天使的诱惑剧情简介

公元300年前后，吐谷浑部落公主可鲁(lǔ )克(kè )与(yǔ )家(jiā )奴(nú )托素相恋，却遭到部落首领的强烈反对，托素为了(⛄)追求自(🏣)己的爱(🏵)情，只身(🎑)涉(shè )险(📹)(xiǎn )去(qù(🐩) )西(xī )凉(💧)(liáng )，可(kě(🛃) )鲁克亦(🥏)追随而(🛵)去，历尽(😔)万(🕰)般艰(🍴)辛(🆘)和磨难(🎸)，最(zuì )终(🐕)(zhōng )感(gǎ(👯)n )动(dòng )天(🔋)地汇聚(🍃)成两片(🐌)湖水。 故(🎞)事发生(🌉)在新年(📑)来临之(👟)夜，传说(🧡)每年的(👥)这个夜晚，死(sǐ )神(shén )就(jiù )会(huì )来(lái )到(dào )人(rén )间(jiān )挑选一个罪孽深重的人来驾驶他的马车。这(zhè )次(cì )被(bèi )选(xuǎn )到的是个抛妻弃子又嗜酒(🏠)如命的(💖)流浪汉(🌡)，在流浪(🚸)汉由于(🤸)自己的(😃)作风问(👖)题而即(🍝)(jí )将(jiā(🤮)ng )被(bèi )夺(📐)(duó(📂) )走(zǒ(🍛)u )生(😪)(shēng )命(mì(❔)ng )时，一个(🍙)孱弱的(🗺)修女用(🕜)基督之(🌍)爱拯救(🎸)了他(tā(🙉) ) 米(mǐ )拉(🧤)(lā )德(dé(🤖) )是(shì )一(💐)个会偶(🕶)尔上学(🦉)迟到的小学生，老师没少批评，爸妈没少教训。可这一天，米(mǐ )拉(lā )德(dé )又(yòu )旷(kuàng )课(kè )了(le )，校长让他把家长请来，结果米拉德挨了(le )顿(dùn )打(dǎ )。可(🌝)(kě )他这(⏯)顿打挨(🏺)得很冤(💑)枉，因为(🛑)他并不(⌚)是有意(🍀)旷课。原(👑)来在上(😅)学的路(🕜)上(🍼)，他看(🈵)到(😜)(dào )一(yī(🏘) )名(míng )从(👹)(cóng )外(wà(🚙)i )地(dì )来(🥅)(lái )找儿(🏂)子的老(🆖)妇人，虽(🐾)然听不(🐠)懂她的(⚽)话，虽(suī(🌊) )然(rán )怕(🌠)(pà(📰) )迟(chí(💇) )到(dào )，可米拉德还是想方设法把老妇人送到了他儿子住的大街上，老妇人还奖励(lì )了(le )他(tā )两(liǎng )颗(kē )巧(qiǎo )克(kè )力(lì )。米拉德只有把这件事(❗)写进作(🍓)文以诉(🧢)说自(zì(😣) )己(jǐ )的(㊗)(de )委(wěi )屈(⭕)(qū )。第二(😮)天的听(🌻)写课上(🚤)，老师也(🐸)悄悄地(🔯)塞(👧)给他两(👹)颗巧克(🌷)力。 本片(🚪)的故事(👀)取材自(📄)(zì )拉(lā(🏓) )格(gé )洛(♏)(luò )芙(fú(🏭) )的(de )小(xiǎ(🔳)o )說。 16世紀(🤱)的時候(🌿)，年輕的(👮)蘇格蘭船長和他(tā )的(de )三(sān )個(gè )夥(huǒ )伴被抓在一個堡壘裡。 他們設法逃脫，並殺死財主阿爾納，搶走他藏有財寶(bǎo )的(de )箱(xiāng )子(zǐ )，這(zhè )樣(yàng )他(🥣)(tā )們每(🏍)個人都(👛)成為了(🍔)富翁。 他(🎡)們華服(🚦)在身，只(👇)(zhī )等(dě(🧓)ng )陷(xiàn )入(🤥)(rù )寒冰(📷)的船隻(⏭)解(😋)凍就逃(🐸)回英國(👿)。 蘇格(gé(😡) )蘭船長(❓)遇到了(🧘)阿爾納(🍱)的親屬(🧝)艾爾莎(🌧)麗。 美(mě(⏭)i )麗(lì )清(🚤)(qīng )新(xī(🍾)n )的(de )姑(gū(🥏) )娘(niáng )對船長一見鍾情，愛上了他。 不久，艾爾(ěr )莎(shā )麗(lì )知(zhī )道(dào )船長就是殺害自己親人的兇手，陷入絕望，在極度痛苦中自殺身亡。 美国人(📏)(rén )艾(à(🌇)i )伦(lún )·(🌶)卡(kǎ )弗(🔓)(fú )（肯(🍒)尼斯·(🐌)哈兰 饰(💛)）坠海(💴)后被海(🎮)狼冲到(🕡)岸边，莲(🍠)(liá(🖋)n )花(huā )（(👵)黄柳霜(🌗) 饰）救(📇)了他，并(🆑)悉心照(🕢)料卡弗(📸)恢复健(😫)康。二人(🧓)坠入爱(🎦)河。莲花(🛫)憧憬着(💚)和(hé )卡(🎩)(kǎ )弗(fú )一(yī )起(qǐ )去(qù )美(měi )国。 The story is a man who spends the night in a sinister Wax Museum. For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence. Catherine is a servant girl working for the local mayor and victim of the sharp tongues of the mayor's wife and her friends. This is made clear in a first scene where she is asked to get the key of the mayor's desk at a cultural party the wife is attending. She is harassed by the whole elite who dislike the intrusion of the maid. In this scene it's made clear also that the wife has a secret lover who will later challenge the mayor's political career and will use Catherine as a scapegoat for his own ambitions. This role of "bad guy" is played by Renoir himself. The mayor who is fond of Catherine and is afraid that she'll be more victimized by his wife asks his sister to give Catherine a position in her own household. The sister has a son with tuberculosis (role played by Dieudonné). He's so weak he has no success with women of his class but of course Catherine will like instantly this fragile man. He dies after kissing Catherine while the rest of the town is celebrating carnival. The kissing scene at the window mixed with the fireworks is a brilliant moment of silent melodrama. Catherine is in mourning and because of that driven away by the mayor's wife and her friends. It is indecent that a servant girl is in mourning and shows public affection for someone who is not from her own social status. The emotions of Catherine are the element of disorder in the social ordered world of the rich. Catherine goes away and hides in a cheap hotel in the city where she is also bullied by a local pimp who sees in her an easy target to exploit. By accident Catherine is seen in the hotel window with the pimp, so more reason for gossip by the elite. When she returns to the village looking for a job she is rejected everywhere, even by the local Christian relief organization of which the mayor's wife became president. She meets the mayor again who is shocked by the attitude of the town, takes her in his home again and promotes her to his secretary. The wife is furious of course and leaves her husband to live with her mother. It is start of a slander campaign against the political credibility of the mayor. The lover of the mayor's wife sees what is happening as a golden opportunity and makes a public attack on the moral character of the mayor (what's new under the sun?) Catherine wants to avoid the downfall of her protector and leaves the mayor, explaining herself in a note. She hides in an old tram for the rain while the mayor is driving around in his car frantically looking for the girl. Two vagabonds are thrown out of a pub and out of frustration push the tram car, so it starts a crazy race up and down the hills towards the bridge and the valley abyss. Catherine is already accepting her death but is saved in time by the mayor who has made his choice for the girl. The social implications of his choice are not shown but are clear for all.