)(xià )牢に(🦈)幽閉され、妖(🎃)(yāo )婆の(📷)魔術で(🕑)魂を抜かれ(🤤)てしま(🔙)う。明智(🥈)や助手(shǒu )マリ子、少年達が不審がる矢先、相(👽)川君は(🚆)無事(shì(📽) )帰宅するが、妖婆(🌵)(pó )の指(🏎)金で設計図を(🌳)奪い去(💞)った。時(🖼)を移さず非常警戒(🛵)、対策(🦕)を練る(🏖)明智らの前にロンドン警察客員探偵(zhē(🙉)n )殿村(cū(🐥)n )と名乗(❎)る男が現われ、三日間で(🧀)事件解(😢)決を宣言(yán )、(🌯)明智と(🕛)対決(jué(👬) )する。彼をツ(🌆)ケた篠(👹)崎(qí )と(🏇)上(shàng )村二君は又もや二(èr )十面相の罠に掛り、(🥟)相川(chuā(📆)n )君のい(🚸)る地下室へ。約(yuē )束(👪)の日、(😀)殿村(cūn )は相(xià(👭)ng )川技師(❗)長や中(🈸)村捜(sōu )査課(kè )長を(🥟)伴い西(🍅)洋館へ(😠)急(jí )行、四少年を救い設計(jì )図も取り(🧙)出す。だ(🚫)が彼(bǐ(👏) )の仮面をはいだ明(míng )智は(🏚)一同と(🐵)落し穴(xué )へ転(💿)落。流れ(🤱)出る石(😩)膏の中でも(🍭)がく一(😊)同の上(🌳)に怪人の哄笑が響く。
理(lǐ )查德．萨里执(zhí )导的(🔈)(de )一部海(⛸)难电影(🤪)。故事描述(shù )一艘豪(🛵)华邮轮(🚝)遭遇(yù )海难(ná(🖋)n )，二十六(🦌)名乘(ché(🆗)ng )客挤(jǐ )上一艘只能(👟)容纳十(😥)(shí )二人(😂)(rén )的救生艇。在这险(xiǎn )难(nán )时刻，负责安全(🎭)的(de )救生(㊗)(shēng )艇主(🔦)只得作出生与(yǔ )死(👐)的(de )决定(👤)。气氛紧(🤗)(jǐn )凑，生动地反(🚑)映了人(🕍)海(hǎi )众(💿)生相。蒂龙．(🛢)鲍尔扮(🖋)演(yǎn )艇(😉)主(zhǔ )表现不俗，梅(méi )伊．塞特灵的表演也极(jí )为(🤺)精(jīng )彩(➕)，她自1962年(🐭)后(hòu )成为(wéi )瑞典著(😎)名的导(🌻)演。
自《那(nà )夜的(🤦)妻子》后(🛁)已没(mé(👈)i )见这(zhè )么绝望的小(😛)津(jīn )。战(📐)(zhàn )后作(🎧)品中，只这一(yī )部发(fā )生在严寒的冬季，亦(📱)(yì )只这(🏉)么一部(📚)，探往(wǎng )破碎(suì )家庭(☝)那缺去(🏎)的一员(☔)(yuán )。已(yǐ )出嫁的(😹)大女儿(🛒)(ér )没法(😆)(fǎ )与丈夫相(🍸)处，回到(🤱)(dào )父亲(💜)的家寻找避难所；未(wèi )出嫁(jià )的二女儿忽然(rá(🎨)n )怀了(le )孩(🍉)子，夜夜(🚕)到夜店(diàn )等候(hòu )负(😲)心汉的(😸)出现(xiàn )。与(yǔ )父(🚯)亲下属(📚)私奔多(📃)年的(de )母亲(qīn )，突然闯(🚠)进两女(🌤)儿(ér )的(🚎)生(shēng )活，可二女儿(ér )打掉(diào )孩子后，再没法(⛑)承(chéng )受(🎥)残(cán )酷(🍾)的现实。戏剧化(huà )的(🌛)(de )故事在(🗼)小津晚(👈)期作(zuò )品中(zhō(🐖)ng )不多见(💧)，但低调(🙄)的(de )处理(lǐ )手(🚙)法炮制(🙀)了不(bú(🥗) )少经(jīng )典场面。母亲在辞(cí )别东京的列车上不断(📃)探头(tó(🧟)u )张望(wà(📡)ng )女儿一幕，几(jǐ )乎预(🆓)(yù )见老(🥤)人晚境将至的(🚶)(de )凄凉(liá(🤐)ng )。豁达面(🎷)对生(shēng )命，是小津往(🍴)后作品(🐃)的出(chū(👠) )路。