The story is a man who spends the night in a sinister Wax Museum.
It is the beginning of 1945 during WW2 in former Austria. 500 Russian prisoners of war who have refused to fight on the side of the Germans against their country were moved to the concentration camp in Mauthausen awaiting execution. They decide to break out. One winter night the Russian prisoners make an escape. During the following shooting a great number of them gets killed. Some, however, succeed to hide in nearby villages. But the German Nazis convince the inhabitants of the villages to hunt the prisoners "like rabbits".
1913年，几乎与(🍳)《难(nán )夫(fū )难(nán )妻》拍摄(shè )的(de )同(tóng )时，一个叫(✡)黎民伟的广(⏯)东人在香港(💴)组建了一家(🍁)名叫“华(huá )美(🌽)(měi )”的(⏮)电(diàn )影(📶)(yǐng )公(🍱)(gōng )司(sī(🍳) )，不久(🔑)该公司就与(🕟)亚细亚公司(😾)合作拍摄了(🦉)《庄子试妻(qī )》，这也是(shì )影(yǐng )史(shǐ )上(shàng )第一(🕌)部由香港出(🎂)品的故事短(🚻)片。严珊珊扮(⏩)演的(🤛)虽不是(💽)(shì )重(🗺)(chóng )要(yà(🎴)o )角色(💏)，却(què )是(shì )中(😓)国银幕上的(🌜)第一位女演(🖋)员。
Walt Disney's 7th and last retelling of an old British fairytale from the Laugh-O-Gram Studio. Jack is trying to impress Susie by showing her a story how he will win her heart.
在荒凉而充满野性的美(měi )国(guó )西(xī )部(🙁)，荒原(yuán )的(de )腹(✌)(fù )地坐落着(🙆)一个孤寂的(🧘)小镇。牛仔 洛(🚠)克美(🔐)伦悠哉(🧙)游哉(🔯)地(dì )生(😥)(shēng )活(💸)(huó )于此，他(tā(🕝) )的(de )一(yī )大乐(🌏)趣就是戏弄(💐)可怜的杰瑞，先任其逃跑，然后从容(róng )地(dì(🌮) )抛(pāo )出绳索(🕹)(suǒ )套(tào )住(zhù(🥢) )杰(jié )瑞。如是(🏉)再三(🦃)，乐此不(🌂)疲。这(🏕)一天，引(📢)擎的(🤗)轰鸣声引(yǐ(🐂)n )起(qǐ )了(le ) 洛克(🗑)美(měi )伦(lún )的(⏪)(de )注意。一辆考究的老爷车带来了美丽性感(👌)的游客——(🕸)图(tú )丝(sī )。见(😗)到这(zhè )个(gè(🏇) )尤(yóu )物， 洛克(🎃)美伦(🕸)不禁怦(👺)然心(👠)动，体内(📽)荷尔(🤘)蒙呈几何数(👼)级(jí )增(zēng )长(🌀)(zhǎng )。他转(zhuǎn )瞬(🆘)(shùn )之(zhī )间(jiān )传来了最威武的行头，牛了牛(🧚)气地走到图(🥡)丝面前，展(zhǎ(🐺)n )现(xiàn )他(tā )所(📻)谓的(💹)(de )雄(xióng )风(🕳)(fēng )。在(😥)此之后(🍸)， 洛克(♍)美伦招来吉(🌟)他唱起了快(🥣)乐的德州情(♊)歌(gē )。
На берегу реки Соч(🌫)и нема(🎿)я танц(📡)овщиц(😬)а Гизе(🈺)лл(🗨)а зн(😵)ак(🏴)оми(🆔)тс(👽)я с Вик(😗)тором(🔜) и влюб(🍢)ляется в него. Кажетс(🌨)я, что В(💅)иктор(🦄) отвеч(🎡)ае(🌰)т ей(⛱) вз(⬅)аим(💩)но(🌟)стью, н(😥)о вско(👜)ре тан(🎢)цовщица обнаружива(🐜)ет его(🕹) с друг(🤶)ой. Уви(✳)дев Ги(🈺)зе(❌)ллу(🧐) в р(✍)оли(🗼) ум(👆)ирающ(🍷)его ле(⏪)бедя, в нее влюбляется (?)худо(🍟)жник Г(🤭)линск(🔝)ий, стр(🧑)ем(😼)ящи(🥚)йс(😝)я из(📘)об(🤥)разит(🕸)ь в кар(🚑)тине с(🖌)мерть, и использует т(🤜)анцов(🏂)щицу д(📩)ля осу(⛔)ществ(🥅)ле(🎵)ния(🤹) св(🚄)оего з(🛢)амысл(🤦)а.
I saw this at the London Film Festival in 1995 or 1996. The print had been lovingly restored from sections scattered around the world, including some from archives in Moscow. Somebody near me said "I'm really looking forward to this", which was understandable, since the director, as Michael Curtiz, later made some jolly swashbucklers and Casablanca, and the LFF had previously come up with several almost unknown silent masterpieces, including Jacques Feyder's Visage d'enfants.